The counterattack of the outdated star started from the divorce variety show

Chapter 147
"I want to see you so much,
That still bright smile,

free yourself again,
The brilliant emotion in my chest.

How much I want to tell you,

Woo~"

Li Che's singing had ended, and in the live broadcast room, the first scene had already started to be played in a loop.

Some viewers left, but many remained in the studio.

The speeches on the bullet screen were almost all talking about Li Che's album, the two songs he sang, and the songs of other singers were also talked about, although a little less.

During the entire live broadcast, the number of people online at the same time peaked when Li Che had just finished singing "Qili Xiang" and introduced the sound-finding plan and introduced other singers. The number of people online at the same time reached 520 million!
Even if Li Che stopped singing and other singers began to sing, the number of people in the middle remained above 300 million when the number was the smallest.

This means that at least 300 million people have listened to the albums in the Xunyin Project.

This kind of exposure rate is far inferior to that of a music variety show, but it is simple and efficient.The whole plan is to recommend this group of musicians who make music with their heart to fans.

After starting with the live broadcast announcement, Yueyin will then promote their songs on various occasions and channels.

For Li Che, this was his cooperation with Yueyin, and for those singers, what they signed with Yueyin was a contract of sale.

After the live broadcast, Li Che and several other singers had a meal together, a meal organized by Yueyin.

For Li Che, a major actor who came to be a singer halfway, the audience is naturally the best.

Li Che didn't like the feeling of being the focus of the audience on one occasion and being praised by everyone.

But now he was used to the occasion.

Even if some people's flattery is involuntary.

If possible, Li Che is willing to change the current situation of the music industry and put the domestic music market on the right track.

Unfortunately, the road is long and blocked.

In the current Chinese music scene, it is not just the emergence of a unique genius that can lead the development and prosperity of the entire industry.

What the music scene needs is top-down change.

Wei Chu despises the "big bosses" in the domestic film and television industry who are self-styled, but compared to the music industry, the big bosses in the film and television industry have done quite well, at least the basic order of the industry has been established.

Is the music industry...

There is not even a credible list in China, and the music reviews are all marketing accounts with bad money. Nepotism makes the Golden Melody Awards, which have a little weight, gradually become a joke.

The bigwigs at the top have never thought about building a healthy music market in the past, and everyone likes to embrace the one-acre three-point land in front of them.

At the beginning of the century, they attributed the chaos of the industry to the proliferation of piracy, and the country did not pay much attention to copyright.

But what about after the era of copyright?

They lay down completely, or directly hugged Capital's thigh.

If it were before the entry of Internet capital, Li Che might have continued to build up his reputation and then change some things.

but now?

After the Internet capital entered the market, various music software copyright wars were fun, but what they did was still at the stage of buying copyright and running membership.

All the platforms have already completed the staking. Simply only examining the content, trying to compete with capital is tantamount to nonsense.

By running a few music shows and boosting the rankings of your own little fresh meat, fans can be harvested directly. They can maintain their popularity by relying only on "Divine Comedy", "Music Tailor" and "Chinese Artist", and they have no interest in cultivating them. What music market.

It is too difficult to do it, and several capital games, who will listen to whom?

It's better to let it go and let the music market grow wildly by itself.

As for reading.

Yueyin is a disruptor. With the capital momentum behind it, it can still only tentatively find its own position in the music market.

In comparison, Li Che can be said to have nothing now...

No matter how great the golden fingers Li Che possessed, they only provided him with content. From content to the soaring of capital, Li Che must make steady progress, not be impatient, and find a way to find his own base.

Then you can do something about it.

Before that, as he said to Gu Yunqing at the time, in the film and television industry, he just wanted to give the audience one more choice.

In the music industry, what Li Che can do right now is to try his best to do something for good musicians, just like he gave the opportunity to Yang Liru on "Singer", and the studio maintains the habit of recommending excellent niche songs on Weibo. When the album was released, it was agreed to be bound with Yueyin's sound search plan.

Plant these causes first, maybe we can achieve some fruits together in the future.

The "massive" sound-seeking plan of Yueyin, after Li Che joined, caused a considerable impact——

in the music circle.

For ordinary fans, this is also a collective song release, which is a sign that the music world is more blurred.

Although the Xunyin Project has mixed in some Internet celebrities that Yueyin wants to promote, many musicians are quite capable.

Before Li Che joined, they would have been so upset, even fans who went to the music software charts every day might not pay attention to the fact that such a group of people released albums.

But Li Che's enthusiasm was too high.

He is a "script maker" who has broken records all the way, he is a "television drama maker" who has made a comeback, and he is a "music savior" who has become a monk halfway...

Can he make a difference?

Can this group of musicians grow from the short stare?
"Li Che's new album is not bad, but the style is not high."

"Shang Yahui is old, and Li Che can't save him from being exhausted."

"After listening to it, I'm not even interested in writing a music review. I just want to ask: When will Li Che and Qi Qi get married?"

"Love and love never produce great albums. Li Che didn't even express his pain."

"To cater to the superficial preferences of the mainstream, the depth of the work only stays on the surface, a commercial and routine album"

"Why do we expect people who write 'idol dramas' to make great albums?"

"I reflected on my problem and found that my expectations for Li Che were too high."

"Let us shout "Music Savior" when we gather for recess exercises!"

"Li Che is moved by his own romance, but I just feel sick!"

……

Probably, this group of netizens who surf the Internet have never seen such a variety of music reviews for an album.

Before that, many of them didn't even have the concept of music reviews. They only knew that the bloggers they followed posted a paragraph recommending a song.

From melody, lyrics to arrangement and production, from song style to emotional expression, from soundtrack selection to synthesizer timbre...

In the end, one or two barely listenable songs were cut out.

On the gossip forum, a post continued to update the music score of Li Che's first album "Qilixiang". The average score of nearly 40 music reviews in three days was only two and a half stars, just over 50.

Many people are paying attention, Li Che, who has been so outrageous since his comeback, is the first Waterloo coming?

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(End of this chapter)