I just want to be an actor

Chapter 20 A Short Trip to Neon Photography

"Arnold."

"Sen-san looks like a man who came out of an anime."

Kiyono Nana looked at Zhou Sen who was stunned by the camera on the set with some surprise. She didn't see any discomfort from Zhou Sen who was transformed into an actor.Her mastery of acting skills is not very strong, but she can also intuitively feel Zhou Sen's almost limitless control.

Although control is not exactly equal to acting skills, Zhou Sen obviously used this control perfectly in his performance.

"Nah nah. nah"

Hashimoto Kanna was at a loss for words, she was arrogantly calling herself a senior last night.Although it was more of a joke, but now that she thought about the way Zhou Sen looked at her at that time, she felt that she was as stupid as she was then.

Damn Mori-chan, who has lied to himself for so many years, it turns out that he can act!

Then what kind of idol is he?

Everyone on the sidelines has their own thoughts.

It's just that after Zhou Sen's first filming, no one had the idea of ​​"Why isn't He Lai Xianren playing Sanqiao?"

Plan B and Plan C that Yuichi Fukuda originally prepared were all unnecessary. The filming process went much smoother than he imagined and arranged.

It's just that watching other people's performances after watching Zhou Sen's performance always makes people feel a little uncomfortable.

It would be great if everyone else was at the same level as Zhou Sen.

Fukuda Yuichi thought greedily.

For a director of his style, Zhou Sen is the one who can perfectly present the effect he wants.Not only Takashi Mihashi, but Yuichi Fukuda feels that there are still many manga characters waiting for Zhou Sen to play.

If it was him, he would definitely be able to act well.

Looking at Zhou Sen, who was twisting his body smoothly according to the action design he imagined on the set, Yuichi Fukuda felt lucky and regretful at the same time.

Fortunately, I was able to harvest the treasure Zhou Sen.

It's a pity that he knows that it is difficult for him to have him for a long time.

Neon is not a place where Zhou Sen can be restrained. Whether it is reputation or income, this place will only be his transitional choice.Naturally, Yuichi Fukuda didn't expect to keep Zhou Sen here, so he wanted to maximize Zhou Sen's potential in the short play "I Am the Big Brother".

"Card, pass!"

Fukuda Yuichi shouted loudly, announcing that this one passed smoothly.

Zhou Sen's expression returned to normal, and he quickly withdrew from Yan Yizhong.

With the experience of performing for the first time, Zhou Sen was determined.

In fact, this kind of Yanyi comedy does not require high acting skills. It is more about how the actors can control the scene when they are performing.

The main reason is that this kind of environment is too silly and nonsensical. Even a professional actor like Zhou Sen can't help laughing when he looks back at his performance just now.

So his biggest obstacle in filming "I Am Big Brother" is actually not the acting skills, facial expressions, etc., but how to guide the actors who work with him not to laugh, which is the most critical.

In a normal crew, for serious filming, what Zhou Sen needs to do is called leading the scene.

Generally speaking, only the veteran actors who are extremely strong and perform tricks to the core can smoothly lead other actors in the show.

If the acting skills are only above the opponent's first line, but not beyond one or two major levels, it will only become a drama, not a drama.

Although Zhou Sen's acting skills can't be said to be able to stabilize the level of everyone present, it is more than enough to guide other actors in Yuichi Fukuda's crew.

This is because of the peculiarities of comedy.

There are also relatively low requirements. All Zhou Sen needs to do is to let the actors who have a rival play perform normally without laughing or showing off.

The real acting is to let the actors being played perform at a level that breaks through their own limits and develop their acting potential.

What Zhou Sen needs to do is not to guide the other party from an acting level.

Instead, they assimilate each other through their own interpretation.

speak English.

That is, Zhou Sen is playing a silly treasure, as long as the other party feels that he is also a silly treasure, then everyone will be immersed in the silly atmosphere, and no one will play or laugh.

In response to this problem, Zhou Sen has his own solution.

Seriously funny.

When performing Yan Yi and being crazy and funny, he will pay more attention to the expression of emotions and the polishing of details.

in subsequent shoots.

Zhou Sen's performance always makes actors who are acting with him for the first time stunned. The serious and serious attitude does not seem like they are filming a comedy.But when the shooting starts, they can really feel the intuitive impact.

Zhou Sen's clumsy movements and superb acting skills, exquisite details.

It made him look like an idiot who lived a serious life and made his life full of jokes even though he had no intention of being funny.

It can almost reproduce the various postures of Takashi Mihashi in the anime, but also fully embodies the insidious shrewdness and unscrupulous methods.

Copy-level interpretation!
In the short shooting process, Zhou Sen seemed to endow the character of Takashi Mihashi with a real perfection.

It not only has a super-high degree of restoration that respects the original animation, but also has Zhou Sen's reinterpretation of the blank part after understanding the character.

To a large extent, this kind of secondary creation has the opportunity to please the audience of the original work, and at the same time attract non-original fans who are unique to the characters of film and television dramas.

Such short and sharp Japanese dramas don't really take much shooting time.

What's more, when the shooting process is so smooth.

It's just that Zhou Sen, as the absolute protagonist, overwhelmed Ito a lot, so that he became impatient because of Suzuki Ichiro's rambling on about the scene during filming one day.

"You can learn from Zhou Sang's method."

After Suzuki Ichiro got in touch with him during this period of time, he admired Zhou Senna very much. When speaking to the actors, he would bring out Zhou Sen to educate others from time to time.

"Zhou Sang Zhou Sang Zhou Sang, does Mr. Suzuki only talk about Zhou Sang every day?"

"If it's like this, I'd rather not, it's too annoying."

Compared with Zhou Sen, Ito Kentaro's acting was a bit too stiff. Coupled with the outburst of impoliteness, his original role was cut again.

Although the result seems to be in favor of Zhou Sen, but one thing to say, this is quite a trick for Zhou Sen.

Fortunately, Zhou Sen was filming alone in a foreign country. Apart from chatting with Hashimoto Kanna every day, and treating her to supper and snacks, he didn't have much communication with other actors in the crew.

I don't have to worry about being repelled and discredited by other neon people.

After all, they have been hacked for so long, so badly, what is there to be afraid of?
"I Am Big Brother" only has ten episodes, and each episode lasts about 45 minutes.

Compared with domestic large-scale serial dramas with 52 and 76 episodes, it is simply nothing.

In a month or so, they hurried to finish the filming of the whole TV series.The rest is what Fukuda Yuichi and his later team should do. Zhou Sen's first job will naturally end easily.

It was bland, ordinary, nothing too challenging.

But anyway. Very interesting.

When leaving Neon, Zhou Sen didn't even have a chance to have a meal with everyone.

Because after the filming ended, each actor was busy catching up with their respective announcements. During the filming process, some actors kept ending their scenes and leaving the group. Even Hashimoto Kanna only opened up with Zhou Sen to the surrounding ramen shops. After having a meal, I bid farewell to the next day and set out to do other work.

During the short period of filming in Neon, Zhou Sen felt the style of this country's film and television industry.Although a little cold, dedicated and efficient, there is a cooperative state of sweeping the door.

This will save a lot of unnecessary trouble, which is good, but not what I want.

It's time to go back too.

After finishing my first job, it's time to see how the domestic situation is going.

　I don't plan to spend too much ink on Neon, after all, this is just a transition, and the protagonist's focus is still in China.

　　In this semi-overhead parallel universe, the status of China's film and television industry is still the top in Asia.

　　
　
(End of this chapter)