Rebirth of Japan's Sekiro Legacy

Chapter 210 Turn it over to the country
In today's class, Kazuya still didn't come.

According to Kanda Otowa's report, Nozomi Arakawa knew that Kazuya would stay at the hospital for at least a month.

But it doesn't matter, today's plan, he planned to do it alone, not even Ao Ye.

After school in the afternoon, he went straight to the Tokyo National Museum, a museum in Tokyo.

The Tokyo National Museum is the largest museum in Japan. It is located at the northern end of Ueno Park in Taito District, Tokyo. It was founded in the fourth year of Meiji.

This is a Japanese national-style double-storey building consisting of the Toyokan on the left, the Pyokekan on the right, and the Horyuji Treasure Museum next to the gate. There are a total of 43 exhibition halls, and the museum houses 10,000+ pieces of Japanese history. Cultural relics and art treasures, 70 of which are designated as national treasures, the value is immeasurable, and it also reflects the culture, art and people's life in various periods of Japanese society.

Arakawa looked at the reception desk in the lobby of the Horyuji Treasure Museum.

The front desk staff bowed: "Sorry, the Horyuji Treasure Museum is only open on Thursdays."

"I know, I'm not here to visit." Arakawa Wang said.

"Then what can I do?" The staff at the front desk were a little puzzled.

Generally speaking, people who come here to visit will not come to the reception staff unless they have special circumstances. After all, in a place like the museum, you only need to go to the exhibition booth to browse various antiquities. There are also special tour guides for foreigners.

"Well, is the curator here?" Arakawa Wang said.

"Well... May I ask what you can do with the curator?" The staff at the front desk asked curiously.

The curator of the National Museum is the deputy director of the Ministry of Culture of the Ministry of Education. The handsome boy in front of him looks like a high school student and is still wearing a school uniform... No matter how I think about it, he has no connection with the deputy director of the Ministry of Culture of the Ministry of Education.

"I want to meet him." Nozomi Arakawa said.

"Sorry, please go back, the curator is not here now." The staff felt a little funny in their hearts. The deputy director of the Ministry of Culture, Ministry of Culture, you, a high school student, can see it just by saying it?You're not his illegitimate child or anything...

"Actually, I came here to hand over cultural relics."

Nozomi Arakawa noticed a little disdain in the staff's tone and eyes, but there was no need to be angry.

He just took off the baseball bag on his shoulder and gently placed the contents on the table...

"This is..." The staff was stunned.

Lying quietly on the wooden table painted black was a red big sword. When it comes to you, it can also make you feel its former bravery and danger.

"This is an ancient sword from the Heian period." Nozomi Arakawa said, "Can I meet the curator now?"

"Of course!" The staff at the front desk nodded and bowed in trepidation.

People who donate cultural relics, no matter who they are, have to be treated like VIPs.

... * ...

Tokyo National Library, reception room.

There were two people sitting on both sides of the antique tea table, a middle-aged man in a suit and leather shoes, wearing glasses and with a somewhat stout figure.

The other is an upright and young high school student.

Yamada Wenji looked at the gentle young man in front of him, and then at the red ancient sword on the table.

"My name is Arakawa-kun, right? Are you really willing to donate this ancient sword to our museum?" He pushed up his glasses and said solemnly.

"Yes, I have this wish." Arakawa Wang nodded.

Fumichi Yamada nodded approvingly, he admired such a young man.

It is undoubtedly exciting that the museum can get one more cultural relic without costing any money.

——After all, free prostitution makes people happy.

When he received the call, he was not as excited as he is now.

After all, there have been cases where donated cultural relics were considered fake.

So before seeing the true face of the cultural relic, he tried his best to keep his mood calm.

After all, the greater the expectation, the greater the disappointment. Otherwise, I would be full of joy and rush over like a 180-pound child. At first glance, it is a fake!

This makes people uncomfortable, no less uncomfortable than when your parents said they would give you a birthday present but when you opened the gift box, it contained "Five-Year Simulated Three-Year College Entrance Examination".

So when I saw "Worship Tears" again, Fumichi Yamada was very excited.

Of course he knew that the ancient sword in front of him was a cultural relic. He had seen many antiques over the years, and he thought he had some discernment.

This knife is undoubtedly an antique, because the "continuous rope" tied to the scabbard has turned yellow and black. This cannot be imitated. This kind of thing can only be found after a long time. The dirty color and effect, and he was fascinated by the knife from the first moment he saw it. His intuition told him that this knife was no ordinary thing.

"Experts who appreciate cultural relics are already outside." Fumichi Yamada said, "Then I will ask them to come in."

"Please." Nozomi Arakawa said.

For professional matters, professional people must be hired.

The door of the reception room was pushed open, and several pale-haired, bachelor-like figures walked in.

"Let me introduce, these are professional historians and archaeologists, as well as experts in identifying the authenticity of cultural relics."

Arakawa nodded, he was not at all interested in the identities of these people.

Now he just wants to explain the matter quickly, but he has to wait until these so-called experts finish their appraisal.

These archaeologists and appraisal experts put on their gloves and immediately began to appraise the red odachi.

After just a few glances, the expressions on their faces gradually brightened.

According to preliminary judgment, whether it is from the blade or other details, this sword is indeed a product of the Heian period or even longer.

It is a miracle that it can be preserved so well.

There are three ancient knives that also originated in the Heian period, and there are currently three in the Tokyo National Museum.

The first is the boy Qie Angang, the second is Da Baoping, and the third is Sanri Yuezongjin.

These three are famous knives, each with its own legend.

Maybe this red Taidao also has its own name.

Sure enough, they raised the handle and saw the inscription on the knife.

"Waiting for tears?" The experts were taken aback.

They had never heard the name.

But this knife inscription is quite elegant.

"Can I ask specifically, where did you find this ancient artifact...Of course, I have no other intentions, but... since this object can be found in that place, maybe more ancient artifacts can be unearthed!" One of the experts stared with interest at Nomo Arakawa, as if he were some kind of treasure hunter, and Nomo Arakawa was the only one who knew where the treasure was.

Get to the root of it, find out what it is.

This is also the basic quality of an archaeologist.

(End of this chapter)