The Literary Life of a Science Leader

Chapter 150 The wonderful "Truth Capture"

Song Xiaoyi went back to her home to prepare to meet her future in-laws.

And Mu Jingchi stayed in the living room and watched the variety show for a while, and then returned to the study, and continued to read the relevant knowledge extracted by the system, that is, "Catching the Truth".

After reading this, Mu Jingchi was fascinated, truly attracted by the content of the script.

The script is very detailed, Mu Jingchi followed the script, skipped the expressions related to the film and television, and followed the rhythm of the content story.

After reading this, I can't stop.

"Wonderful, classic!"

a long time.

Mu Jingchi read the entire story of "Catch the Truth", and he absorbed all the plot development and details. This is the good influence of his gradually improving IQ.

"The Capture of the Truth" is undoubtedly a suspense drama, and the classic routines of decades-being wronged, escaping the pursuit, and clearing the suspicion are always tried and tested.

However, its initial development is very novel, starting from the current very hot AI face-changing, starting from the invasion of human beings by Internet technology.

First use similar people to take a good video, then use AI face-changing technology to replace a different face, and then hack into the city's surveillance system to change the surveillance system's picture to a video that has been taken earlier.

In this way, the surveillance video is forged, and the surveillance video can be used as direct evidence.

The grievance case came out.

Therefore, the plot captured people's curiosity very well at the beginning.

Then use this case to expand, and in such an expansion of the plot, it tells more and more things, and it becomes wider and wider.

Even said, very sharp.

Mu Jingchi, who had read the script, soon had various Zhihu-style questions in his mind.Including but not limited to British politics, European and American culture, current political correctness, etc.

It's hard to elaborate on this aspect, and it will be 404.

The content elements are all there, and the more critical issue is that this script is extremely solid.

No matter how many elements there are, no matter how hot the topic is, the main line is still very clear and catches people.Even if you simply put aside these real social problems and look at the main line, it is a very good suspenseful script.

The reversal method is reasonable and very authentic, because the murderer who framed the male protagonist appeared at the beginning, this setting will also surprise suspense reasoning fans a little.

The ending after the climax advances is a semi-open ending.

Generally speaking, the audience believes that the protagonist's injustice will eventually reveal the truth, and the bad guys will always be punished accordingly.If the script is arranged like this, it will still look good.

But there was less thought.

But the handling of this ending is open-ended. It tears the biggest problem layer by layer and presents it to the audience. In the end, we see a simple multiple-choice question: don't kill the wrong or don't let it go.

What this script discusses at the end, wrapped in the astonishing appearance that the video evidence was used by the police to falsify, is actually an old and unchanging proposition. Is it right for the judicial system to let it go rather than kill it?

Which is more important, human rights or human life?

This topic is too big and no one can give a perfect answer nowadays.

No amount of discussion is futile.

When we hear a piece of news about innocent people being imprisoned for no reason or even losing their lives due to wrongful convictions, we will question the justice of the judiciary and express our support for the innocence.

And when we learn that major criminals have been exonerated due to insufficient evidence, or their sentences have been commuted for various reasons, we will question the severity of the judiciary, why the guillotine should not be easily dropped.

Our emotions always fluctuate with an independent event, and we always only see what we want to see.

"There is no way to localize this script!"

Mu Jingchi pondered, and finally came to a conclusion that this script is not suitable for localization, or there is no way to localize it.

Localization must go deep into Chinese politics, but will it conflict with auditing after going deep into politics?Whether the final localized books can be published is still a problem.

In addition, the politics and culture of the West and the East are different.

Mu Jingchi did not think of any good way to localize the scenes and political environment in "Truth Capture".

The script itself involves the police station, anti-terrorist bureau, and MI[-], and in the middle and later stages, the US intelligence agencies will also participate.

It is entirely possible for Britain and the United States to collude, but localization is definitely impossible.

"Xiangjiang and Wanwan?"

Mu Jingchi's heart suddenly moved, thinking of these two places, his eyes lighted up slightly.

"No, no." He still shook his head, rejecting the thoughts in his mind.

"The storyline will not be localized, and it will be written in England." Mu Jingchi has a decision in his mind, "It's just that the writing style has to be replaced by the local style of China."

It’s okay for Chinese people to write British stories.

It is not only the British who can write British novels, other people can too, as long as they have strong skills and prepare relevant materials.

Don’t you see that there are a large group of authors who write western fantasy on the Qidian website, and the author of the Lord of Mysteries writes very well!
And China's Detective Di Renjie series of books were written by the Dutchman Gao Peiluo!
Mu Jingchi laughed, "This "Catch the Truth" can be regarded as blackening Britain. As a Chinese, I can write British novels, and there is no problem with blacking out."

"Anyway, Huaxia is always hacked by foreign countries, so it can be regarded as anti-criminal going back."

Taking advantage of the rare quiet time, Mu Jingchi didn't stop his interest, and read the content related to the script again.

After all, the extracted knowledge is just a script, and what Mu Jingchi needs to do is to transform the script into a novel, the two are not the same.The script is the direction of film and television, and some places can not be said, but presented through the performance of the actors, the scheduling of the director, and even the way of editing.

But novelists do not have such conditions. Novelists need to bury clues and show the psychological thoughts of characters, but these cannot conflict with each other.Otherwise, the clues will be very obvious, and readers will not experience the suspenseful atmosphere.

"Compared to the previous "Ex Machina" and "The Invisible Guest", the pattern of "The Capture of Truth" is slightly larger. The former two do not involve national conditions and politics, but the latter is in the corresponding what's happening in the country and the political environment."

"So, there's a little bit more preparatory work that needs to be done."

For the previous two books, Mu Jingchi could be directly localized, but "Truth Capture" could not be adapted. "I'm going to find some British-related books to accumulate. At least I can't make mistakes in terms of common sense."

Mu Jingchi is eager to try.

In the previous "Ex Machina" and "The Invisible Guest", he didn't experience the thrill of creation, but only slightly easier localization.

However, the pattern of "Truth Capture" is larger. Even if the story line is presented, there is still enough room for creativity.

　I strongly recommend everyone to watch "Catch the Truth", with a score of 9.1 on Douban.

　　


(End of this chapter)