Master descends to earth

Chapter 182 There is a beauty called He Chaozong
After hearing this, Mr. Jin sat down again, took a sip of tea to subdue his shock, and calmly analyzed: "I understand, the so-called salvage company is just a cover, and the most important thing about antiques is that they come from a clean source. Not only does there not have any legal problems with parallel imports, even tax is not required. pay."

"But the little devil is not a fool, so it's better not to show up in this matter, brother, just manipulate it behind the scenes, and leave the rest to the subordinates, which is safer."

Su Yuan smiled after hearing this, and said to himself: "It's interesting to go to the tiger mountain when you know that there are tigers!"

"Su Moumou walked all the way and overcame obstacles. Didn't he face the difficulties that time?"

"If you don't have absolute confidence, you won't be dragged into the water, brother. This matter is risky, and haste makes waste. We must act according to circumstances."

Third Master Jin let out a sigh of relief, knowing that Su Yuan had a plan long ago, he said with a smile: "Okay, leave the salvage company to me, and it will be done in two months, and I will never hold back my brother."

"As for the rest, how about waiting for the opportunity and waiting for the opportunity?"

The two looked at each other with a smile, and decided to split up. Jin Sanye is very scheming and knowledgeable, so he is the best partner for cooperation.

In recent years, Nanhai No. 800 is the most talked about. The preservation of [-] cultural relics in the cabin has greatly shocked the cultural relics and archaeological circles.It has been sunk in the bottom of the sea for more than [-] years, but the hull is quite well preserved.

The whole ship did not turn over, but sat upright on the bottom of the sea, and the wood of the hull was relatively hard. Such examples are extremely rare in the history of underwater archaeology in the world.

There are many professional marine treasure hunting teams in foreign countries, who persistently wander on historically important routes every year, constantly searching for treasures submerged in the seabed.Due to the vague definition of relevant laws, treasure hunting at sea has created countless legends of getting rich overnight.

On July 1985, 7, after more than ten years of hard work, Fisher finally found the legendary Lady Atoka.There are 20 tons of treasure on this shipwreck, known as the largest treasure on the seabed, including nearly 40 tons of gold and 8 kilograms of gems. The value of all the treasures is about 500 million US dollars.

A few years ago, the world's salvage giant, the American Odyssey Marine Exploration Company, announced that it had recovered 17 tons of colonial gold and silver treasures from an ancient shipwreck on the bottom of the Atlantic Ocean, with a total value of at least US$10 billion.

Of course, ocean salvage not only requires high-tech equipment, but also burns a lot of money.It seems simple, but it is extremely difficult.A good salvage ship costs at least a few million dollars, and the top one costs tens of millions of dollars.

Only a few countries have mastered the core technology, and even if they have money in the country, they cannot buy it.

In fact, Su Yuan didn't have high requirements. He invested 1000 million and got two salvage boats as long as he could go to sea.Because things like treasure hunting are all about luck, and many times high technology doesn't work.

Mingxiu plank road darkened Chencang, released the news of the successful salvage to the outside world, and the rest will follow.As long as the things are good, plus his current fame and status, no matter how shrewd the little devil is, he can't escape the word greedy.

Back at the workshop, Su Yuan took out the old Dehua mud that he bought at a high price, which is the biggest secret.The soil was dug from the ground and built into a large mound, which never turned over despite the wind, rain, and sun, which lasted for three to forty years.

After being treated by nature, the clay becomes more purified and refined, which is suitable for making all kinds of utensils, and then the porcelain is fired in a kiln or furnace.Therefore, people dug mud and piled up soil for the purpose of storing materials for making porcelain for their children and grandchildren.

The white porcelain fired in Dehua kiln does not add white coloring agent to the soil or glaze, but chooses porcelain clay and glaze with less iron content, and after decades of aging, the iron content is reduced to lowest.In high-temperature reduction oxidation, pure white porcelain body plus pure transparent glaze can produce works with extremely high whiteness.

Start carving Guanyin.His Avalokitesvara is extraordinary, round and full, harmonious, compassionate and peaceful.

There is a saying in the world: Unless Avalokitesvara leaves the South China Sea, how can the great master show his real body.

Su Yuan picked up the knife, closed his eyes, and felt it with his heart. He Chaozong's technique kept flashing in his mind. Because of the foundation of Linglong knife, he quickly mastered it and grasped the essence.

During the Ming and Qing dynasties, the body was demolded and generally decomposed into three parts: the head, the body and the base, and each part was cut into two pieces, the front and the back.

Because it is made by mold closing, generally the height is more than 10 cm, except for the head, hands and other parts that are inserted after closing the mold, the inner bottom should be transparent and have obvious connection marks.

Especially the proportions of the characters are very accurate, the faces are plump and round, the expressions are vivid, the manners are kind and kind, the knife skills are mature and smooth, and the pleats are elegant and true to life, perfect.

Su Yuanfu opened his eyes abruptly with his heart in his heart, and his sword skills flowed like clouds and water, like an antelope hanging horns, superbly crafted.

I saw Avalokitesvara stepping on an aquarium with a lotus flower inserted in it. The aquarium seemed to appear and disappear in the waves of sea water. The waves of sea water, clusters of water splashes, looked like strings of white pearls, majestic and magnificent.

The knife technique is round, soft, deep, and appropriate in depth, accurately depicting the rhythmic lines of the clothes and the multi-layered dresses that flutter in the wind, especially the facial features, hands and feet of the Buddha statues, which are meticulous and meticulous, especially in the hair. skill.

Avalokitesvara bows her head and eyes down, and her face is oblong. You can see the shadow of the Buddha statues in the Tang Dynasty. It is luxurious and solemn.

The shape is charming and colorful, the expression is calm and peaceful, the eyes are squinted, thinking, the lips are tightly closed, and there is a sweet smile on the corner of the mouth, which makes people feel that there is such a sincere and gentle heart beating.

Like a young and loving mother, after working hard all day and putting the baby to sleep, she leans on the bedside and dozes quietly, with sweetness and vigilance in the corner of her mouth.

Not daring to fall asleep, always paying attention to the slightest movement of the child.It looks gentle, virtuous, kind-hearted, and holy in morals, which is a typical example of traditional ancient women's beauty.

Su Yuan put down the knife, studied it carefully, and was very satisfied with the work.The exquisite knife with golden eyes and flawless clothes made He Chaozong, who had been lost for hundreds of years, see the light of day again!
Start again, indulge in it, and constantly absorb the essence. The two knife techniques are integrated, harmoniously blended, and gradually sublimated to form a unique feature.

For the next ten days, the door was closed, and finally reached the state of Dacheng. The statue of Avalokitesvara, wearing a shawl, looked down with slightly opened eyes, with a relaxed and kind expression, and a full-bodied image.

There is a little auspicious mole on the forehead, the hands are crossed and the sleeves are arched between the right chest and abdomen, the toga is worn in a knot shape on the chest, the left foot is half exposed and the right foot is submerged in the waves of the dress, the lines of the clothes are round and smooth, The density is regular, the light and shade are undulating, complex but not chaotic.

The overall shape is full of dynamics, stretching and elegant, depicting the detached state of Guanyin and the momentum of riding the wind to cross the sea. The composition is refined and the carving is meticulous.

Can be called the pinnacle!

(End of this chapter)