A perfect life starting from a light novel writer

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I have recently accelerated the progress of the novel. After all, it is difficult to write after the protagonist reaches a certain level. This is also a common problem and upper limit of this type of novel.

If I write further, I can only play entertainment strategy, mainly write about management, copyright, IP, and those things.

But I don’t think many people like it, so I won’t write it like this.

Of course, the protagonist will definitely develop in that direction in this world. After all, he has no problem with his brain and will never leave money unearned.

It’s just that I didn’t plan to describe the plot of the protagonist in detail.

And the problem of the protagonist’s feelings, because many people said in the middle that they don’t like to see the protagonist fall in love, but like to see the protagonist do business, so I didn’t write about these.

Of course, it’s probably not that the protagonist’s love is not good, but that I don’t write it attractively enough, so many people don’t want to read it. I still have self-awareness.

Before it goes on the shelves, everyone doesn’t spend money. How I want to write depends on my own hobbies, and I won’t think too much. But the plot after the release cannot be arbitrary, and will be written largely based on reader feedback.

In the portrayal of Song Lingjun's plot, I actually thought about letting her win the protagonist once, and then after she won the protagonist, she let go of the desire to win and then realized where her real obsession with the protagonist was.

However, since it was not portrayed in the front, it can't be written in the later stage.

This is how novel writing works.

If this book does not write about company management and game production, it probably won't be too long.

After all, if it goes on, it's nothing more than the protagonist doing those long novels, big IP works, such as Dead Fire Sea, Pokémon, and Dragon Ball, which are serialized for ten or twenty years. It's really boring and water.

In fact, when I was writing myself, I could also find problems. It's really difficult to set up enemies in this kind of work.

Unlike other entertainment works, there will be various competitions, such as movie box office competitions, song ranking competitions, star ranking competitions, and competition for the positions of the protagonist and supporting roles in the crew.

Because the dissemination of comics, animations, and novels does not involve any conspiracy or intrigue. It all depends on the strength of the work, and the controllability is not as strong as other entertainment works.

It is difficult to create any villains.

Just like comic serials, it is true that there will be competition between different works in the same journal, but this competition has risen to the cartoonists of each work in the journal. What can he do?

He can only grit his teeth and improve his own creative ability. What else can he do? Lose to the protagonist and go to the protagonist for a real-life PK?

I have never heard of such a thing in reality, and I can't exaggerate it in novels. After all, art comes from life, not from making up.

So although competition is everywhere, it is difficult to create any villains to fight with the protagonist, which makes the work seem like the protagonist is invincible all the way.

But the fact is that most of the genius cartoonists and novelists in the real world are at the peak of their debut and have been invincible all the way.

The ups and downs of top cartoonists like Obata Takeshi are an exception. Geniuses like Oda, Kishimoto, and Kubo made their debut with one or two short comics, spent a few months serializing them to practice, and then started serializing masterpieces such as Death, Fire, and Sea at the age of about 20. They became comic masters in the industry before the age of 30, and it is the reality that they are invincible.

And I am the same. I have been writing all the way to now, and the protagonist has already stood at a high position in the industry.

I have typed so many words without realizing it.

Haha!

Okay, anyway, I just want to tell you that this book has basically entered the later stage, and I will write the later plot well. The rhythm may be a little faster, but it will not be too outrageous, and the basic rhythm will still be maintained.

I was not able to write too long, and it is also a problem of my control over the plot.

Thank you for reading until now.

By the way, I have to ask more questions. Do you like to see the protagonist take multiple options or single options in the relationship? I am still struggling with this issue recently. Let's take a look at everyone's opinions for reference.