Comic cheating, dream-eating life

“I am really despicable now.

Eiji Niizuma said: "I want to see interesting comics, but I also want to get first place."

For a moment, he thought, "It would be great if Ultraman Tega wasn't so interesting."

This made him extremely uncomfortable. Has he already concluded that he cannot defeat this work?

…

On August 15, 2012, there was such a director who suddenly had an idea when he saw the two chapters of "Attack and Defense of Zelda Center" in "Ultraman Tega".

"Why don't I shoot this work as a special photography drama?"

As soon as he had this idea, he became restless and became more and more impulsive. He couldn't wait to see the results.

He settled on his thoughts, took out his notebook, and began to deduce silently.

The more he reasoned about it, the more surprised he became. It can be said that "Ultraman Tega" was born to be a tokusatsu drama.

Whether it is the design of Ultraman and monster images or the plot content, it is very easy to make it with leather cases and models.

One day later, he understood that his ideas were correct. If "Ultraman Tega" was filmed as a tokusatsu drama, his achievements would be even further, and in his mind, he seemed to be specially for filming. Ultraman exists.

So on Thursday, Koji Yoshida informed Minami Shiki.

"A well-known director wants to contact you! Discuss the idea of ​​filming Tiga!"

His tone was very exciting, as if he was some big shot.

This made Nan Siji curious: "Who is it?"

"The director of "Robot", Director Eiichiro Tsuburaya!"

"What!"

Nan Siji was so excited that he slapped the table and stood up.

"Please arrange for us to meet immediately!"

"Unprecedented Robot", Nan Siji knows about it.

This is a very popular tokusatsu drama, and it has a theatrical version and is selling very well.

It is a work similar to Sentai.

But this is nothing. What really makes Minami Shiki feel special is the director's last name. His last name is Tsuburaya, Tsuburaya Eiji's.

The great director who created Ultraman.

On Friday, "Ultraman Tiga" ranked first in this newspaper.

A distant first.

As for "Detective Trap", which resumed serialization, its popularity has indeed dropped. It has been hovering around the top 10 for several times in a row.

But recently, it seems to have regained its vitality and finished seventh.

On Saturday, Shiki Minami and Eiichiro Tsuburaya got together at a family restaurant in Tokyo.

Koji Yoshida stood aside.

Eiichiro Tsuburaya seemed to be full of energy. He held a pile of documents under his arm and walked towards Minami Shiki with a smile.

Nan Siji immediately extended his right hand, the two shook hands and looked at each other with a smile. ‘6’ ‘9’ ‘s’ ‘h’ ‘u’ ‘x’ ‘.’ ‘c’ ‘o’ ‘m’

"Ah, when I looked at the photo, I never imagined that the person who drew "Ultraman Tiga" would be a male high school student. He is so young and promising."

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"I didn't expect that a well-known director would take a fancy to my work."

After some pleasantries, a few people sat down.

Eiichiro Tsuburaya put the documents on the table and stared at Nan Shiki with piercing eyes.

"To be honest, I want to film "Ultraman Tega". I want to film it so much that I want to film it to death!"

He said it bluntly, and Nan Shiji did not hide it: "I also want to, desperately want to find a team that can perfectly display the spirit of "Ultraman Tiga"."

"Haha," Eiichiro Tsuburaya smiled: "That's true. The author of Tiga must not be vulgar. Let's discuss our ideas."

Yoshida Koji looked at his nose, his nose and his heart, and remained silent.

He could tell that these two people loved "Ultraman Tega" extremely much, and the fervor in their eyes frightened him.

Eiichiro Tsuburaya unfolded the documents and showed them to Minami Shiki one by one.

Among them are the images of Tiga and the monster holster he painted. How to make them more realistic. There are dioramas of Jebel 1, 2, Actis and even a Sherlock car.

It's a thick stack, at least more than 30 pages, all of which are his drawings.

This deep effort made Nan Siji unable to help but feel moved.

"Let's talk about it."

The sun was high when I arrived, and the sky was full of stars when I left.

What if the waiter hadn't come over and said, "Sorry, guests, we're closing."

They could go on talking.

"Hahaha, is it already so late?" Eiichiro Tsuburaya licked his lips with endless aftertaste.

I never expected that one day I would have such a fun chat with a young man. Many of my ideas coincided with each other, and many of my ideas complemented each other. It was really wonderful.

"Ah, Director Tsuburaya is so satisfying."

The three of them were walking on the street, still not satisfied with the Southern Seasons.

He already had the idea in his mind that perhaps Mr. Madoka Eiichiro was the director appointed by a certain god.

He was born to make "Ultraman Tiga" even more powerful.

Nan Siji looked at the deep distance and took a deep breath: "Director Engu, I agree, "Ultraman Tiga" will be left to you. If you need anything, I will cooperate."

He believes that since he brought "Ultraman Tega" to this world, he cannot disgrace the achievements of this work.

The middle-aged man in front of me must be the most suitable candidate.

"Awesome!" Eiichiro Tsuburaya clenched his fist and shouted.

Seeing that the two people had a good conversation, Yoshida Koji said faintly: "You two, you only talked about Ultraman for one day, and didn't talk about anything else. How can you shoot special effects..."

"That's right!" The two touched the back of their heads and laughed foolishly.

The opinion of the male Shiki was that he had no opinion. The subsequent share, copyright fees, and other matters were fully entrusted to Yurongsha. I believe that the other party will give him a satisfactory answer.

...

Half a month later, Mashiro was discharged from the hospital.

Looking at the dazzling sun, he was full of confidence.

"Weekly Shonen Jumk, I'm back!"

Many cartoonists picked him up from the hospital, but Nan Shiki didn't come.

Fukuda Shinta curled his lips and said jealously: "The great director Tsuburaya Eiichiro said he wanted to shoot "Ultraman Tiga". He has been running to Tsuburaya's studio in spring, summer and autumn."

Majo was very happy for Minami Shiki: "So amazing, worthy of being teacher Chun, Xia and Qiu!"

Another half a month later, Minami Shiki would always run to Tsuburaya Eiichiro's studio while taking care of comics.

There was a model he was making there, and the scene was in full swing. More than a dozen prop masters started working at the same time, which was very spectacular.

Eiichiro Tsuburaya was already obsessed with making Tiga special effects before the deal was finalized.

"Look," Tsuburaya Eiichiro pointed at the mini building: "If a monster comes to destroy it, it must be very spectacular!"

"Wow, it's so exquisite! It's just like a real house." Minami Shiki praised repeatedly.

An assistant on the side said: "I haven't seen Director Tsuburaya so devoted for a long time. Everyone is so energetic and hopes to produce a great work!"

Minami Shiki was full of confidence. The people in front of him were the team he wanted.