Agriculture Idol

Chapter 179 Analysis
Walking slowly to the music department, it was lunch time, and Li Chengxin shamelessly had a lunch.But at least Mr. Wu didn't skip the meal today, allowing Li Chengxin to have time to talk to Mr. Wu about his feelings about yesterday's orchestra rehearsal.

At the beginning, Li Chengxin's job was to change one of his songs into a background interlude suitable for the style of "Hua Qian Kun". Regarding this aspect, the music team of Geyue Entertainment discussed some precautions with Li Chengxin and provided him with urgent supplements. Received make-up lessons.

Naturally, Li Chengxin could tell the whole story of the answer sheet that Ge Yue Entertainment had prepared for him in advance, but after listening to Mr. Wu for a day, he had some ideas of his own.

After being drawn into the arrangement team by Mr. Wu, Li Chengxin knew that what he wanted to pay attention to was not just his own song, but a bigger picture.Just like the different perspectives of filmmakers, musicians also have their own focus on the understanding of the "movement" of composer works.And arrangers often need to do more role-playing to examine and create works.

Yesterday Mr. Wu "tuned" the orchestra, and what he was doing was treating the work as an "executor of arrangement".

He needs to guide the performers to express the ups and downs of the "plot" of the arrangement. With the development of time, it is necessary to arrange when the instruments should be used as a panoramic pavement ensemble and when to use the instrument solo, so as to control the climax and trough of the plot.

The contrast between musical instruments and sound density, interval selection, volume, and dynamics can be said to be the most comprehensive and complex of all roles.

Although the current work is still in the early stage of adjustment, Li Chengxin still feels the sophistication of Wu Lao's ability.

For a creator like him who has become a monk, he is more accustomed to making music with MIDI (Musical Instrument Digital Interface, music digital interface, which is also a music synthesizer). For him, it is easier to achieve "expression control" of music ", but compared to Wu Lao's approach, this electronically synthesized sound lacks some very delicate emotions.

This is also one of the reasons why many older generation craftsmen are disgusted with machines, because the things made by machines are very regular and lack soul.

Mr. Wu's arrangement method pays attention to the flow and change of the melody in the arrangement, just like the main line of a movie, with clear beginnings, transitions and conclusions.To a certain extent, this role is quite inclusive and comprehensive, and will even be on the same or higher platform as the arranger.

During this period, the performers focus on the instruments and play the role of performance, shaping and promoting the development of the work with their own personal performance, and also an important role in producing details.

After talking about his feelings to Mr. Wu, Mr. Wu suddenly felt that his perception of Li Chengxin had reached a new level.

When Li Chengxin sang bel canto opera together in a variety show, he once felt that it would be great if Li Chengxin learned bel canto from the beginning. This time he thought, why didn't Li Chengxin start learning arrangement earlier.

"Young people are awesome, that's okay, follow me and learn more during this time." Mr. Wu nodded, turned around and began to complain again, "What pop songs are you singing? It's time to switch to bel canto or symphony arrangements. Here I'm free to find you some work in this area."

Mr. Wu started to love talents and wanted to teach Li Chengxin more. He also wanted to take Li Chengxin into his family, but before that, he still had to wait and see for a while.

On the other side, in the afternoon, when Li Chengxin got off work, Jiang He's assistant brought someone over to look for Li Chengxin.Li Chengxin saw that he knew the person who came, but the other party probably didn't know him.

Unlike Jiang He, who lives in movies, TV and songs, La Tianhou is a queen of rock and roll. This time, she was promoted by the agency to play the role of the queen of a small marginal country. This queen was born in a fisherman's family. Fisherman Detail.

Although there are people on the directing team who help her analyze and tell the story, and her agency and herself have worked hard to find a lot of information, but standing in front of the camera, the director always says that she can't perform well.

"Painting the World" is a major project, and director An is also very strict with his work. Although the role of the Queen of Heaven is not many, it cannot satisfy An's requirements.

Director An actually doesn't like to let actors with no acting skills join his crew, but although La Tianhou focuses on singing, she has actually acted in some idol dramas.Except for a little bit of poor acting skills, her image and empress temperament are both very good, stronger than the other candidates, so she can only use La Tianhou.

But when the filming reached Latianhou, the scene got stuck. After repeatedly delaying the progress for two days, Director An was furious, and left this scene to shoot the later arrangement first.

La Tianhou and the brokerage company behind her were panicked and urgently needed to improve La Tianhou's knowledge about fishermen.

It happened that Jiang He was there that day, and he remembered that Li Xiaoyong, whom he had introduced to the crew, was originally a fisherman, so he introduced La Tianhou to have a talk with Li Xiaoyong.

As a result, La Tianhou came back and complained, saying that Li Xiaoyong's eloquence was too dull, his character was not delicate, and it had no effect at all.

Today Jiang He saw Li Chengxin on the set and thought of this matter again.Thinking that Li Chengxin was an arranger, his character should be much more delicate, and his expression method should be better than Li Xiaoyong's, so I recommended La Tianhou.

La Tianhou thought of treating a dead horse as a living horse doctor, so she followed Jiang He's assistant to meet Li Chengxin.

Li Chengxin and La Diva actually have a relationship. When she participated in the program "Come to the Pot" a few years ago, Li Chengxin basically met all the big names in the industry. La Diva was also one of the guests at the time, but they were there There was no intersection in this activity.

After introducing each other with La Tianhou, Li Chengxin nodded after La Tianhou explained his intentions.In order to avoid suspicion, they brought Tianhou La, her assistant, and Jiang He's assistant who led the way into the meeting room of the music department, and then went to Mr. Wu to borrow a book.

Queen Shula was very familiar with it, and the actors all had a copy of it. It was the script of "Hua Qian Kun".But the book in Li Chengxin's hand is different from La Tianhou's. It is the "Director's Annotated Edition" and the "Wu Lao's Annotated Edition".

Turning to the part where La Tianhou couldn't be filmed, Li Chengxin found that that part indeed required more complicated emotions.

The content of that paragraph is the part where the empress played by La Tianhou is arguing with her courtiers. Because the empress was born in a fisherman's family, the courtiers sometimes look down on such a humble emperor, let alone a woman, so the debate process will inevitably feel a little bit discriminatory.And the queen's literary quality is naturally not as high as these literati who need to study scientific research every day. When they are annoyed by arguments, their domineering momentum is slightly lowered, and some fishermen's habits and oral habits will unconsciously appear.

It is this contradictory temperament that makes La Tianhou miserable.

This section also has a soundtrack, so the director and Mr. Wu both made their own analysis and emotional requirements in this section. For La Tianhou, the resources behind her have naturally given her this information.

But for Li Chengxin, who was born into a fisherman's family, the information seemed to have more depth.

(End of this chapter)