Jianbao life

Chapter 260 Appraisal Results ([-])

Li Heng clicked his tongue a few times.

"Boy Li, what do you think of this one?" Liu Wanke watched Li Heng make a few movements with amazement in his eyes, thinking that the restrained appearance of this one is a good baby.

"Mr. Liu, you missed a good treasure." Li Heng raised his head and smiled.

Liu Wanke and Feng Ming approached and asked, "What? Have you figured out what this is?"

"This bead with a peculiar pattern is called the Nine-Eyed Dzi Bead!" Li Heng came to a conclusion and said, "Mr. Liu, although the bead you bought in XZ was originally an agate, it is indeed the Nine-Eyed Dzi Bead." It is a legendary dzi bead in Tibetan Buddhism, it is a treasure handed down from generation to generation, and it can also be said to be an invaluable treasure!"

"Oh my god, boy, you found a treasure this time. It's such a good thing that you can't buy it for so much money!" Feng Ming looked around again and said with a smile.

The totem of this nine-eyed dzi bead is very mysterious, and it seems to contain a unique and profound meaning, which can bring people a distant and comfortable mysterious atmosphere.

If this nine-eyed dzi bead has been passed on for a long time, even though its ugliness has been covered up, but it has met a confidant who knows the goods, and it will turn from an ordinary bead into a rare and extremely precious bead in an instant .

Seeing everyone praising Li Heng, they helped Liu Wanke see such a dusty pearl.

"How can such an ugly bead be worth anything?" Liu Hu beside him snorted dissatisfiedly.

Feng Ming raised his head, his eyes became cold and he said, "Even if your watch is resold for tens of millions, I still can't buy it!"

Although Feng Ming was skeptical about Li Heng's ability to appraise treasures, he was able to recognize XZ's missionary treasure now, which showed that Li Heng had a certain degree of foresight.

Liu Hu suddenly became speechless.

"Boy Li, come and see how my object is." Feng Ming turned his head and said with a gentle expression.

Li Heng stretched his neck, took a casual look, and said decisively, "It's fake."

Feng Ming was stunned.

Although this is a rare thing, can you make an arbitrary judgment just by looking at it?
"Then tell me, why is my XZ Sakyamuni Buddha statue fake?" Feng Ming quickly asked a question, and it depends on Li Heng's answer.

Li Heng just laughed.

If the director of the Yenching Museum could bring out other devices, Li Heng might go up to play with them, and then take a look with his clairvoyant eyes.

But this thing, as long as you look at it, you can tell whether it is true or false.

"This kid can't tell!" Liu Hu sneered, "I think he is delusional, how could such a good white jade Maitreya Buddha be fake, even if this statue of Sakyamuni Buddha is fake, how can you say it So be it! If you can’t tell, then you’re fooled!”

Li Heng glared at Liu Hu.

This uncle is purely deliberately finding fault and tearing things down!
Li Heng sneered and said, "Want to know? Then I'll tell you something and let Mr. Feng see if I'm wrong!"

"First of all, the color of the Buddha statues is known to most people. The older the Buddha statues are, the older the color is. Those Buddha statues we have seen have been enshrined by people for a long time, and they have been eroded by the sun and the moon for a long time. The color finish will definitely be affected. , even though such a gilt bronze Buddha statue looks glittering on the outside, the overall color is still dim, although dim but very soft."

"But this color lacks the natural feeling that has gone through time. Under the reflection of sunlight, the light refracted back is more dazzling!"

"The second is the comparison of craftsmanship. The production of Buddha statues in ancient times was limited by the production technology at that time. The details of each piece of work were processed by more meticulous and extremely patient sculpture techniques. Even so, there will still be obvious manual scraping. Traces of craftsmanship. Modern imitations more or less use some modern production techniques. In terms of handicraft processing, modern imitations are far inferior to older Buddha statues, and most bronze Buddha statues have some upper mechanisms that are very polished. Uniform traces of machining, especially on the base of the Buddha—”

As Li Heng said, he turned the base of the Sakyamuni Buddha statue over and said, "There will always be such traces of modern production and processing, which are very smooth, not the kind of fine potholes that are hand-polished!"

Everyone gathered together to take a look, and sure enough, the base didn't have any traces of handwork, but it looked like it was polished by a modern machine, smooth as a mirror, and the old color on it was very unnatural.

The eyes, eyebrows, nose, mouth, and fine decorative lines of the Buddha statue will also be modified with a spatula after the new product is formed. Judging from the traces of the spatula for this Buddha statue, the treatment is very rough, not only cheating, but also with modern technology. Traces of craftsmanship!

Looking at it this way, the difference between old and new is very obvious.

Everyone looked at Feng Ming one after another, expecting him to reveal his answer.

Feng Ming nodded, put the Buddha statue of Sakyamuni aside and said: "This thing is indeed a counterfeit, a failed copy of the first batch of counterfeit collections that were just extracted from the factory a few days ago."

As the curator of the museum, Feng Ming naturally knew about these things.

There are many situations in which museums display replicas. For example, they are displayed outside for a long time but the environment cannot meet the protection requirements. Important collections go out for tour exhibitions. At this time, replicas may be used to "fill in the gaps"; Can be displayed with replicas.

It is possible not to use the replica, but not displaying the cultural relic in the exhibition will cause a key information gap in the exhibition. In such a helpless situation, the museum will consider using the replica for display.

Moreover, when the museum makes imitations, replicas and copies of the collections, it will respect the integrity of the original items, strictly abide by the principles of raw materials, original craftsmanship, and original size, and try to be as realistic as possible in structure. Among them, there must be a permanent mark indicating that it is a replica, and it must be marked to the audience during the exhibition.

Hearing this, Liu Hu's expression turned ugly.

It can be said that he has guessed almost nothing correctly until now - looking at the smile on Li Heng's face, Liu Hu felt even more angry.

Ever since he met this kid, his path has never been smooth!

Thinking of this, Liu Hu pushed the things he brought forward: "Then you can come and see these two things of mine."

Li Heng himself didn't have a good impression of Liu Hu. Ever since he met Liu Hu, he had been looking for trouble with himself everywhere.

Not to mention snatching his baby, but also wanting to kill him.

Rabbits will bite people when they are cornered.

Li Heng played with Liu Hu's calligraphy and painting for a while, then raised his head and said, "This calligraphy and painting is fake!"

(End of this chapter)