Banned for ten years, I will test the editor, and I will kill the entertainment circle first when I

Since ancient times, the Spring Festival has actually been such a thing, sticking spring couplings, setting off firecrackers, and eating dumplings.

Evolution to now, fireworks are not allowed to be released within the five rings, Shen Fei did not let Zhao Jing and Ye Tian two people put, after the three of them posted the spring coupling, they sat together to watch the spring evening, chatting by the way.

“It’s really boring.”

Looking at the program in the spring evening, Ye Tian complained: “Director Shen, you said that this spring evening is getting more and more boring?” ”

“yes.”

Zhao Jing also nodded and said: “I always feel that the spring evening when I was a child was fun, and at that time everyone was willing to watch the spring evening on the TV, but now I feel that this spring evening seems to be okay without watching it.” ”

“Yes, just these shows or something, there is no sense of expectation at all.”

Ye Tian also complained.

Obviously.

In the eyes of these young people, this spring evening is really not interesting at all.

Shen Fei smiled slightly: “Maybe the people in this spring evening director team want everyone to be educated too much.” ”

“Huh?”

The two young men were stunned.

Shen Fei smiled, but did not say anything more.

Let’s be honest.

He actually doesn’t really like the current spring evening, especially the kind of skits that must start with funny and then end with sensationalism.

That is really incitement to death, and if you can’t incite it, you will give me hard incitement.

Very annoying.

Every spring evening, every year crotch, almost become the consensus of the public.

This year’s Spring Evening, especially the most talked about language programs, in addition to being still boring, boring, and boring, the program has been continuously carried out from beginning to end, presenting everyone with a wonderful presentation of what is called the art of offend.

In Shen Fei’s view, this has completely lost the fig leaf, lost decency, and brought up the most vulgar and secret values of society to you single: it is because you are too fat and you have no money, and all your efforts are not comparable to a handsome man’s earthy words.

This is no longer a comedy, but a torture, and for those who watch, every second is an ordeal.

“997” on the stage is scattered, as the old artists retire one after another, the audience of that year has slowly grown up, watching the performance of chicken feathers in a place now, Shen Fei suddenly missed the shoehorn-faced uncle.

Spring evening, in essence, is the art of television.

And now on TV, the real bottom has repeatedly lost its words, and the worship of the elite and the rendering of exquisite life have long become mainstream.

People who really need to speak out have been silent.

Before the early nineties of the last century, the television industry rarely used the word entertainment, but was accustomed to using literature and art, which contained cultural connotations with the mission of improving the aesthetic sentiments of the masses, and the TV entertainment program production department was still called the Ministry of Literature and Art.

In the 90s, the first industrially produced TV series “Longing” in Daxia was born, and it was suddenly popular in the north and south.

It is a victory for American popular culture.

At that time, the above not only accepted this, but also praised this humane TV series with the theme of traditional virtues as never before.

Since then, starting with “Longing”, the TV series of Daxia began to play the function of ideological propaganda.

Encouraged by this, the hit “The Story of the Editorial Office” in ’92 went further, no longer preconceived portraying the good and evil beauty and ugliness of the characters, but pulled them to the moral level of ordinary people, both selfish and dedicated, and worldly fireworks came to the face.

At this time, the door of the market economy has just opened, and charlatanism, eating and drinking, commercial bribery, apocalyptic rumors, etc., these real-life human situations are all reflected in the TV series.

In those days, survival was difficult, faith collapsed, and people did not know what else was reliable.

Later, the distribution and broadcast system of Daxia TV dramas also changed.

In 93 years, Imperial TV purchased the TV series “Love You Without Discussion” at a high price of 3.5 million yuan, opening the history of “monetization transactions” of China’s TV series.

Correspondingly, advertising has become the main source of income for TV stations, and the business logic that dominates the media market is no longer “one person, one vote”, but “one yuan, one vote”.

Naturally, TV dramas are more concerned about the value orientation and cultural interest of advertisers’ favorite urban affluent consumers and the commercial class in coastal areas.

The vast majority of the population, such as farmers, ordinary workers, urban underclass, children and the elderly, are gradually neglected because of their lack of spending power.

This can also be seen in “The Story of the Editorial Office”.

When people talked about the fashion outfits of the literary young woman Ge Ling more than 20 years ago, it has to be said that the wave of commercialization has penetrated the hearts of the people at that time.

“Carry Love to the End”, which was broadcast in 98, is the first youth idol drama in the mainland.

It not only tells the love story of a few young people, but also the epitome of the hesitant mentality of “changing the generation” from campus to society.

Li Dapeng and Xu Jinglei met for the first time because of this drama, and Liao Fan, who later became a Berlin actor, presented his debut, and with the youthful figures of these young people, the audience’s memory was permanently fixed in that turbulent but hopeful era.

At this time, college students, as soon as they were born, caught up with the opening of the country, the college entrance examination has resumed, young people have returned to the city, avant-garde novels are popular, the market economy is rising, and young people who grew up in the era of noise and turmoil have great enthusiasm to change society.

However, as the protagonist grows and changes, we see a different picture: the youth who sing ideals gradually die, replaced by adults shaped by the logic of the market. Behind this is a high degree of integration of the post-open market system and neoliberal ideas.

Later, “Struggle”, which continued the story of “Carry on Love to the End”, gradually internalized the neoliberal market logic and the global capitalist system.

“Golden Bough Desire”, which originated on wireless satellite TV in Hong Kong Island, and its subsequent flood of domestic palace fighting dramas vividly interpret the neoliberal law of the jungle in a way that borrows ancient irony.

In Zero Year, the TV series “Meteor Garden”, adapted from Toei comics, caused a sensation in the Bend Region, causing a subcultural phenomenon in which thousands of young people in East Asia fanatically worshiped idols throughout East Asia.

This is a campus love story of “Cinderella and Prince” in modern capitalist society, but the gap between Cinderella and the prince between the rich and the poor has been deliberately diluted, and after exquisite modification, it has become the so-called “campus love”, and the principle of “appearance supremacy” is used to match the male and female protagonists.

“Meteor Garden” opens a passage for people at the bottom to get a glimpse of the lives of the upper class, and this “cross-class” love also provides a space for young women to imagine, suggesting that they can have unlimited reverie about love.

The roles of rich children and white-collar elites repeatedly jumped on the screen, and the peasants and workers, who made up the absolute majority of the population of Daxia, were never seen on TV.

Contemporary French sociologist Pierre Bourdieu asks in About Television: “Who is the subject of discourse?” ”

In 02, rural TV dramas accounted for less than 2 percent of the total number of TV dramas broadcast by provincial satellite television, and there were many specialized channels, but among them, you will find that the overwhelming “urban channels” did not open special channels for farmers and other groups, and most channels only catered to the lifestyle of urban consumers.

There are also several dramas that become exceptions.

“Get in the car, let’s go”, which also tells the story of the youth of Beipiao, is far more real than the later “Struggle”.

By the way, the starring role of that play is Huang Bo.

“Migrant Workers of Survival”, which was broadcast in 205, was larger, sharper, and more thrilling.

So much so that when it was replayed in 2013, it had to cut a lot of content, and even changed the name to “In the Spring”.

A group of migrant workers from all over the country huddled in the humble sheds of the big cities, three lights and five chickens, getting up early and working hard in the dark, but they could not get a penny. The boss pushed three and four, and in desperation, they had to pursue it collectively, but they were greeted by shameless threats and intimidation.

They tried their best, and some workers caught up with the boss’s van despite the danger, only to be beaten by his subordinates and bloodied.

In the face of ruthless and scheming bosses, they have no way to fight back, and many people have lost their families because of this.

At that time, the emperor jokes, spy war legends, and bloody thunder dramas were popular, and the bloody shouts of this small group of people were soon drowned in a scene of Yingying song and swallow dance and ascending level.

Including the following “Country Love”, from the very beginning to pay attention to and effectively reflect the daily life and rural social ecology of young farmers in the black soil of Northeast China, to the sequel is becoming more and more vulgar, divorced from reality, the traces of “making up the number of episodes” are becoming more and more obvious, and even began to make up nonsense.

In terms of urban dramas, after the precipitation of previous years and the rapid transformation of society, a strange work finally broke out.

After the turn of the millennium, the ultra-stable structure built by the collusion between government and business has largely blocked the normal social mobility mechanism, and the confrontation between society and class has been unprecedentedly serious.

“Snail House” came into being.

It embodies the anxiety and stress of the urban middle class identity in Daxia.

In just four days, the show set a new high in ratings.

The urban middle class is a group of consumers who are favored by advertisers.

Land Rover car in “Snail” placed an advertisement: Song Siming told Seaweed that Land Rover is a man’s leg, I think it is the best one in the car, this driving man, bloody, all want to have a Land Rover.

Unsurprisingly, Land Rover sales skyrocketed the following year, increasing by more than 100 per cent.

However, the middle class of Daxia is a false proposition.

Indeed, most white-collar workers differ from laid-off workers and landless peasants because they have a college diploma that allows them to get a decent job.

But this diploma is only an appendage of the expansion of university enrollment, most of them are essentially the “new poor” in a transitional society, and when they deeply envision a consumerist lifestyle, they end up impoverished both materially and spiritually.

The yearning for private property rights in housing makes them prefer to go against the grain and internalize the reality of social division, becoming a house slave. (Read violent novels, just go to Feilu Fiction Network!) ）

Just like the heroine Seaweed in the play, as a young white-collar worker in the city, she chose to become someone else’s mistress, just to satisfy her sister’s desire to own her own house in the big city, and at the same time to live the luxurious life she has always longed for.

Shenghai Satellite TV, which tasted the sweetness, has established the positioning of the channel’s Golden Theater as “undertaking cutting-edge and urban” since the second half of 2011, and major TV stations have followed suit, and urban dramas are instantly like crossing the river.

In 08, the spy war feature film “Lurking” suddenly became popular, and the value orientations of faith, loyalty, and self-sacrifice, which were once universally recognized, were all replaced, and the original “life struggle changed the confrontation between the two groups” without value judgment…….

Deconstructed by the Internet and the media, it has become a middle-class “office struggle” under capitalism and sold as a workplace promotion strategy.

Under such circumstances, the revolutionary spirit, idealism and other cultural values that we diligently seek can only be amplified in TV series with themes such as “My Regiment Leader My Regiment”.

However, the ideology of consumer capitalism, which has long been orthodox, has completed a broad spiritual compilation of the bottom of society and the general public, and no matter what posture is taken to remember the revolution, it will inevitably become one-time consumption in the end.

Especially after 2010, the prosperity of the new century and the youth of the fathers have passed away, the development of industrial cities has gradually stagnated, the middle and lower class white-collar workers have become outright predators, and the young people shrouded by the iron curtain of the times are like ants.

The working masses, which should be the main body of social construction, have been transformed by the logic of capital and the market into social spectators, cheap curiosity hunters and sensory stimulation seekers, and triumphant capital has constantly used violent and vulgar content to cater to, belittle and insult the minds of the lower classes.

Active on the screen are either the domineering presidents of companies with a market value of hundreds of billions in their hands, or the kings who give up their throne inheritance for love, vulgar, which is already the highest evaluation of these TV works.

TV stations are naturally not exempt from vulgarity, in today’s detachment from the masses has become the background of the times, they are unable to restore the real past, can only carry forward the main theme without pain, and dare not completely embrace capital, in opportunism, choose the worst traffic stars in the cultural industry, in fact, it can be said to be a sadness.

In fact, the problem of traffic spring evening has been hotly discussed by everyone as early as last spring evening.

After last year’s evening party was broadcast, the explanation of the general director of Spring Evening was very illustrative: he said that this year’s Spring Evening is not traffic for the sake of traffic, but because the traffic has works in the past year, Spring Evening should express the characteristics of the year’s culture, and the prosperity of the literary and artistic field of Daxia must be reflected on the Spring Evening stage.

But to be honest, this is far more terrifying than the traffic of Spring Sunset itself, because Spring Evening is just condensing the characteristics of the Daxia TV literary and art industry that has prospered traffic for a whole year into a night meeting.

And if the so-called current situation of the literary and art circles of Daxia does not truly reflect the current situation of the society in Daxia and is divorced from the lives of the people, how can the spring evening of the year-round literary and art world meet the expectations of the public?

So.

Shen Fei actually understands very well why the cabinet wants to rectify the entertainment industry.

Because the cabinet is estimated to have identified the problem.

If the cultural and entertainment industry and related Internet industries are not rectified now, then in the long run, our international TV and movie screens may only be left with various traffic stars and household short.

“Director Shen, you said, will our supervision office continue to vigorously rectify the cultural and entertainment industry next year?”

Zhao Jing asked Shen Fei cautiously.

“Of course.”

Shen Fei nodded: “The rectification of the cultural and entertainment industry has just begun. What we need to do is to reverse the atmosphere of this industry and make practitioners realize that some things are wrong and cannot be done by 2.3. ”

There was a pause.

He said slowly: “It’s like I was banned by Huayi before, and their so-called priority renewal right is simply illegal and wrong. But the problem is that most people dare not say it, because this is an unspoken rule, if you don’t accept it, then don’t think red! And what we have to do is break these unspoken rules! ”

Hearing his words, Zhao Jing and Ye Tian thoughtfully.

At this time.

A voice came from outside.

“That’s right.”

？？？？

？？？？

The three people were a little surprised, raised their heads, and saw a figure appear at the door.

“Chief!”

The moment Shen Fei saw the person clearly, he stood up immediately.

As for Zhao Jing and Ye Tian, the two of them were even more confused.

Great Elder!

It was actually the Great Elder!

At this moment, neither of them knew what to say.

The Great Elder smiled slightly, and said to Shen Fei and them: “Happy New Year, sit down quickly, sit down quickly, I just came to see you,”

Shen Fei is a little better, Zhao Jing and Ye Tian, they don’t know what to say.

Seeing this, Shen Fei quickly waved his hand and let Ye Tian and Zhao Jing sit down, and soon Zhao Zhijie also walked in, Shen Fei greeted him with a smile: “Director Zhao, happy New Year.” ”

“Happy New Year, Happy New Year.”

Zhao Zhijie laughed and said to Shen Fei, “The chief came to see you specifically.” ”

Hearing these words, Zhao Jing and Ye Tian were even more excited.

The Great Elder actually came to accompany Director Shen for the Spring Festival?

This is also outrageous!

What is the relationship between the two people, and how much background does this Director Shen have?

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