Full-time mage: I have a demon killing system

Chapter 144 Transformation
Since the light element can be transformed into the fire element, what element can the water element be transformed into?
According to Luo Fang's scientific experience in the previous life, combined with the experience of this life, Luo Fang found that the water system seemed to be transformed into an ice system.

By compressing water magic, it seems that ice magic can be generated.

Because the difference between water and ice is mainly reflected in whether the molecules are dense or not, and whether the movement is violent at the level of molecular movement.

The attribute conversion of the current light system and water system has been completed, and there are still five other systems.

However, it seems that the thunder system can also be transformed into the light system and the fire system.

After all, the temperature of the thunder light is very high, and it is also very shiny.

Therefore, the thunder and lightning attributes must be able to be converted into fire attributes and light attributes.

In addition to the three elements of thunder, water, and light, there are still four elements that need to be transformed.

But what kind of system can soil be transformed into?
Luo Fang was very confused about this issue.

But thinking of soil, Luo Fang realized that sandstorms seem to be inseparable from soil.

So can flying sandstorms achieve soil-generated wind?
It seems to be like this, so Luo Fang thinks that the earth element can be transformed into the wind element.

Now, thunder, water, light and earth can all be transformed, the only difference is wind, ice and fire.

Considering the wind element, Luo Fang had to think of the sandstorm example just now.

Since the soil element can be transformed into a wind element by using the principle of sandstorm, then the wind element must also be transformed into an earth element by using the principle of sandstorm.

So, Luo Fang wrote this bold conjecture into his homework.

Beyond that, there appear to be firespouts, waterspouts, blizzards and even lightning storms.

Therefore, Luo Fang felt that wind could generate fire, water, ice and thunder in return.

When this idea sprouted in Luo Fang's mind, Luo Fang immediately wrote his own way into the answer.

In this way, fire, water, ice, and thunder can actually produce wind.

Write it down, write it all down.

Then Luo Fang needs to continue to write down the transformation attributes of fire and ice.

I have given examples before, so Luo Fang quickly wrote down the transformation attributes of fire and ice.

Looking at the attribute conversion of the seven elements he had written, Luo Fang nodded with satisfaction.

Put away the textbooks and homework books of element classification, and prepare to write the content of the next subject.

The homework for the next subject is magic props.

The homework of magic props is mainly to be familiar with and understand the general production process of magic armor and other types of magic tools.

In fact, the production process of magic equipment is nothing more than to grasp those three points.

They are materials, magic circle and magic power stone.

First of all, the material determines the approximate attribute quality of the entire magic tool.

For example, magic equipment made from the skin of flame lizards has a high probability of having the effects of toughness and fire attributes.

For example, a magic tool made with the fangs of a Sargowolf will most likely have sharp and earth properties.

These examples show that although the material cannot determine the level of the magic equipment, it can reflect the "taste" of the magic equipment.

This "taste" refers to the attributes and characteristics of the magic equipment.

Next, the "soul" of the magic tool is undoubtedly the magic circle.

An excellent magic circle not only determines the type of magic equipment, but also determines the level of magic equipment.

It can be said that using the same material, through blacksmiths of different levels, combined with different levels of magic circles, the level of magic equipment forged is completely different from one world to another.

In addition, the unique texture properties of the magic circle also determine the specific functions of the magic equipment.

For example, the magic equipment under the pattern of the offensive magic circle is generally a magic equipment for cutting, while the magic equipment under the pattern of the defensive magic circle is likely to be magic armor or magic shield.

In addition to materials and magic circles, magic tools also need magic power stones that contain huge magic energy to provide energy.

It can be said that the magic power stone is the energy source for starting the magic equipment.

Then someone will ask, can't magic tools be turned on only after a magician injects energy into them?

This is not the case.

The amount of magic energy instilled by the magician into the magic equipment is actually very small, so small that it can be ignored compared with the power of the magic equipment.

And the reason why the magician wants to infuse magic energy into the magic tool is because an introduction is needed to activate the magic energy stone in the magic tool.

When a magician uses a magic tool, the weak magic energy instilled is the primer.

This is why those low-level mages can use high-level magic equipment to destroy the world, because the power of destroying the world does not depend on the magic power of the mage.

And this part of the magic energy relied on comes entirely from the magic energy spar in the magic equipment.

The specific three steps of making magic tools are as follows. Luo Fangcong recalled them and wrote them down in his homework seriously and meticulously.

After finishing the homework on magic props, Luo Fang started to write homework on magic techniques.

Today's magic skills are mainly learned in the high-level magic field of magic.

To master the high-level magic field, you need to complete the trilogy.

They are, in order, elemental mastery, repulsion, and resonance.

What is control?

It means that the magician must absolutely control all the elements in a certain space area, to achieve the state of being like an arm master.

Because only in this way can the magician attract the elements under his control, so as to achieve the effect of increasing the concentration of magic elements.

It is only meaningful to talk about the field of magic if the concentration of magic elements is raised at the most basic level.

Otherwise, even if the house can't be built, what's the point of setting up all kinds of furniture?

Then comes the rejection of magical elements.

The so-called exclusion is to exclude other elements in the field of elements.

Only when the concentration of other elements in the field drops, will it not interfere with the magician's control of his own elements in the field.

Otherwise, when the magician uses magic elements to resonate with the world, other elements will also resonate together.

That would cause a conflict of magic elements, thereby destroying the formation of the magic field, and ultimately lead to the inability to manifest the magic field.

After realizing the control and rejection of magic elements, a bunch of highly pure magic elements must be gathered around the magician.

When these magical elements are gathered together with such high purity, a certain resonance will be produced.

However, in their natural state, the resonance between them is very weak.

At this time, the magician needs to artificially control those elements.

Let them dance with the heaven and the earth as the stage and themselves as the dancers.

Once the elements start to writhe and dance, the effect of the resonance between them can be very violent.

After producing a violent resonance effect, those elements will appear around the magician in the form of a field.

In the end, once the magician completes the control, repulsion and resonance of the magic elements, he will become the dead in the field of magic elements.

Regarding the question in the field of magic, Luo Fang searched the search engine.

Soon, Luo Fang came into contact with a wider and deeper world of knowledge in the field of magic.

For example, in fact, not only elemental magicians exist in the field of magic, but also other dimensional magic, black magic, and white magic.

However, they are not as original and conspicuous as elemental magic, so vivid and fascinating.

For example, the realm of shadow system is a realm of absolute darkness similar to Si Ye Tong's night curtain.

The strength of magicians of other magic systems in this field will be weakened, except for the shadow system.

(End of this chapter)