Reborn Japan for entertainment

Chapter 685 Japanese Oscar (seeking tickets to subscribe!)
As one of the most important film awards in Japan, the Film Academy Awards often reflect the style of the entire Japanese film better than the Film Weekly, especially this year.

It can be said that the Japanese film market in 2010 is more colorful than that in 2009.The overall quality is also higher than in 2009.

The new director Kiyoshi Sakamoto announced to the Japanese film industry that a genius director was born with "Those Years", which broke the record in Japanese film history and became the highest-grossing romance film in Japanese history!

Many famous masters have presented new works, such as Nakajima Tetsuya's "Confession", Yamada Yoji's "Brother", Kitano Takeshi's "Extreme Evil", and Lee Sang-il's "Wicked Man". . .

This year's Film Academy Award is of great significance to Sakamoto Kiyoshi.

In the three of the four major film awards in Japan that ended not long ago, the Blue Ribbon Award, the Film Xunbao Award, and the Mainichi Film Award, Kiyoshi Sakamoto's directorial debut "The Girl We Chased Together in Those Years", even if it won Even though it was selected as one of the annual TOP10 by the Film Xunbao Awards, it was shortlisted for the best film, best director, best actor, and best actress in the four major awards. . .

However, he still lost to the veterans of his predecessors, and finally returned empty-handed.

Although in Japan, the market for youth films has always been huge.

Youth films that contain elements of love, youth, youth, etc. are very popular not only in Japan, but also in the whole world.

However, youth films have a natural disadvantage in the very professional film awards.

The judges of the film awards prefer all kinds of art films that reflect social phenomena, can reveal human emotions through film means, and are rich in connotation.

Although "Those Years", which broke the record and became the annual box office champion, did not win the favor of major awards.

Apart from a few consolation awards, almost nothing has been achieved.

The embarrassment of having no nominations but not being able to win an award made Kiyoshi Sakamoto pin his hopes on the Academy of Film Award, which was released last among the four major film awards.

He understands that with the astonishing box office of "Those Years", if he can win another heavyweight movie award, then only this movie can bring him and SMA greater benefits and fame.

Of course, his "director" status is considered more stable.

. . . . . .

As the box office champion in 2010, "Those Years" relied on its good reputation and praise from many film critics, and it has also become a big hit in the awards season.

At this year's Academy Film Awards, "Those Years" also received seven nominations, second only to "The Wicked" with [-] nominations and "Confession" with [-] nominations, becoming one of the most nominated works of the night .

Among the nominations for "Those Years", the most important ones are naturally the best work and best supervision in the professional department, as well as the four awards for best actor and best actress in the acting department.

However, in the face of the two award-winning masterpieces of "The Wicked" and "Confession", "Those Years", a small fresh youth film, seems difficult to break out.

After the nomination list came out, almost all the media agreed that the "best work" must be born between "The Wicked" and "Confession".

As for Kiyoshi Sakamoto's directorial debut "Those Years", the chances of winning an award are slim.

The same goes for "Optimal Oversight."

Although it broke the box office record, it caused a huge social discussion.

However, the box office success of "Those Years", to a large extent, was due to Sakamoto Kiyoshi's high popularity and wide audience base, coupled with the topicality of his first director, formed a wave that swept across Asia in a short period of time. storm of youth.

Compared with the story content of "Confession" and "The Wicked", "Those Years" is just a youth film with a touch of regret.

This kind of movie, let alone whether it is good or not, just in the eyes of the judges, it is not very flattering.

Especially when Kiyoshi Sakamoto, as a representative of new film forces, tried to break the shackles of seniority in the Japanese film industry, the diehards of several major film awards naturally did not want him to win the award.

This is why, even though "Those Years" received multiple nominations for several major film awards, it did not win a more important award.

What's more, this year is really bad luck.

The opponents of "Those Years" are Tetsuya Nakajima's "Confession" and Lee Sang-il's "The Wicked".

Therefore, Sakamoto gave up the public relations for these two awards early in the morning, and instead chased the "Best Actor Award" that had a chance to win

As mentioned above, the reason why the Japan Film Academy Award has been criticized and controversial is because NTV, which is responsible for the TV broadcast of the award, is too ugly.

The film invested and shot by NTV has won almost all the awards in the film academy awards known as the "Oscars in Japan". There are actually three times in total!

1997's "Talk about Love, Dancing and Dancing", 2003's "Twilight Qingbei", and 2005's "Eternal Sanchome Sunset" all won [-] of the [-] nominations!
It is NTV's "behind-the-scenes operations" in the Film Academy Awards that have caused unprecedented criticism of the fairness of the Film Academy Awards.

Of course, it was also because of this that NTV did not dare to continue doing this in the next few years.

After getting the chance to compete fairly, Kiyoshi Sakamoto felt that under the operation and public relations behind the scenes, his first actor is not so far away. . .

. . .

The film award ceremony process is still much faster than the music award ceremony.

Compared with the Grammys that Kiyoshi Sakamoto participated in a few days ago, after an award was awarded, a guest performer had to perform on stage. On to the next one.

However, even so, Kiyoshi Sakamoto, who has participated in the academy awards many times, still feels that the upcoming three-hour awards ceremony is really long.

Just when Kiyoshi Sakamoto was full of thoughts, the 34th Academy Film Awards was still going on. . .

The first to be awarded was the Best Supporting Actress Award, which had nothing to do with the crew of "Those Years".

This award was undisputedly won by the old lady Shu Xilin with superb acting skills.

Then, several newcomers who won the best newcomer award also came to the stage to receive their certificates.

In this award, the talented son-in-law Ashida Mana also created a new history.

At the age of 6, she broke the record set by Kiyoshi Sakamoto, who was sitting in the audience, as the youngest recipient in the history of the Film Academy Award, and became a new record holder!
Therefore, when Xiao Aina was solemnly saying her award declaration, the cameras on the scene kept clearing the shots of Sakamoto.

And Sakamoto Kiyoshi also smiled and clapped hard for the cute Xiao Aina. . .

(End of this chapter)