i really just want to play games

Chapter 144 Eastbound
In addition to the picture, the sound is an indispensable thing.

As night fell and the starry sky filled the sky, Barlow also heard subtle wind sounds, and these wind sounds, which were small at the beginning, gradually became louder and louder, giving him something suggestive.

With the passage of time, three small black dots appeared in the wilderness under the night sky, and they were moving fast. In connection with the above plot, these three black dots were the three knights who went to get food and grass just now.

So the game screen began to follow these three knights clad in stars and moons, getting lower and lower, and as they came to the area where Su Tong was camping and resting.

There was no fire, no voice, only the sound of horses' hooves trampling the ground.

Su Tong and his group are elite sentry riders, so it is naturally impossible to start a fire in a flat place like the wasteland. As the three knights dismounted, they could see that some of these knights were munching biscuits or dried meat in the darkness. Youde is taking the time to rest.

"What time is it?" In the darkness, Su Tong took out the fire sip and blew it gently, and then a little light appeared, illuminating his solemn face.

"When I was leaving, I took a look at the time of Hai, and it should be almost midnight." Zhang Da, the leader who was a little older, said, then lowered his voice and asked in a low voice:
"Captain, what are you going to do tonight?"

Su Tong blinked his eyes and covered the fire sip with a lid, as if he didn't want Zhang Da to see his expression, and then he replied: "I shouldn't tell you, but there are no outsiders here. I just want to find someone. If you hurry up, five be back someday.”

Zhang Da eyelids lowered, nodded, and then said: "All the food and grass have been brought, and there are some arrow feathers and supplies, enough for half a month."

"You haven't been given any trouble, have you?"

"No, but they were very busy and asked me to move the things directly."

Su Tong patted Zhang Da on the shoulder and said, "You guys rest for a while, we should set off later."

Zhang Da was even older than Su Tong, and had been a soldier for longer. This time they brought half a month's supply of food and supplies. Obviously he knew that this mission was not as light as Su Tong said.

Also aware of this information is Barlow outside the game screen.

Although it was only a few short sentences, the amount of information presented was astonishing, but it was easy to understand, and it also made him look forward to the following plot even more.

What follows is a double-speed animation, which shows Su Tong and his team of sentry cavalry distributing food and grass under the night sky, rectifying the horses, and wiping the weapons on their hands by the way.

Although it is double-speed, it also vividly expresses the feeling that the action is about to start. Although the soldiers are rigorous in their movements, the atmosphere is tense.

Barlow continued to look down, even though he was a little fascinated, he still turned around and glanced at his subordinate who was experiencing "Legend Chang'an" on the steam platform, and found that this young man had long been entranced, and his posture did not change from a few minutes ago.

Turning his head back, Barlow saw that Su Tong and his party had mounted their horses and swung their whips, and started heading towards an unknown direction. However, if he carefully observed the scene before the setting sun, he would find that Su Tong and the others were walking in the same direction. the opposite place.

With the dull sound of horseshoes, the camera of the game continued to zoom up, and the whole picture became a map of Starry Night Knight's eastward journey.

It is still so exquisite and full of artistic sense, even making Barlow keep pressing the screen capture button, feeling that every frame here can be used as a wallpaper.

Then the melodious and empty shakuhachi sounded, which is the theme music of "Legend Chang'an".

Since "Legend Chang'an" is a game with Chinese history as the background, Chen Tiancai and Shen Jianxing of course chose a large number of Chinese musical instruments as the main theme of the music.

Depending on the game scene, this theme music is also divided into several parts, which can be regarded as a group music.

The desolate and empty Gobi is of course suitable for shakuhachi or Changxiao, but in Chang'an City, it will be replaced by Guqin and Guzheng, which have a thicker feel.

Depending on the scene, there will also be a pipa, an instrument with complex timbre but overall cheerfulness.

However, although all the music is based on Chinese music, Shen Jianxing still uses a lot of pop instruments to assist. It seems that although the music of "Legend Chang'an" is heavy and full of charm, it does not lose the sense of fashion.

At first, Chen Tiancai was worried that Shen Jianxing's actions would make Chinese music look nondescript, but after listening to it, he could only admire it, because the sounds of these popular instruments were not out of place in the era of the Tang Dynasty, but would make this era more lively. Open, more suitable for this era.

After thinking about it for a while, Chen Tiancai also knew the reason for this. You must know that in the era of Tang Dynasty, the emperor would step down from the dragon chair because of happiness, and have a whirl dance with his officials.

Openness, inclusiveness, and self-confidence are the soul of Datang and the basis for it to leave a splendid chapter in history.

Barlow listened to the shakuhachi and flute-based music. Although he felt the desolation of the game screen, he also felt that this instrument sounded very good. It made him stare at the game screen unconsciously, looking forward to the next development of.

Along with the music, the screen of the game advances at double speed again, but there are obviously various editing processes here.

For example, after Su Tong got off his horse, with a bang, the night time in the game turned white and became daytime.

Or when the camera is chasing the horseshoe, the desolate land under the feet gradually turns into grass and becomes lush.

There was also a knight fetching water by the lake. When he looked up, the endless grassland turned into a majestic mountain range not far away.

With these connected clips, not only did the picture not break, but it also gave Barlow a concept of the passage of time, dealing with the change of time in a more artistic way.

This is a standard movie camera technique, and it is now used more and more in game screens.

However, these shots of "Legend Chang'an" have been carefully edited, which is comparable to a well-made movie.

Barlow enjoys this kind of lens very much, and at the same time, the artistic sense of "Legend of Chang'an" is getting more and more full.

But this feeling can only be known by reviews of old games like Barlow. In the eyes of ordinary players, this kind of picture transition will feel very comfortable and beautiful.

And this is also Chen Tiancai's original intention to deal with it this way.

With the end of this group of shots, Su Tong's back is finally frozen in the game screen, and at this time their team of knights is in front of a dense forest.

The forest is a typical coniferous forest, which accurately tells Barlow the approximate geographical location here.

"Old Wu stayed to watch the horses, and the rest followed me into the woods. Our goal is here."

The knights dismounted one after another without making a sound. A young man began to gather the horses. His face looked very immature, he was only seventeen or eighteen years old at most.

"This is where the Khitans belong." The red-bearded Ge Shuhan frowned.

(End of this chapter)