muscle actor

Chapter 322
half white hair,
Huge black-rimmed glasses,

With some numb eyes in the cold,

Ding Cheng looked at the vicissitudes-faced character in the mirror. As a grassroots CID, the pressure came not only from work, but also from the cruel reality of life.

Strictly speaking, I don't have too many scenes, but I actually cut in from the perspective of a bystander, leading the audience into the inner world of the victim and even the murderer.

Looking at Chun Xia's eye-catching performance, a spiritual actor, especially the confused gaze, adds a bewildered temperament to the character.

I have to say that even though the film market on Hong Kong Island is declining, it still enjoys considerable creative freedom.

There are many forms, from Wong Kar Wai's exploration of philosophical meaning, to John Woo's aesthetics of violence, to Zhou Xingchi's nonsensical comedy...

There are outstanding works in every field, especially restricted-rated crime movies, which account for a large proportion.The first few scenes started with the murderer dismembering the body, and the director didn't even miss the details.

This is the unique dock culture, and it also gives crime movies a suitable space to grow, because half of the word "Hong Kong" is water.

The mobility brought by commerce gives the city a strong sense of wandering.Walking in Tsim Sha Tsui at twelve o'clock, the lights are still bright and crowded.

Accidentally turning into Chungking Mansions, Indian uncles surrounded by dim lights to sell spices.

I escaped to the iSQUARE shopping mall across the road, but it is modern and modern, trendy men are drinking coffee in the shop endorsed by Angelababy.

Low-rent housing and high-end apartments confront each other, and residents on both sides live with peace of mind.The baptism of multiculturalism not only allows differences to be tolerated here, but also allows audiences to accept film and television of different scales calmly.

The other half of the word Hong Kong is the alley. Alleys or signboards, or the noisy vegetable market, or deserted and dilapidated, are always an indispensable scene in Hong Kong movies, full of the atmosphere of the city.

The reason is very simple, just like "The Golden Rooster", even if you are a prostitute, as long as you live, it will be fine.

Like "The Lame Man", although it is hard work in the rivers and lakes, it is the happiest when it is full.

Or like "Sweet Honey", even if you are a low-level person, even if it is not vigorous, you still have to have a good relationship.

I finally understood that the director actually wanted to find the less and less Hong Kong flavor, which is born with water, and the prosperity is easy to come, and the prosperity is easy to leave.

Seeing that the high-rise buildings in Shenzhen have surpassed Victoria Bay, the port in Shantou has come from behind, and the Disney in Shanghai is full of people...

This is no longer the unique capital of Asia, and Hong Kong films are no longer able to catch the wind.It's just that the flow, loneliness, and market in the bones will not disappear easily.

This work gives Ding Cheng a wonderful feeling, and there is a sense of detachment in it!

Look at the whole process with scrutiny, Wang Jiamei is like an orphan, and Ding Zicong is like a rotten mouse.

Each of them lived alone and alone.

When I see them, I can't help being sad, hating their disrespect for life, but lamenting the hopelessness of life.

It was with awe that I discovered,
They all have the shadow of our cowardice.

When the plot develops to the point where Jiamei's tablemate commits suicide and sees blood, she looks calm...

Wrote on Facebook: When I turned on the light, I saw a bed covered in blood, the two of us rolled on the bed like two pigs in a slaughterhouse...

She will never know, mother asked again: Is it really the kind of heart-wrenching pain when sleeping with a man at night...

I will never see my father’s weakened back in my hometown village north of the port...

The poor 16-year-old is a delicate age, with the most beautiful body in youth and the most confused and bleak soul in real life.

Economic impoverishment...dream trampling...family failure...men exploiting...

At this time, she no longer cares about life and death, it's not that she doesn't care, but that she doesn't understand.

The misfortune of life, the shattering of dreams, the neglect of family members, the disappointment of feelings...

Life is like an adversary, always aware of the cold and warm, and finally powerless.

Under the lens, people can't help but think of a bird without feet, flying and flying, and sleeping in the wind when tired.

The moment she hits the ground, it's time to die.

But as a murderer, is Ding Zicong really heinous?

Even Ding Cheng himself didn’t think of it.

I can't help but sympathize and feel sorry for a wretched-looking fat man who kills people and cuts them into pieces!
He is an even more marginalized person in this society, living among the rats and ants every day.

Lost mother, divorced father, no friends, played sidelines in love, living in a dark room.

In fact, he is sincere, flesh and blood, holding the photo of his mother when he sleeps.

Bringing the cat over to play with her crush, even cutting off her fingers just to make the blood flow out is like her menstruating...

He has low self-esteem... is impulsive... is irrational...

But he didn't understand that he had fulfilled her, but he had wronged himself.

In Ding Cheng's eyes, compared to Jiamei, the fat man who seems cruel is the one who suffers!
Because of birth,
Sometimes there is more despair than death.

This is the most cruel carving of the concrete life under the helpless and sad blade of the marginal people at the bottom of the bustling city.

In contrast to his own role, a perceptive old CID.Divorced, I miss my wife's daughter very much.The concern is not how the murderer kills, but what is the murderer's motive for killing?
The director arranged an anti-climax, and explained the murderer shortly after the beginning, breaking up the narrative structure. In order to let the audience understand the context of the story better, he followed his own blood to seek the truth.

In the end, it was found that poor people must have something to hate, and the family background and living environment of each character is the catalyst for the tragedy.

Jiamei has always been in touch with her father in the mainland, but she can only imagine the feeling of her daughter by her side.

In the scene of visiting the prison, the murderer's expression was numb, and he sat in front of Ding Cheng blankly, without saying a word...

Ding Cheng was also speechless. From the perspective of the audience, he seemed to know the truth, but endless darkness rushed towards his face.

"Good performance, work hard and have a bright future!"

More than 20 days later, the last two scenes were finished. Ding Cheng encouraged Chun Xia, who was full of excitement, and had potential. Although his acting skills were still a bit immature, especially compared with other old actors, it was difficult to find someone who fit Wang Jiamei's image so well. actor.

Innocent like a child, but lonely and desperate like a dying beast, innocent and stubborn, looking forward to despair at the same time.

With the big deer eyes and the downturned corners of the mouth, I have to say that the director's vision is very accurate. It can only be highlighted on a big screen like a movie, which is more in line with the characteristics of the characters.

If Liu Tianwang hadn't acted quickly and had already signed a contract, he would really be optimistic about this fledgling girl.

"Hey, sometimes it's so difficult to erase a physical body!"

At the wrap-up banquet, Liu Tianwang sighed: "Because there is blood, flesh, internal organs, and hard bones, I like the scene where Ding Zicong confesses how he cut up the corpse the most..."

"It seems that there is a power that penetrates life and death, just like the concept of impurity in Buddhism, which penetrates through the illusion of love and then through the illusion of life."

"Although it is through the illusion of life, it cannot be through the bewitchment of death. If it is really through, then why is it necessary to live? Why is it necessary to die?"

(End of this chapter)