Don't panic, I'm good at picking up leaks!

Chapter 751
Because in Qin Fei's perception, the staff of the museum must be selected with high precision.

How can there be a situation that cannot be repaired?

Zhong Ming is an honest elder, but he did not lie to him at all.

Candidly said: "Actually, we were able to do it, but some time ago, the capital had to restore a number of cultural relics, so I was able to get someone to second me."

"Now I am the only one who can use it in such a big museum."

"Mr. Qin will trouble you this time, the old man can be your assistant."

Qin Fei said that Qin Fei was not prepared at all, "Curator Zhong, you were transferred here a while ago, didn't you?"

"correct."

Zhong Ming said with a smile: "What's the matter, does it have anything to do with it?"

Qin Fei shook his head.knew he was mistaken.

"No, I mean I might not be at home when you transferred, so you don't know me very well."

"I'm very happy to do the job you mentioned, but I don't need you as an assistant."

Now Zhong Ming is not happy.

"Mr. Tan, what do you mean? Do you think my old man is useless?"

"No no no."

Qin Fei hurriedly waved his hands. The old man was straightforward, but his temper was really bad.

"Curator Zhong, what I mean is that the restoration of cultural relics is actually quite a large project. I am worried about your health, and I also have my own team."

"It's fine for us young people to do it, you just need to be responsible for supervision."

That sounds pretty good.

Zhong Ming was happy.

"Mr. Tan, you are wrong, just like you don't need my old man's help. Since we can find you, it means that we have complete trust in you. Since you said so, then I will not be polite."

"When the time comes, I'll leave the restoration work to you, and I'll be in charge of the daily work, okay?"

Qin Fei is very happy, he is willing to work with such a person.

"Curator Zhong, can you identify it now?"

Qin Fei was so crisp and cheerful, which made the old man very happy.

"Okay, of course you can appraise the treasure."

With that said, he led Tan Fei directly to the place where the treasure was hidden. Because the scroll was so tattered, it needed constant temperature and humidity.

After the staff unfolded it carefully, Qin Fei saw the true face of the scroll.

The landscape painting on it is particularly attractive, but it is also worn out, and the paper would have been completely destroyed by now if it hadn't been for the fine silk underneath.

Zhong Ming said from the side: "It can be seen that this is a very typical Wu School of painting. But we don't know which one of the Wu School it is."

"Because this thing itself is too crisp, we dare not do the test."

"Let's have a look."

The so-called Wumen School of Painting is a school of painting in the middle of the Ming Dynasty in China, also known as the "Wu School".

Suzhou is the ancient capital city of Wu, known as Wumen, and the representative figures in it are all from Wujun, so it got its name.

Its founder Shen Zhou in the Ming Dynasty and his student Wen Zhengming advocated the Northern Song and Yuan Dynasties in painting landscapes, which was different from the "Zhe School" style that followed the Southern Song Dynasty.It prevailed in the mid-Ming Dynasty, and there were many scholars.

There are countless people among them, such as Wen Boren, Wen Jia, Chen Daofu, Lu Zhi, Qian Yi, etc., if you pick one at random, they are all famous people through the ages.

It is generally believed that it began in Shen Zhou and completed in Wen Zhengming, together with Tang Yin and Qiu Ying, it is called "Four Schools of Wu School" or "Four Schools of Ming Dynasty".After the mid-Ming Dynasty, the "Wu School" gradually replaced the status of court paintings and the "Zhe School", and was reappeared in society, especially among literati and officials.

But these are all known facts, what Qin Fei needs to judge now is who made this picture scroll.

The style and brushwork can be seen on the scroll, which can be released and held back, You Jinglun.

Especially the flowers and plants above those mountains and rivers, although they are small, they are extremely exquisite.

Although a flower and a half leaf, it is dripping and refreshing.

Qin Fei observed carefully for a long time, and he already had a selection in his heart, but in order to ensure stability, he still used the ability of clairvoyance.

as predicted!

The past and present of this picture scroll come alive before my eyes.

The person who created it is none other than Chen Chun, a master of the Wumen School of Painting.

Chen Chun, whose style name was Daofu, and later changed his style to Fufu, was named Baiyang, also known as Baiyangshanren.

His works are simple and simple, and it can be seen that he was influenced by the painting method of his teacher Shen Zhou.

In the history of painting, Chen Chun and Xu Wei are called "Baiyang and Qingteng". Chen Chun's paintings belong to the "Baiyang" school of painters.

Chen Chun's handed down works are not rare, but most of them are freehand flowers, and there are few landscape paintings.

But from this point of view, this scroll is worth a thousand gold!
After hearing Qin Fei's description, Zhong Ming was shocked.

"I never thought that Baiyang Mountain people would still have landscape paintings."

"I didn't expect it either."

Qin Fei was quite frank: "So when I was identifying just now, I was very careful."

"That's as it should be."

At this moment, Zhong Ming couldn't take his eyes off the scroll. He used a magnifying glass to keep observing the strokes and lines on it, but he still had some doubts about Qin Fei's judgment.

This is reasonable, because in art, especially in the identification of antiques, we must be rigorous.

Zhong Ming put forward an argument that it is impossible for this painting to be completed by two or even three people.

For example, the landscape part is the work of a painter, and then the text is promoted by others. After all, this method is very common.

And Chen Chun himself just worked hard on flowers and trees?
Of course Qin Fei knew that this was impossible, but he couldn't say that he had clairvoyance, could he?

So now he needs to find a suitable corroboration.

After a little thought, he thought of a book!

"Bojun's Words from Ancient Tongisms".

When Qin Fei mentioned this book, Zhong Ming was also surprised: "Do you mean that there is a record in this book?"

"Yes."

Nodding slightly, Qin Fei said, "This book was written in Wen Zhengming's period, and although this book is only an unofficial history, many things recorded in it have been confirmed now, so the reference value is very high."

"In addition, the author of this book, Mr. Kong Fan, is also closely related to the Wu School of Painting, so you might as well look it up in this book."

"it is good!"

Zhong Ming nodded, and asked someone to check the parts!

The materials in their museums are all interoperable.

After about two hours, they really found out!
When Zhong Ming saw the original text in the book, which indeed recorded several landscape pictures drawn by Chen Chun, he was convinced of Qin Fei's words.

Although it is a pity that those picture scrolls have not been handed down, it is enough to be sure that the other party has really created landscape paintings from this.

"Mr. Tan, you are really knowledgeable. It seems that I, an old pedant, will also ask you for advice in the future..." Zhong Ming shook his head while talking, and Qin Fei could only laugh dryly.

(End of this chapter)