villain king

Chapter 223

The start-up ceremony dances to the gods, which is reasonable.

According to Zhang Meng, ordinary ghosts and gods cannot pass through Shanhaiguan.

Regardless of the process, his trick really earned a lot of attention.

Three-Handed Rose was quite unhappy, if Zhang Meng had said earlier that he wanted to dance to the Great God, he wouldn't have invited anyone to come.

Their band guys have all the things, they can sing directly on stage, and they can also play two duets to add to the fun.

But seeing the hot topic, Ji Yun didn't say anything else.

After all, the trend of the Internet is always on the way of all the staff working together. His step is considered to be ahead of others.

The culture of appreciating ugliness does hinder the public's perception, but it is not useless.

It has indeed brought to light some of the art that was previously considered lowbrow.

"How do you say that? It's not enough to blossom upwards, so let's take root downwards."

"Indeed." Ji Yun nodded.

Don't think about mining art in the old publicity mode, they are all self-styled artistic basins.

Propaganda that coexists with warmth and humor like "What is Peggy" can achieve the effect that is suitable for all ages.

"You have to sacrifice a bit for this film. If you can't let it go, you won't be able to laugh." Zhang Meng rubbed his hands. Although it hasn't snowed yet, the weather is getting colder every day.

"Don't worry, I know what to do."

Zhang Meng has a sense of humor, which can be seen from the sketches in the Spring Festival Gala.

Although the book "Kung Fu" is still slightly inferior to classics like "Yesterday, Today and Tomorrow".

But it can also easily play all the language works of the Spring Festival Gala after 08.

The success of "Blessed Ears" also proved that he is capable of instilling this sense of humor into the film.

The ability of black humor is not lost to Ning Hao at all.

In the future, films such as "Charlotte's Annoyance" and "The Richest Man in Xihong City" can also be handed over to him to shoot, anyway, it is not difficult.

Not to mention, Ji Yun really looked at him with admiration just because he did it like this.

And the other one who impressed him was Liu Che.

For no other reason, he invited Gao Yuanyuan over.

Not only for "Embroidered Spring Knife", she also made a guest appearance in the role of her ex-wife Xiaoju in this play.

She was supposed to take on a thriller called The Third Man.

I don't know if Liu Che used his power or relied on his sharp tongue to invite her over.

Makeup is a magical craft, it can erase the traces left by the years on the face.

Of course, it's easier to get more erosion on the face.

Ji Yun's temples were painted slightly white, his hair combed straight, and matched with a gray suit, he seemed to be more than ten years older.

With a pinch of mustache, it looks like Maori Kogoro.

In the background, Chen Guilin and his ex-wife Xiaoju are both in their 30s.

But Gao Yuanyuan's style is undoubtedly much younger, which is also the effect Zhang Meng wants to achieve.

Sitting in front of the monitor, his hands trembled slightly.

I'm used to being poor!

The previous movie, Blessed Ears, was about living frugally, and Mr. Fan Wei didn’t ask for much salary because of his father’s relationship.

This film made him realize the happiness of a great director.

The mountains of films in the background seemed to be his straightened spine at the moment.

Since he was so rich, he stopped talking about the drama, and gestured to Ji Yun and Gao Yuanyuan in the camera: "Let's shoot first, if we can't, we can discuss it later!"

"The first act of "The Piano", the first scene, the first time, ACTION!"

With a sound of hitting the board, Gao Yuanyuan instantly entered the state.

"Divorce is mutual fulfillment. If you let me go, I will let you go."

Gao Yuanyuan's voice is not bad, and if she lowers her voice, she can really hear the toughness.

"Divorce is divorce, don't talk about those useless things, I agree."

Ji Yun had a cigarette dangling from his mouth, looking nonchalant.

The accordion on his chest was heavy, but he still stood upright.

The composition of this scene is very interesting. Behind the two is a dilapidated factory building.

There are still two pieces of the shed bone of the factory building, which look like wings made of steel from a distance.

Behind Ji Yun was a dilapidated appearance, only a sparse skeleton, while behind Gao Yuanyuan was a complete skeleton.

With lines, it is easy to empathize with people.

It's not that Ji Yun has never met a director who likes metaphors, and Guan Hu is well versed in this.

But Zhang Meng is different. He makes the metaphor very shallow so that everyone can understand it.

Chen Guilin, played by Ji Yun, is fighting with his ex-wife for custody of their child. However, Chen Guilin's clothes are shabby and his situation is similar to this broken "wing".

The ex-wife dresses brightly, which is obviously able to give the children more favorable living conditions.

As for the metaphors of the blue coffin and the music box in the killing, he dared to say that nine out of ten audience members could not understand.

Don't say that the depth of a metaphor can only be seen when it is hidden, the deeper it is hidden, the better.

"The Devil Is Coming" has been hidden deep enough, but the inspectors have turned it upside down.

It's not just about reviewing, Jiang Wen's most acclaimed work is not "Sunny Day", but "Let the Bullets Fly".

That kind of inseparable metaphor is what the audience really likes.

After all, hide-and-seek is the happiest moment when you catch someone.

"Just agree."

"Then take the time to do it. The refrigerator, color TV and washing machine at home, you can move it."

The two faced the camera without making eye contact.

It not only symbolizes the breakdown of the relationship between the two, but also maintains the artistic conception of the composition.

"Did you treat me as a waste collector?"

"I almost forgot, you are rich now."

Ji Yun showed a little sigh, behind him was an earthen wall, and behind Gao Yuanyuan was a path.

One is locked in place, and the other has an uncertain way out.

"I do not want anything."

"Okay, as I thought."

"However, I want to take Xiao Yuan away."

Gao Yuanyuan's lines are well-spoken, but it's not that she didn't have time to learn the accent.

It's just that Zhang Meng wants to highlight the gap between the two through this comparison between Mandarin and dialect.

It turned out that Zhang Meng wanted to hire Zhang Shenying, an actress from Bangziguo, for this role, but she was unwilling to learn such a few simple lines, and the filming would not even match the mouth shapes.

Of course, the more important reason for Gao Yuanyuan to act is that she is good-looking, that is, she can say 1234567 to the camera.

"What? Xiao Yuan, you want to take it away?"

The camera gave Gao Yuanyuan a close shot, and the wings behind her seemed to extend from her back.

Her eyes became firmer, "Chen Guilin, let me tell you, the child will not be happy with you."

"Don't scare me with happiness, Xiao Yuan is very happy."

"Okay, card!"

The language of this shot is really too eye-catching. If an ordinary director handles this scene, he will definitely make the two people conflict as much as possible.

The camera is facing the front and back, and I can't wait to jump up and scold people to make this contradiction stand up.

But Zhang Meng abruptly took the opening scene into a painting.

Ji Yun squatted next to Zhang Meng and took a look. The effect of this film is better than that of digital, and the overall picture is quite textured.

(End of this chapter)