my life is running wild

Chapter 195 The Fifth Period Settlement
Seeing this, someone should have noticed that Liu Chengyin's work this time is different from the previous ones.

That's right, Yoo Seung-yin does not plan to release the "food discipline film" as a movie, but in the form of a "series"!

After making many movies, Liu Chengyin actually realized one thing during this period.
This matter is a bit complicated, where to start?

There is such a common saying in the film and television industry, that is: movie actors are higher than TV actors, and drama actors are higher than movie actors.

Of course, this "higher than" refers to the "threshold", not the "upper limit".

In fact, there is no real distinction between the three.

Because, whether it is movies, TV series, or other things, as long as it is art, they have no upper limit. At most, there are only "historical upper limit" and "current upper limit".

As humans continue to explore art, this "historical upper limit" will continue to be raised!
Since the upper limit is infinite, the "addition of the upper limit and the lower limit and the average score" of the three are "infinite".

Since everyone's average score is "infinite", there is no difference.

However, saying so.

What about in reality?

In the eyes of many lay investors, they don't know the true level of actors at all, and they don't know where the "upper limit" of actors is.

However, they have a way: since we don't know where your industry's true level is, we can know your "lower limit" through whether you have acted in dramas or movies before?

They think: since you can act well in dramas, you will naturally be able to act well in movies, and if you can act well in movies, you will naturally be able to act well in TV dramas.

Then, when actors who can act well in dramas go to movies, and actors who have acted well in movies go to TV dramas, investors and audiences will feel "reliable"!
Over time, whether a movie actor has acted in a drama, whether a TV actor has acted in a drama or a movie, has become an important way for ordinary laymen to distinguish the professional ability of an actor.
When actors lack the means to prove their abilities to lay investors and audiences, they can only use this method of "proving the lower limit" to indirectly prove their strength.

In order to prove that he is not an ordinary TV actor, TV actors try to break into movies.

Movie actors act in plays in order to prove themselves.

Then I don’t know how to pass it on, and finally it became: "The movie actors are higher than the TV actors, and the drama actors are higher than the movie actors".

Drama has nothing to do with Liu Chengyin for the time being.

Let's talk about movies and TV series today, and the reason why Liu Chengyin didn't make a movie this time, but chose to make a TV series.

Here we have to focus on the "threshold" problem mentioned earlier!
In fact, the threshold of TV series and movies is not "one-way".

This threshold is not only the threshold of the crew's shooting ability, but also the threshold for the audience to watch the work!

It is said that the threshold for movies is high and the threshold for TV dramas is low because:

Firstly, the movie is short, so if you want to tell a story clearly and well in such a short time, it is a test of the skills of the director, screenwriter, actors and other cast members of the crew. The crew will try their best to Make the props and background as delicate as possible.

Conversely, the TV series here.

There is no limit on the total duration of TV dramas. Don’t worry about running out of time. The story will be endless due to the time limit. You can add “water” at will. Some plots that have nothing to do with the main story but feel interesting can also be added.

Second, this part is the key!Here is the beginning of the "audience threshold"!

You know, movies and TV shows are monetized differently.

Movies mainly rely on the box office to make money, and a ticket costs dozens of dollars.

For most people, tens of dollars is already a considerable proportion of their daily income!

Although it is not unaffordable, it will still cause "a little pain". This is a threshold!
Not to mention that it takes extra time and energy to go to the cinema, which is also a threshold!
Therefore, viewers who bought tickets will be "picky" about the services they bought with "huge sums of money".

If there is a slight problem with the movie, the audience will feel that they have spent money to buy a "fake product" and feel uncomfortable.

Before many people decide whether they want a movie or not, they will be as cautious as picking furniture and clothes. They will determine whether the movie is worth the money by reading the movie introduction and various "mine-sweeping" information.
If after watching "Minesweeper", they still want to watch it a little bit, but feel that the attractiveness of the movie cannot offset the "repulsion" generated by the ticket price and "extra time and effort", then they may choose to wait for the movie to be released on the platform. Watch it after it’s free, or even go straight to the gun version.

But when the online resources come out, it is usually half a year later.
And what about TV shows?
TV dramas usually make profits from the advertising placement revenue of the broadcasting platform. Viewers do not need to pay, and at most open a membership.

After the TV series is launched, you don’t need to find time and energy to go to the cinema. You have a mobile phone and a computer, and you can watch it anytime, anywhere, whenever it is convenient for you.

It takes only a few seconds to log on to a website and open an app.

Good news for lazy people!

And how much is it to open a membership?

It's only a dozen dollars.

A dozen dollars is much cheaper than a movie ticket worth tens of dollars!

Moreover, compared with movies, TV dramas are "large in volume and full of content". They usually start with more than 10 episodes, and each episode usually starts with [-] minutes. The total time easily exceeds [-] hours, which is at least ten movies!

Furthermore, being a member is not limited to watching that TV series, you can also enjoy other video resources on the platform.

Gospel for the poor!

Therefore, even if you are "lazy and poor", you can easily enjoy the content of TV series.

Because of "less pay, more gain, and high cost performance", audiences will not have too high requirements for TV dramas. If there are any bugs in props, backgrounds, and plot scenes, as long as they are generally interesting, audiences will usually not be too concerned. Carp.

It can be seen from this that not only the shooting threshold of the film crew is higher than that of TV dramas, but even the audience's viewing threshold is higher than that of movie dramas!
And this "viewing threshold" has become a major obstacle restricting Liu Chengyin's harvesting influence!
Although a movie will eventually become an online resource after a few months of release, the viewing threshold will be reduced to the same level as a TV series over time.

But Liu Chengyin doesn't have that time!

in a few months?

Before that, Liu Chengyin had already completed the settlement, and Liu Chengyin would never receive any subsequent influence!

Therefore, Liu Chengyin plans to kick the threshold directly this time!
He wants to make "Food Disciplinary Film" into a TV series, preferably one that can be watched without membership, even without watching the advertisements, and it can be done in one step, even the "job bowl" of the gun version of the website is ruined for him !

In this way, as long as everyone wants to see it, they can see his works without threshold, so that he can realize his influence in the shortest time, which should have been fermented for more than half a year!

Although this will make Liu Chengyin less earn a lot of money that he should be able to earn, but...
For one thing, Liu Chengyin is not short of that money now. For him now, even if he has a few billion more in his hand, it will not bring any changes to his life and creation. The money in his hand is already more than enough up;
Secondly, from Liu Chengyin's point of view, the money he earned less didn't really disappear, they were just exchanged by Liu Chengyin for influence.

With influence, Liu Chengyin can extract more powerful skills, but those powerful skills cannot be bought with money. More money cannot bring changes to Liu Chengyin, but powerful skills can. !
Therefore, Liu Chengyin wants to make a TV series.

This is actually an idea he had long ago.

How long ago?
As early as when he first settled, when he saw that the influence of the paid game was not as good as the free promotional video, he had this awareness, but when his situation at that time and in the following period did not allow him to do so Do.

One is because of the "three-part agreement" between Liu Chengyin and Liu's mother. This agreement made Liu Chengyin focus on how to make a movie that can win the award to fulfill the original plan, and could not be distracted from thinking about TV dramas.

And at that time, others only told Ryu Seung Yin "you are a genius for making movies", but no one told him "you have the potential to make TV dramas".

It was only later that Liu Chengyin realized that TV dramas are better than movies.

Now, Liu Chengyin still "peacefully terminated the contract" with Liu's mother. Without this kind of pressure, Liu Chengyin naturally wanted to shoot whatever he wanted.

Second, there is no time.

The production cycle of TV dramas is too long. For Liu Chengyin, several billing cycles may have passed in the normal time to finish filming a TV drama.

Liu Chengyin rushed to produce works, so that he could settle the good things quickly, and couldn't afford to wait.

But it’s different now. Liu Chengyin’s TV drama is produced by the way during the trip. The content structure is simple, that is, eat everywhere, comment on the evaluation and improvement methods after eating, and then pick out some dishes to make according to your own ideas. The production of this drama It doesn't take long to get up.

Liu Chengyin did it all by himself.

In short, after such a long time, now, Liu Chengyin can finally verify his original idea
June is finally coming to an end.

On the last day of June, Liu Chengyin pressed the "deadline" and went to Shanghai Opera, and handed over the homework and papers written during the trip to their respective places.

In this way, his tasks for this semester are all done.

After handing in the task, not long after, the day of the fifth cycle settlement arrived!
July 7, afternoon.

Liu Chengyin stayed alone in the room, quietly waiting for the countdown to end.

While waiting, he thought about what works he had released in the past three months.

For example, the "Iron Tiger" filmed last year and released not long ago?
Although he only participated in part of the work
However, even in Liu Chengyin's other works, Liu Chengyin didn't do everything by himself, did he?
Therefore, it stands to reason that "Steel Tiger", which he has a lot of participation in, should also be counted as his work.

The "realistic special effects" shown by Liu Chengyin in "Steel Tiger" caused quite a stir at the time, and the influence should not be low.

Besides, what else?
Does the CG of the "brain circuit for solving crimes" count?
Although he didn't charge anyone for it when he posted it on the Internet, it should still be regarded as a kind of work.

Also, after he broadcasted the creative process of "Case-solving Brain Ideas", he recorded the live broadcast and sent it out. How can this be considered a "work"?

If counted.
Liu Chengyin recalled the reaction of those netizens when they saw that he did not need advanced computer assistance, but completed such a section of CG purely manually.
He felt that he might be able to obtain an "S" level skill by demonstrating the combined effects of the two A level skills [Perfect Look and Feel] and [Key God].
If this is really possible, Liu Chengyin feels as if he has found a bug!

In this way, Liu Chengyin can learn new and more powerful skills by constantly showing other skills and various "permutations and combinations".

Then after getting the new skills, he can add the new skills to the "Arrangement and Combination", and then brush "Works".
In this way, Liu Chengyin doesn't have to think hard about new works, as long as he keeps "snowballing" in this way, he will be able to create the comprehensive influence of "S++" in a short time!
This is because the system said that it has the highest rating of "S++", otherwise. Humph!

Of course, the premise is that the system will regard it as a "work".

Liu Chengyin was thinking.

At this moment
【0 day 00:00:01】

[The fifth cycle has ended, and settlement begins now.]

[Number of published works in this cycle: 3]

[Works include: "Steel Tiger" (film), "Thoughts for Solving the Case" (CG Animation), "Looks and Feels Beyond Dimensions" (photography)]

Seeing this, Liu Chengyin couldn't help heaving a sigh of relief.

Obviously, that live video was not counted as a "work".

Liu Chengyin's idea of ​​relying on bugs to refresh his skills fell through.

Feeling regretful that he didn't take advantage, Liu Chengyin continued to read
[Begin to evaluate the works: "Steel Tiger" (film), "Thoughts for Solving the Case" (CG animation), "Looks and Feels Beyond Dimensions" (photography)]

[Work "Steel Tiger" (movie), influence B]

[Work "Case-solving Ideas" (CG animation), influence B-]

[The work "Looking Beyond Dimensions" (photography), influence C+]

【Comprehensive influence: B++】

The influence of "Iron Tiger" is only B?
After Liu Chengyin thought about it, he finally felt that it was normal.

The most important reason why the movie "Steel Tiger" caused a sensation was because Liu Chengyin's special effects were too "realistic".

Forget "realistic special effects".

Although Liu Chengyin participated in the creation of the movie "Steel Tiger", even "Chasing Dreams" directed by Liu Chengyin has achieved such a good box office and broke the domestic box office record. It is only an "A-" Ratings only.

As Liu Chengyin showed the picture sense of "perfect look" time and time again, the audience has become more and more "anti-influence" to the "perfect picture".

(End of this chapter)