Comic cheating, dream-eating life

"Teacher, do you already have an idea?"

Eiichiro Tsuburaya was very excited and looked at Minami Shiki with bright eyes.

Minami Shiki smiled. He stood up and said to Eiichiro Tsuburaya, "It's in the storage room on the third floor. Do you want to come with us?"

“Of course I’ll go if I can!”

…

On the third floor, at the end of the aisle on the right, there is a small cubicle of ten square meters.

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Minami Shiki opened the door, bent down and removed the rat barrier under the surprised gaze of Eiichiro Tsuburaya.

"It won't be good if the rat bites it."

"Um."

This room was filled with boxes. Eiichiro Tsuburaya looked over and saw all kinds of names written on them.

""Ultraman Gaia"..."

""Ultraman Zaas"..."

""Ultraman Nexus"..."

""Dyna" theatrical version..."

""Tiga" theatrical version..."

And from Kamen Rider:

""Kamen Rider Yajita"..."

""Kamen Rider Build"..."

""Kamen Rider W"..."

There are also some that cannot be seen at all when pressed down.

Eiichiro Tsuburaya was stunned: "Did you draw these?"

Nan Siji nodded: "There is only a rough plot, and there are also 50 storyboards and 200 storyboards for each work.

Sometimes when I get bored, I will draw some works to change my mind, and before I know it, I have so many. "

Of course it was a lie. Nan Siji was worried that there would be accidents in the future, so he first drew these works in the form of outlines.

"It's amazing, let me see it."

"Please."

In the "Tiga" theatrical version, he found "The Ancient Resurrected Giant".

There are hand-drawn manuscripts and settings for the works.

The lens is excellent, and it’s no problem to shoot OA directly.

"Please let me see the other works!"

He said to Nan Siji.

Nan Siji agreed.

Then he watched "Ultraman Gaia", and the settings of the two Ultraman made his eyes light up.

The development of the story is also very interesting.

"Incredible."

He took a deep breath and managed to maintain his emotions.

After carefully placing the storyboard, Eiichiro Tsuburaya's eyes flickered, and after a while he made up his mind.

"Teacher Chun Xia Qiu!"

"Yes!" His voice was so loud that Nan Siji was startled by him.

"Create a special photography production company! Just like Tsuburaya Production Company in Tiga!"

"Huh? I've also considered it..."

Nan Siji is a little worried. How long will it take to produce so many works by himself? That’s why Spring, Summer, and Autumn Studio was created.

If you add the special photo production company, you won't have enough energy to manage so many things.

From the beginning, his idea was to make money.

After earning enough money, he developed a love for comics during the long-term serialization.

As long as it can be serialized it will be fine.

Establishing a special photography production company is something Nan Siji has never thought about.

Seeing his hesitation, Eiichiro Tsuburaya grasped Minami Shiki's palms with both hands.

"What I've always loved is shooting tokusatsu dramas. However, this passion has gradually been worn away in the same works. "Ultraman Tiga" has revived my original love.

Please, Teacher Chun Xia Qiu, I want to shoot all Ultraman works! "

…

"Isn't this great!" Koji Yoshida drank coffee.

In his rare free time, through the glass window, he looked at the absolute domain of beautiful girls coming and going in Shibuya.

"Alas," Minami Shiki sighed: "Just like Hiramaru Kazuya-sensei doesn't like drawing comics, I also hate spending time on work other than comics."

"Oh! Here's a toast to that!"

He raised his coffee cup, but Nan Siji ignored him and sighed again.

"Don't put everything on yourself," Yoshida Koji didn't care. He explained: "You still have family here. Is Haruka-chan about to graduate?"

"Junior year..." Nan Siji Hanhuhu replied, and he slammed the table: "That's it! That's right!"

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…

Recently, Chunxiang awakened a time substitute - Wasting Time.

Nan Siji appeared in front of her sister with a smile on her face, which made Chunxiang's hair stand on end.

"What...what's wrong..." Chunxiang touched her face, "Is there any problem?"

"Of course not." Nan Siji asked: "Is there anything Chunxiang wants to do? What is your dream?"

Chunxiang was stunned: "What do you want to do? Dream?"

Her teenage years were spent taking care of her younger siblings.

Growing up happily with them was her original dream.

But now, it seems like there is nothing I want to do.

After a while, Chunxiang replied: "I have no dreams."

"Then go find your dream."

Three days later, Chunxiang expressed her dream: "It is my dream to be with you all the time."

Nan Siji rubbed his eyes movedly, and then took out a plan.

"If this is such a dream, then come and work for me."

Looking at this plan, Chunxiang really felt that her brother, whom she usually liked very much, was like a devil at this time.

I have to say goodbye to my relaxed and comfortable life.

…

Chunxiaqiu held a meeting with Chunxiang, Eiichiro Tsuburaya and Sazuo Mushang.

About Spring Valley Productions.

The script and copyright will be published in Spring, Summer and Autumn;

Eiichiro Tsuburaya provided the technology and production staff, as well as being a great director;

Yourongshe, represented by Zuozuomu, is a partial copyright and publicity channel.

The two of them were quarreling with each other. Did Chunxiang intervene? Nan Siji, the most important one, watched this scene blankly.

This was a very smooth debate, and in the process of running in, it came to a result that everyone could accept.

The works of Spring, Summer and Autumn indicate that this is a company with great potential.

Maybe the next Bandai.

A few more meetings passed, with different leaderships of Yourong Society.

The final result was that Yueisha invested 5 billion yen and launched a new magazine-"tokusatsu jumk", which was specially used to serialize tokusatsu works;

Minami Shiki invested 500 million yen, and the subsequent tokusatsu works were submitted to the editorial team for review, and then a dedicated person was found to serialize them in "tokusatsu jumk";

Eiichiro Tsuburaya invested 2 billion yen, and all his wealth was wiped out.

He has the priority to film, but if the revenue of the work does not meet the standard and exceeds three or more, this will be considered invalid.

In fact, Spring Valley Production Company is still a grassroots team.

Unlike the previous world where Japanese tokusatsu dramas were very popular, in this world, only the Super Sentai series exists.

The work of a small circle is best described as tepid and lukewarm.

Eiichiro Tsuburaya, who has produced the Super Sentai series, will basically deal with members who are engaged in special photography.

In this respect, Eiichiro Tsuburaya is the king of Japanese special photography.

His presence is indispensable and his position cannot be replaced.