Comprehensive manga: Daily life starting from when Tsuka Shizuka was thrown over her shoulder

"Suzu-".

"Suzu-".

"Suzu-".

......

Some of the five people who didn't know why suddenly heard their mobile phones ringing.

They took out their phones and opened them to see an email from an unknown mailbox.

Curious, they opened the email they had received one by one.

The content of the email, there is only one image.

They typed out the image in the email and were amazed to find it.

The content of the picture is exactly what Maple Tree has just written on the computer, that is, the song they will play next.

So, Mio Akiyama and Ritsu Tanai didn't bother to ask Kaede why they knew their email address, and looked directly at the content of the track in the picture.

And the three of them, who knew about it, were not curious about why Maple knew their email address, and they were also curious about the song in the picture.

The name of this song is "GetOver".

This song may be a little unfamiliar to some people.

However, when you actually hear this song, even if you can't name it, you can mostly tell the history.

That is, the theme song of the chess soul.

As for why I wrote this song, there is nothing particular about it.

If you really want to say it, maybe it's because the chess soul has been remade into a live-action film and television, so it's a little nostalgic!

Also, it's a really good song.

The main thing is the latter!

Otherwise, even if the maple tree misses it, it will not be picked in the vast sea of songs.

"It's a great song, it's very passionate and inspirational!"

After reading the melody and content of this song, Ritsu Takai took the lead and exclaimed with a look of amazement.

"I always feel that this song is very suitable for us now!"

"Work together, work together, move forward bravely, and don't be afraid of all kinds of difficulties and grinding. "

"It seems that the minister carefully selected it for us!"

Qin Blower also sighed.

It can be seen that she is quite fond of this song "GetOver".

Mio Akiyama on the other side, when she saw this song, her eyes were even brighter.

While others were commenting on the song, she had even hummed along to the melody of the song in the picture.

Kaple's words happened to hear the gentle humming coming from Mio Akiyama's mouth.

He didn't expect that Mio Akiyama's timbre was very suitable for this song "GetOver", which was an unexpected joy.

It seems that subconsciously, he picked a very suitable tune!

As for Megumi Kato and Yui Hirasawa.

Megumi Kato's words, although she can't understand the melody of this song because she doesn't understand the staff, she can see the hard work and enthusiasm from the lyrics, and she is also a little surprised and admired.

It's just that all this, due to her personality, is not shown on her face.

On the contrary, Yui Hirasawa can neither understand the melody of this song, nor can he see the situation contained in the lyrics, and he feels a little foggy and very ignorant.

However, with her "instinct", she can still feel the extraordinaryness of this song.

But it was very difficult for her to tell where the extraordinary was.

"Minister, did you write this song for us?"

"It's so well written!".

After a moment of amazement at the content of this song, Tanai Nakaritsu immediately looked at the maple tree and said curiously.

She was a little curious whether this song was written by Maple Tree on the spot, or if it had been written before.

If it's the former, then their minister is too powerful, and he's a super boss!

Hug your thighs!

Hmm, it's so thick, it's so comfortable!

"Why do you care so much?".

"I've got you covered, I'll give you ten minutes to familiarize myself with it, and we'll start playing it in ten minutes. "

"Although it's only the first attempt, and there are no outsiders watching or anything, but you want to give me twelve points of strength, you know!".

Maple first glanced at Tanai Nakaritsu, and then glared at the three of Takai Nakaritsu "fiercely".

Being "stared at" by the maple tree like this, Tanai Nakari and Kotobuki didn't feel anything, and their faces still looked "grinning".

Not to mention the piano blowing and the words of Tanai Nakaritsu, although I haven't been with the maple tree for long, it is less than half an hour.

However, vaguely, she seems to have understood part of her minister's personality.

Although the words and emotions may be very flat and unfriendly, but how to put it, in fact, their minister is still very "enthusiastic".

That is to say, the so-called, the outside is not the same, the outside is cold and the inside is hot

Mio Akiyama, on the other hand, seems to be a little frightened by the "intimidation" of the maple tree.

She also thought that Maple was serious, the kind that would make them look good if they didn't show twelve points of strength.

Thinking of this, Mio Akiyama suddenly shrank her body, giving people a trembling feeling.

After spending ten minutes familiarizing themselves with the score, Maple and the others were about to try their hand at playing for the first time.

Since they are familiar with each other, they naturally can't just look at the score, and of course, they also have to actually try and practice with musical instruments.

When starting the drill with the instruments of the light part, Ryu Tanai and Mio Akiyama were not excited.

After all, it was the first time they had played with such a high-quality instrument.

Even before their respective drills began, they were quite gentle and constantly stroking on the drum kit and bass, as if they were caressing their little cuties and babies, and they were very pityful.

In such a scene, the corners of the maple tree's mouth twitched.

When the piano blows, it is the honey blushing when I look at it, and I don't know what I am thinking.

The microphone, individual instruments, and speakers are plugged in, and the performance begins.

After arranging the formation slightly, Mio Akiyama with a bass in his hand stood at the front, Maple with a guitar, and Piano Whistle with an electronic piano stood on the last two sides behind Mio Akiyama.

In the case of Ritsu Tanai, he was in the last row with her drum kit.

As for Yui Hirasawa and Megumi Kato, who did not participate in this performance, they sat in the "audience" in front of them.

Megumi Kato's words also took out his mobile phone and turned on the video function, ready to record the first performance of the light music part as a souvenir or something.

“One——"

“Two——"

“Three——"

“Go!"

The task of giving orders was given to the drummer Ritsu Tanai.

When the countdown is over, the performance officially begins.

Mio Akiyama's bass was the first to sound, followed by the electronic organ played by Kotofuki, the guitar of Kaede, and the drum kit of Nakaritsu Tanai.

The sounds of each instrument were heard in unison, and they were intertwined in the light music classroom.

(Author's note: I originally wanted this chapter to be a little longer, so that the number of words is enough for 120,000 to be put on the shelves directly, but it feels a little sudden or something.) Otherwise, let's brew for another day, just in time for you to know something. Tomorrow, I'll put it on the shelves).