Superstars start as villains
Chapter 114 The Final Showdown.
Chapter 114 The Final Showdown.
It was another night scene, still in Wuzhuang, after the first battle, Wuzhuang suffered heavy casualties, the group performer who played the dead had already laid down, and the group performer next to the wounded was ready to bandage up.
"Seven Swords, Act 35, Mirror 2395, action."
Zhang Jingchu sits blankly in front of the water tank. Liu Yufang, who she plays, grew up under the protection of her father Liu Jingyi. What happened tonight completely overturned her world view. It turns out that this world is so cruel, and she hated it the most. Fighting and killing, she thought it was the behavior of barbarians, so she chose to teach the children to read, hoping to change their fate.
However, tonight, she watched her relatives in the village die tragically one by one. Even if she hadn't come from the Seven Swords, her fate would have been more terrifying than death. Everything she once cherished was so unbearable in the face of violence. hit.
Suddenly, a stalwart figure appeared in the reflection of the water surface, and she looked at it almost subconsciously.
In front of the monitor, Xu Ke nodded with satisfaction. Zhang Jingchu was introduced by a friend. Xu Ke didn’t agree with many things about her after joining the film crew. Her intuition told him that this woman is not a fuel-efficient lamp. As far as this shot is concerned, the fear, panic, and panic shown by Zhang Jingchu, and the fascination with looking at the reflection of the water tank, the shot without a single line, but able to express various emotions so clearly, Zhang Jingchu's acting skills are still worth it definitely,
The camera moved upwards along Zhang Jingchu's eyes. Chu Zhaonan, played by Zhou Xing, was washing his sword. Bright red blood dripped down the tip of the sword. It seemed that Zhang Jingchu was watching him. He subconsciously flicked the sword, and the blood mixed with the They slammed into her face hard together.
"If you drink the blood of the enemy, you won't be afraid of them!" Zhou Xing poured a bowl of well water mixed with blood and walked towards Zhang Jingchu slowly.
She picked up the bowl blankly, took a sip, and choked on the water with the first sip.
Zhou Xing slowly returned the Youlong Sword to its sheath. With the cold light of the Youlong Sword, she saw his face clearly for the first time, and she seemed to be interested, so she pulled out the sword again.
However, at this time, Zhou Xing pressed down, and the Youlong sword would drink blood when it was unsheathed.
The sword blared in the air, the sword light disappeared, and Zhou Xing's face was once again covered by the cloak, hidden in the darkness.
"Crack, this one is over!"
It took a lot of time to shoot a few night scenes, but it wasn't too difficult for Zhou Xing. What really worried him was the plot.
Xu Ke is not a person willing to be mediocre, just like his adaptation of "Swordsman", Dongfang Bubai fell in love with Linghu Chong, so that Mr. Jin Yong openly stated that this is not his "Swordsman".
Regarding the adaptation of the Seven Swords, Xu Ke still did not follow Liang Yusheng's works. For example, there is no Seven Swords in the novel in his script. Wu Yuanying, played by Yang Yuni, is a man and an old man In the novel, Chu Zhaonan played by Zhou Xing is the second disciple of Zen Master Huiming, the eldest disciple is Yang Yuncong, and Chu Zhaonan finally rebelled and became a villain.
Obviously, Xu Ke wanted to find another way to bypass the Seven Swords in the original novel, instead highlighting the story of Zen Master Huiming, and re-composed the Seven Swords.
However, Seven Swords is not Swordsman, there are only two outstanding figures in Swordsman: Linghu Chong and Dongfang Bubai, and Seven Swords are seven people, Seven Swords, a movie obviously cannot fit in, in order to compress the duration, There must be a trade-off, and Zhou Xing was very worried that the final film would squeeze the plot to pieces.
However, in fact, it is useless for him to worry too much. Xu Ke is the director. What Zhou Xing can do is to play the role of Chu Zhaonan well and try to add some highlights to the film.
In the subsequent filming, Zhou Xing also had enough strength, and never used a stand-in in the play.
What's more interesting is that in the play, Chu Zhaonan's setting is on the side of the Yalu River, and he needs to speak Korean. Originally, Zhou Xing thought that this part would be solved by dubbing later, but Xu Ke actually asked him to learn it now.
In this regard, Lu Yi and Sun Honglei were a little gloating, looking like they were watching the excitement, but who knows, Zhou Xing learned things at an astonishingly fast speed. In just a few days, he not only memorized the Korean lines, but even had simple conversations with Jin Suyan. The dialogue made Jin Suyan very happy. Since Song Seung Heon left, she had no one in the crew except her assistant to communicate with, but it made her suffocated.
Now finally there is someone who can speak Korean, so naturally they get closer to Zhou Xingxing, so much so that the crew even spread rumors about their affair.
Originally, Zhou Xing didn't care about it, but it happened that one day they filmed the "boat scene" between them. That night, Jin Suyan knocked on his door. How can there be no reason not to eat the duck at the door?
Some things are like the dams of a reservoir. As long as there is a leak, it will be out of control. After that, the two often have "friendly and cordial" "in-depth" exchanges from time to time.
In this regard, Jin Suyan is definitely a very qualified partner. She never thinks about growing old together, and never asks: Do you love me or not?
Lu Yi, who had been watching the excitement before, couldn't help expressing a little sourly: Knowledge is indeed the primary productive force, and he should have learned a foreign language long ago!
The scenes of Wuzhuang and the cave were almost filmed, and the crew moved to the castle for filming. The most difficult part was the final battle between Chu Zhaonan played by Zhou Xing and Liancheng played by Sun Honglei.
Xu Ke is very good at using various props and terrain to shoot martial arts scenes. For example, in the New Dragon Gate Inn, the fight between Jin Xiangyu and Zhou Huaian in the house, and the stair fight in Huang Feihong's warehouse are classics.
Among the seven swords, Xu Ke also designed such a fight. Chu Zhaonan and Fenghuo Liancheng had a long fight scene on two narrow walls. Fenghuo Liancheng held his Youlong Sword, while Chu Zhaonan held Yang Yuncong's Qinggan Sword.
"Seven Swords, Act 52, Mirror 4321, action."
Feng Huo Liancheng, played by Sun Honglei, ran to the entrance of the alley, wanting to make a move, and Chu Zhaonan, played by Zhou Xing, followed closely behind.
Then Sun Honglei ran back, turned around and stabbed Zhou Xing with his sword. Zhou Xing raised his sword to block.
"Crack!" Xu Ke yelled to stop.
Sun Honglei was so tired that he hurried down to rest: "This scene is too difficult, Director Xu, let Director Xiong do it."
Originally, Xu Ke arranged for Xiong Xinxin to act as Sun Honglei's stand-in for this scene, but Sun Honglei wanted to try it out, so he practiced for a long time. The first difficult movement is directly stretched.
Sun Honglei smiled wryly at Zhou Xing: "Sure enough, it's 1 minute on stage and ten years off stage. The rest is up to you."
At this time, Xiong Xinxin had already changed into his costumes, and everyone in the crew focused on him and Zhou Xing. This scene was not only the last scene tonight, but also the highlight of the entire film. play.
It is no exaggeration to say that the audience waited for more than two hours for this scene. If the audience's emotions were not vented, half of the whole play would be lost.
(End of this chapter)
It was another night scene, still in Wuzhuang, after the first battle, Wuzhuang suffered heavy casualties, the group performer who played the dead had already laid down, and the group performer next to the wounded was ready to bandage up.
"Seven Swords, Act 35, Mirror 2395, action."
Zhang Jingchu sits blankly in front of the water tank. Liu Yufang, who she plays, grew up under the protection of her father Liu Jingyi. What happened tonight completely overturned her world view. It turns out that this world is so cruel, and she hated it the most. Fighting and killing, she thought it was the behavior of barbarians, so she chose to teach the children to read, hoping to change their fate.
However, tonight, she watched her relatives in the village die tragically one by one. Even if she hadn't come from the Seven Swords, her fate would have been more terrifying than death. Everything she once cherished was so unbearable in the face of violence. hit.
Suddenly, a stalwart figure appeared in the reflection of the water surface, and she looked at it almost subconsciously.
In front of the monitor, Xu Ke nodded with satisfaction. Zhang Jingchu was introduced by a friend. Xu Ke didn’t agree with many things about her after joining the film crew. Her intuition told him that this woman is not a fuel-efficient lamp. As far as this shot is concerned, the fear, panic, and panic shown by Zhang Jingchu, and the fascination with looking at the reflection of the water tank, the shot without a single line, but able to express various emotions so clearly, Zhang Jingchu's acting skills are still worth it definitely,
The camera moved upwards along Zhang Jingchu's eyes. Chu Zhaonan, played by Zhou Xing, was washing his sword. Bright red blood dripped down the tip of the sword. It seemed that Zhang Jingchu was watching him. He subconsciously flicked the sword, and the blood mixed with the They slammed into her face hard together.
"If you drink the blood of the enemy, you won't be afraid of them!" Zhou Xing poured a bowl of well water mixed with blood and walked towards Zhang Jingchu slowly.
She picked up the bowl blankly, took a sip, and choked on the water with the first sip.
Zhou Xing slowly returned the Youlong Sword to its sheath. With the cold light of the Youlong Sword, she saw his face clearly for the first time, and she seemed to be interested, so she pulled out the sword again.
However, at this time, Zhou Xing pressed down, and the Youlong sword would drink blood when it was unsheathed.
The sword blared in the air, the sword light disappeared, and Zhou Xing's face was once again covered by the cloak, hidden in the darkness.
"Crack, this one is over!"
It took a lot of time to shoot a few night scenes, but it wasn't too difficult for Zhou Xing. What really worried him was the plot.
Xu Ke is not a person willing to be mediocre, just like his adaptation of "Swordsman", Dongfang Bubai fell in love with Linghu Chong, so that Mr. Jin Yong openly stated that this is not his "Swordsman".
Regarding the adaptation of the Seven Swords, Xu Ke still did not follow Liang Yusheng's works. For example, there is no Seven Swords in the novel in his script. Wu Yuanying, played by Yang Yuni, is a man and an old man In the novel, Chu Zhaonan played by Zhou Xing is the second disciple of Zen Master Huiming, the eldest disciple is Yang Yuncong, and Chu Zhaonan finally rebelled and became a villain.
Obviously, Xu Ke wanted to find another way to bypass the Seven Swords in the original novel, instead highlighting the story of Zen Master Huiming, and re-composed the Seven Swords.
However, Seven Swords is not Swordsman, there are only two outstanding figures in Swordsman: Linghu Chong and Dongfang Bubai, and Seven Swords are seven people, Seven Swords, a movie obviously cannot fit in, in order to compress the duration, There must be a trade-off, and Zhou Xing was very worried that the final film would squeeze the plot to pieces.
However, in fact, it is useless for him to worry too much. Xu Ke is the director. What Zhou Xing can do is to play the role of Chu Zhaonan well and try to add some highlights to the film.
In the subsequent filming, Zhou Xing also had enough strength, and never used a stand-in in the play.
What's more interesting is that in the play, Chu Zhaonan's setting is on the side of the Yalu River, and he needs to speak Korean. Originally, Zhou Xing thought that this part would be solved by dubbing later, but Xu Ke actually asked him to learn it now.
In this regard, Lu Yi and Sun Honglei were a little gloating, looking like they were watching the excitement, but who knows, Zhou Xing learned things at an astonishingly fast speed. In just a few days, he not only memorized the Korean lines, but even had simple conversations with Jin Suyan. The dialogue made Jin Suyan very happy. Since Song Seung Heon left, she had no one in the crew except her assistant to communicate with, but it made her suffocated.
Now finally there is someone who can speak Korean, so naturally they get closer to Zhou Xingxing, so much so that the crew even spread rumors about their affair.
Originally, Zhou Xing didn't care about it, but it happened that one day they filmed the "boat scene" between them. That night, Jin Suyan knocked on his door. How can there be no reason not to eat the duck at the door?
Some things are like the dams of a reservoir. As long as there is a leak, it will be out of control. After that, the two often have "friendly and cordial" "in-depth" exchanges from time to time.
In this regard, Jin Suyan is definitely a very qualified partner. She never thinks about growing old together, and never asks: Do you love me or not?
Lu Yi, who had been watching the excitement before, couldn't help expressing a little sourly: Knowledge is indeed the primary productive force, and he should have learned a foreign language long ago!
The scenes of Wuzhuang and the cave were almost filmed, and the crew moved to the castle for filming. The most difficult part was the final battle between Chu Zhaonan played by Zhou Xing and Liancheng played by Sun Honglei.
Xu Ke is very good at using various props and terrain to shoot martial arts scenes. For example, in the New Dragon Gate Inn, the fight between Jin Xiangyu and Zhou Huaian in the house, and the stair fight in Huang Feihong's warehouse are classics.
Among the seven swords, Xu Ke also designed such a fight. Chu Zhaonan and Fenghuo Liancheng had a long fight scene on two narrow walls. Fenghuo Liancheng held his Youlong Sword, while Chu Zhaonan held Yang Yuncong's Qinggan Sword.
"Seven Swords, Act 52, Mirror 4321, action."
Feng Huo Liancheng, played by Sun Honglei, ran to the entrance of the alley, wanting to make a move, and Chu Zhaonan, played by Zhou Xing, followed closely behind.
Then Sun Honglei ran back, turned around and stabbed Zhou Xing with his sword. Zhou Xing raised his sword to block.
"Crack!" Xu Ke yelled to stop.
Sun Honglei was so tired that he hurried down to rest: "This scene is too difficult, Director Xu, let Director Xiong do it."
Originally, Xu Ke arranged for Xiong Xinxin to act as Sun Honglei's stand-in for this scene, but Sun Honglei wanted to try it out, so he practiced for a long time. The first difficult movement is directly stretched.
Sun Honglei smiled wryly at Zhou Xing: "Sure enough, it's 1 minute on stage and ten years off stage. The rest is up to you."
At this time, Xiong Xinxin had already changed into his costumes, and everyone in the crew focused on him and Zhou Xing. This scene was not only the last scene tonight, but also the highlight of the entire film. play.
It is no exaggeration to say that the audience waited for more than two hours for this scene. If the audience's emotions were not vented, half of the whole play would be lost.
(End of this chapter)
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