basketball task

Chapter 76 Four ways to write fen 2
"The last form is the fake pick-and-roll. When you play the pick-and-roll and become famous, the whole world, in order to prevent problems before they happen, digs the air-raid shelter before you get an air strike, such as putting on a posture of double-teaming the ball holder in advance... At this time, you have another fun trick: pick and fade. The big man looks like he is going to block the defender. The two of you were shaken."

"These are the four variations of the pick-and-roll. Next, you should digest it carefully and write an article of no less than [-] words on your experience." Mr. Cheeks finished his classroom teaching, and Chan Ning was also very well received. Great inspiration, after a little thought, Qian Ning picked up the pen and moved it like flying.

The four pick-and-roll methods cannot be mastered by everyone, and must be performed according to the ability characteristics of the executing players.

The first type of pick-and-roll inside, Malone and Stockton's early academic cooperation, Nash and Stoudemire's middle road follow-up pick-and-roll and then thunderbolt dunk, Parker and Duncan's tacit understanding, Kobe and Bynum's alley-oop , is the most basic skill test and the most primitive academic move. It requires a guard with sufficient ball control, passing, and vision.

The second type of pick-and-roll outside cut, as the inside line becomes more and more crowded, the frequency of use of pick-and-roll outside cut is also increasing. In the later period, Malone and Stockton, Deron and Okur, Kidd and Nowitzki, Paul and David West, Calderon and Bosh, big men are not only difficult to interfere with outside shots, but more importantly, they can open up the inside line, making it easier for guards and strikers to break through and make air cuts, and thus was born A small variant-supporting the inside, Green after Curry's pick-and-roll, and Diaw after Nash's pick-and-roll, can use a gorgeous pass to distribute the ball to outside or air-cut teammates.This kind of pick-and-roll is suitable for guards with wide vision and precise mid-to-long passing skills, and also requires big men with flexible positioning, long-range shooting ability and coping ability.

The third type of pick-and-roll is the most commonly used routine. You can refer to Roy and Przybilla of the Blazers, James and Varejao of the Cavaliers. Opening the way, but training his muscles and bones horizontally, it can be called a perfect flesh wall.Roy and LeBron are super one-on-one players again, with plenty of speed.This is the requirement of the pick-and-roll cut: the big man blocks the sky, and the ball handler seizes the moment.The former Baron Davis and Biedrins also often put on this set.

Of course, if the moment doesn't go well and the tactic fails, it would be too rough and boring.Therefore, teams that mainly play pick-and-roll cuts generally stay behind. In the Spurs in 2007, when Parker and Duncan played a pick-and-roll cut, Ginobili had already rushed from the weak side.Duncan had just blocked for Parker, turned around and blocked another follower for the Argentine.After Parker's attempted attack, he immediately returned the ball to Duncan. Duncan passed the ball, and Ginobili immediately started the second wave... This season, the Blazers also had a similar situation: Roy failed to make a wave, and immediately handed over the ball. Fernandez and Ott Luo followed and continued to attack.It's just a pain for Pulzbila: he kept pushing and blocking, his chest was hurt by the opponent's pursuer, and he had to stand upright without showing any emotion.This kind of pick-and-roll is suitable for superstars with sufficient lethality to hold the ball. It requires high-quality screens for big men, but the requirements for personal offensive ability can be lowered. You don’t need to catch the ball down to attack the basket, and you don’t need to pull it out to shoot. As long as you can resist Just enough meat.

The fourth type of fake pick-and-roll, which seems to be blocking but not blocking, takes advantage of the poor communication between the two defenders inside and outside the opponent, and when they are hesitant to advance and retreat, they play a cold one. Either the big man rushes to the basket quickly, or the guard breaks through quickly. Kevin Garnett And Dwyane Wade is one of the best. It needs a guard with good offensive ability and ability to seize opportunities. It also needs an inside line that is flexible, sensitive enough, and able to finish quickly at the basket.

Take the two big men in the 76ers as an example. Evans lacks mid-range shooting ability. With his height and jumping ability, cutting into the basket is a cap, so he can only play the third tactic, which is to go out after blocking the man. Go, don't worry about anything else; Dalembert's range is not far enough, his down speed is too slow, and his flexibility is average. He can barely take the first pick-and-roll route, but his screen quality is not high. The details of the pick-and-roll are too poorly grasped, which can easily lead to a low offensive success rate.

As for Channing himself, he has no mid-range shooting ability, but has excellent speed and bounce, and can wipe away opponents and cut to the basket to complete the offense. In other words, the most suitable route for him is the classic pick-and-roll cut-in tactic.

Channing wrote like a god, and while Evans and the others were still biting the pen, Channing was the first to hand in the paper. Cheeks was very satisfied with his comprehension, and told the old Miller to take Channing to practice.

The old Miller and Channing partnered to rehearse the offense, and the defense was Reed and Smith.

"let's go!"

The old Miller waved at Channing, he controlled the ball forward, and Reed retreated to near the three-point line. Channing stepped forward and made a nail step, blocking Reed sideways, and Miller took advantage of the momentum to complete the breakthrough.

"Crack!"

Cheeks turned into a director next to him, called to stop the rehearsal, and then went on stage to make gestures to Channing himself:

"Qian, your lower body is pretty good, with a T-shaped gait, horse gait is stable enough, and the sideways angle is quite good, perpendicular to the lateral direction of the reed, which is also convenient for observing the situation, but the posture of the upper body needs to be paid attention to."

"You can't spread your arms to your opponent like this. This kind of action is like a crab holding two pincers, or like a bulldozer's shovel. This kind of elbow movement is against the rules, and it is easy to hurt the opponent." Cheeks Imitating what Channing did just now.

Through the guidance of Cheeks, Channing understood the rules of the screen of the big man in the pick-and-roll. He must stand in advance and cannot move during the pick-and-roll, otherwise the screen will be moved. The degree of flexion of the lower back cannot exceed the position of the feet.

The standard pick-and-roll posture requires hands to be crossed below the abdomen and arms to be slightly spread out, so that the upper body movements are clearly explained and it is not easy to be fouled by the referee. Injured, put your hands below the abdomen, just to protect the root of a man at all times.

After a whole morning of practice, Chan Ning has mastered the pick-and-roll movements and postures proficiently. In the afternoon, he will continue to work hard to learn the footwork after blocking people. The more solid these basic skills are honed, the better he will be able to perform in the official game. good.

And at night, before going to bed, Channing would watch and study Duncan’s pick-and-roll highlights repeatedly. This was an after-school practice given to him by head coach Cheeks. The more he watched, the more Channing admired Duncan, an old monster. , As expected of a guy nicknamed the Great Basic Skills, Duncan's pick-and-roll is simply a textbook, rigorous, unpretentious, but impeccable.

(End of this chapter)