Best wishes for animation production

"Ahem."

No matter what Gu Xue is thinking, the painting session will not stop.

After watching the last person in the performance of "My Uncle" - that is, Gu Xue - he coughed, and after drawing back the attention of the people who were attracted by the two beauties, he said: "Everyone, table Please go through the above storyboards quickly, and then choose the number of cards you want to be good at..."

"Please wait a moment." Before he could finish speaking, he was interrupted by Chisa Mihara.

She put down her arms, supported the table, stared at Misawa Hiroshi, and said stiffly: "Before that, please explain the reasons for changing the storyboards, and how to achieve this issue with storyboards 301~317. I have just come to your company and have just come into contact with your production team. I don’t understand why you are doing this in a day when the budget and schedule are extremely tight.”

She is indeed a very strong girl...

Seeing this scene, Gu Xue could imagine what would happen next.

The conflict between "content quality" and "budget schedule" is one of the most common contradictions in the animation production industry...

really.

"This is to present better content to the audience." Misawa, who seemed to be too timid just now, said these words firmly.

In fact, it can be seen from the fact that Misawa Hiroshi changed the storyboard at the critical juncture. His acting career should be quite short. He has not yet learned to "abandon" the quality of certain works, and he still cannot grasp the degree. As long as he can see a little hope , he would want to produce perfect animations, such as schedules and budgets. In his heart, they are probably just small things that can be solved with perseverance.

Most of the performances with this problem are performed by animators. This type of performance lacks the experience of on-site supervision. People often encounter many difficulties when they first accept a performance job. Only after hitting the wall a few times can they make slight changes or grasp the situation. The "degree" in it is good.

When they first started working, those who were born as animators are much better than those who were born in production. Those who were born in production know how to adjust their daily routine as soon as they take the acting job, and they understand the importance of producing works on time. He knows how to properly allocate personnel. In short, he is very strong.

Of course, they are not without their shortcomings. Most of the people who came from this kind of production do not know how to draw, or they are very bad at drawing. If they hand over the storyboards to other performers, then they have no say in the picture. will be very low.

Performers from both backgrounds have their own advantages and disadvantages.

If Gu Xue had to choose, rationally she would of course be willing to choose the latter who would not mess around, but emotionally she would prefer to cooperate with the former.

After all, she is engaged in original painting work.

But if it’s a performance like Chisa Mihara’s…

Gu Xue felt that if she didn't want to experience the feeling of having a kitchen knife placed on her neck, which would make her neck cold and her heart even colder, she would not have chosen it rationally or emotionally.

Just when Gu Xue was wandering thousands of miles away, Chisa Mihara had already fought back.

"I respect your ideas and understand your desire to present better content, but please compromise a little bit on your changed storyboards, especially the final storyboard design of part B... With all due respect, I am here. There is no one who can complete it, or in other words, no one who can complete it on time and within the schedule. If you need to hire someone else, all the major production teams are finishing the work now, and you simply can’t find anyone to draw it. Even if you can find someone, you have to achieve what you want. To achieve the best effect, binding materials are absolutely indispensable. Excluding the budget for subsequent processes, our money can no longer support dozens of binding materials, even semi-binding materials will not work.”

That's your job, go and find someone for me.

Misawa, who was a little annoyed, wanted to yell out like this, but when the words came to his lips, he swallowed them back.

Everyone is not enemies, they all just want to complete their respective jobs. There is no benefit at all in yelling, and the other party is obviously the most popular person in the new official's appointment. After thinking about the identity of the other party, Misawa Hiro recognizes the other party. .

"There are people who can draw here. I won't bother you with the original paintings of cards 301~317." He admitted it, but Misawa Hiroshi did not admit defeat and retorted firmly.

The implication is probably that just do your own work for me. I can find someone to handle the changed storyboards myself.

"Who?" Chisa Mihara was still aggressive.

It seemed that the two of them were really going to quarrel.

The bald supervisor... Shinichi Abe came out to smooth things over.

"Chisa-san, don't be so excited. Please continue working on the current storyboard. If there are problems along the way, or if it cannot be completed on time, I will negotiate with Uchida P and the producers on the committee, whether it is the overall episode Whether the episode is delayed or delayed, I will take full responsibility."

Abe Shinichi is not from Snakehead Company, he was hired from outside, but he has been a supervisor for some years, and he has seen too much about this kind of thing, so he first takes the responsibility on himself as soon as he opens his mouth, although he may not do so in the end. The sex is not high, but the effect of saying these words now is very significant.

Mihara Chisa was silent for a moment after hearing this, and sure enough she stopped talking.

Abe Shinichi's eyes signaled Misawa Hiro to continue.

"Let's continue." Misawa took a deep breath, looked forward, pressed the storyboard in front of him with one hand, and said: "Please go through it quickly, and then choose the number of cards you want to be good at, except for 301~317 cards . I know there is not much time left for you to paint, but please work hard with me."

The sound of rustling pages began to sound in the conference room.

The allocation of shots is not mandatory. After all, compared to allocating the number of cards to the original artists under their control in order, giving the original artists some space to choose and letting them choose to draw the parts they are willing to draw and are good at painting will have better results. .

Of course, this doesn’t mean the show won’t interfere.

For example, if you are an original artist who is good at drawing daily acting, it would be a bit difficult to choose a battle card, and vice versa.

Good steel should be used on the blade.

Gu Xue, who had been wandering in her mind, finally came to her senses and opened the storyboards for the final episode when most people had already finished looking through the storyboards.

While Gu Xue was watching, she also recalled the storyboards of Episode 6 in her memory and compared them.

The storyboarding of the final episode this time is indeed much better than that of the sixth episode. Not only are there many shots, but there are also many shots that are difficult to draw. No wonder Chisa Mihara wants to antagonize Hiro Misawa.

Isn't this just putting a noose around my own neck and preparing to hang myself from a tree...

Of course, if it is done well, everyone will be happy, but if it is not done well, it will lead to death.

Just as Gu Xue was flipping through the storyboards, people were already looking at the storyboards, found the scope of what they wanted to do, and went to the show to confirm their schedule and requirements.

There is no rush to be the first, or there is no original artist who specifically chooses simple card drawings.

Original painting work is paid on a piece-rate basis.

Cards with different levels of difficulty will naturally calculate different amounts. Although the difference in amount is not big, everyone has to make a living, and no one will not want to make more money if they have a little ability.

Moreover, among those who are engaged in animation production and persist in it, who doesn’t want to make progress?

Basically no.

You will really die if you wait to die.

At least that's the case in the animation industry.

Gu Xue was still flipping through the storyboards. As time passed, her relaxed expression disappeared, and her beautiful eyebrows wrinkled, and finally her entire face almost wrinkled.

She vaguely noticed something.

These two bald guys are plotting against me!

After reading the last page of storyboards.

Gu Xue put down the storyboard and looked at Misawa Hiroshi, about to take the lead.

"Gu Xue."

It's a pity that Misawa Hiroshi has been waiting for a long time. From the corner of his eye, he caught sight of Gu Xue looking over, and immediately turned his head and said: "I hope you will take over the original painting work for cards 301~317..."

"ha!?"

Misawa Guang's words confirmed his inner guess. Gu Xue couldn't keep calm immediately and stood up suddenly, speaking in a very high pitch.

Everyone stopped what they were doing and looked at Gu Xue.

Chisa Mihara also cast doubtful glances at Gu Xue and Hiroshi Misawa respectively, and finally looked at the supervisor.

Seeing Gu Xue's expression of "You're fucking kidding me", Misawa looked a little embarrassed and said bravely: "I know this is a bit difficult..."

"Stop talking." Gu Xue said with a cold face, "I refuse."

After saying that, she looked at Mihara Chisa again.

"Miss Qiansha, I am on your side. Please stop these two bald men... No, the supervision and the performance are messy. This is not forcing others to do something difficult at all, but making it even more difficult and a dilemma!"