Jianbao life

Chapter 454 Restarting the Appraisal

"Now the appraisal begins, please come forward, bosses."

This time Guo Dongcheng didn't talk too much, and started directly.

At the same time, several people present also began to move their buttocks away from the chairs, and walked towards the row of antique devices, separated by half a meter, and began to appreciate them up close.

"That brother porcelain is too bright, it doesn't seem real..."

"Looking at this ancient jade, it seems to be from the late Qing Dynasty, but it's too green, it's still full of green..."

"This enamel paint looks good..."

The people next to him were chattering, and their voices continued one after another. Even if it was a fly-like low voice, people who were not very close could not hear it.

However, Li Heng's five senses were different from the past because of his cultivation, and Li Heng could clearly capture the buzzing sound left by mosquitoes passing by.

But this rambling voice will not affect Li Heng's judgment.

Li Heng was not in a hurry to use the power of the divine stone to help him cheat, but wanted to take this opportunity to test his skill in appraising treasures.

After all, it would be a bit wasteful to leave such a pile of tens of millions of antique treasures without appreciating them.

Li Heng first looked at the eight-edged straight-neck vase of the Song Dynasty Yue Kiln secret color porcelain closest to him.

The height of this octagonal straight-neck bottle of Yue kiln secret color porcelain is about [-] centimeters. The neck is slender and melon-shaped, with a very elegant and dignified shape.

At the joint between the neck and the body of the bottle, there are corresponding octagonal ridges decorated for three weeks, showing a step shape and narrowing down slightly, revealing a circle of tire bottom. The color of the tire bottom is blue and light gray, which looks very delicate.

Li Heng carefully observed the ring feet and glaze color.

After thinking about it, I asked Zhang Meng and Guo Dongcheng, "Can I pick it up and have a look?"

"Yes." Guo Dongcheng answered first. "Please be careful."

Li Heng nodded, and carefully picked up the eight-edged straight-neck vase of Yue Kiln's secret color porcelain and touched it under the ring foot.

After touching it for a while, Li Heng had an idea in his mind.

Although this is a genuine octagonal straight-neck vase made of Yue kiln secret color porcelain, it is still a bit outdated in this age.

Because it is necessary to judge this age, the secret color porcelain depends on the method used to fire the ring feet. In the Tang Dynasty, it was fired on the ring feet, and in the Five Dynasties, porcelain was fired with nails in the ring feet.

Therefore, this secret color porcelain is not from the Song Dynasty, but from the Tang Dynasty.

Therefore, the organizer made some mistakes in inferring the age, but no matter how you say it, it can be regarded as tens of millions of pieces of porcelain.

Secret color porcelain is a fine product of Yue kiln celadon, a traditional porcelain making process of the Han nationality in Huaxia.

As the name suggests, secret color porcelain is a "secret glaze formula." "Secret color porcelain" is called this because it is porcelain that is fired by coating the surface of the object with a secret glaze formula.

Until the middle and middle dynasties of the Tang Dynasty, the secret color porcelain was set as a tribute porcelain by the imperial court because of its superior quality, and was placed under official supervision.Since then, Yue Kiln, which has become more and more beautiful in quality, has been highly praised by literati and scholars, and has been praised as "jade-like", "ice-like" and "green color of thousands of peaks".

There was even a poem at that time, which directly praised the exquisiteness of the secret color porcelain: "The wind and dew in the nine autumns opened the kiln, and won the emerald color of thousands of peaks. It is good to have a feast at the middle of the night, and share the cup of Sandou in Jizhong."

Since the late Tang Dynasty, the tributes of Yue porcelain have won the title of "secret color porcelain" which has been sung throughout the ages.

Regarding the texture and color of the secret color porcelain, most of the secret color porcelain is gray or light gray, with smooth surface and uniform glaze.

But if you want to subdivide it, you still have to talk about the glaze color.

In the early Five Dynasties, it was mainly yellow or light yellow, and the glaze color was translucent. In the later years, it was mainly green, and the yellow glaze color was rarely visible.

After making a judgment, Li Heng opened his clairvoyant eyes and asked the god stone to help him make a judgment.

After a while, Li Heng got the answer from Shenshi, and said secretly: "It's not much different from my judgment!"

Li Heng cheered quietly in his heart, and his eyes showed a little joy.

After a moment of ecstasy, Li Heng had no choice but to carefully put back the eight-edged straight-neck bottle of Yueyao secret color porcelain that he could hold in his hand.

After putting the valuables in his hand back, Li Heng breathed a sigh of relief.

Next is the second piece—a modern porcelain plate.

The color of this porcelain plate is quite special, it is a pink glaze color, which looks very pleasing.

However, it seems that he has never seen this work, let alone know who the creator of this porcelain plate is, but looking at this glaze and the lifelike feathers of white pigeons shows that he is a very solid creator.

This kind of high-temperature pink glaze was first created and fired in the Yongzheng period of the Qing Dynasty. Because the firing environment and craftsmanship were becoming more and more mature at that time, the color of this new pink glaze was very unstable and uneven at high temperatures.

At that time, this kind of high-temperature pink glaze was extremely difficult to burn into perfect works. If there were finished products, there were still some. The only known surviving works were a small bottle in the Yongzheng period in Yanjing Museum, and later this kind of pink glaze The material has almost been lost...

In front of this high-temperature pink and white pigeon porcelain plate, the color of the pink glaze is very uniform, there is no trace of dark and shallow ones, and the white glaze applied on it is quite gorgeous without showing any underlying glaze. Rich.

Flawless in every way.It can be said that it is an unprecedented artistic masterpiece and a treasure of porcelain that has never been seen before or since.

It is a pity that this object does not conform to the characteristics that should have been in the Yongzheng period in terms of age. It is a modern work, not a porcelain plate from the Qing Dynasty.

(End of this chapter)