Daily Supervising

"You Americans always trouble others!"

Facing such complaints, Sophia Coppola still followed Kusano to the set.

It’s definitely not that Miss Coppola has never seen how to make a movie. She has been mixing with her father in Hollywood since she was a child. Of course, she is very familiar with the set.

However, she is not familiar with Japanese studios.

How did this Oriental island country make movies?

It is very mysterious to her, and she also hopes to get some inspiration from it.

So, what movie is Yuki Kusano making now?

...

Tokyo is a very large city. Not only does it have 23 districts, but also has many satellite towns. In fact, Chiba Prefecture can also be counted as within the Tokyo metropolitan area. Knowing that this is a county, it is based on the area. Speaking, Tokyo is much larger.

Since this place is very big and it is very close to Tokyo, Kusano Kokura chose this place.

Tateyama City is located at the southernmost tip of Chiba. This so-called city is actually the size of a town, but after all, it is a city, and many things are still there.

"Now I'm going to allocate the work. As far as the location is concerned, Zetian will do it. My request is very simple. The heavy rain and the mountain roads are washed away. No matter what means, it must be difficult for people to get through. At least let the audience see it. such."

"Hayi!"

"Next is the interior view. We have rented a homestay this time. I looked at it and it was not bad, but we still need to make some adjustments. In short, it is best to expand this homestay a bit, at least so that our actors can be in There is room for display inside, and this aspect of the work is left to Shen Zuo Kenta."

"Hayi! Don't worry, brother!"

This is what Miss Coppola saw. As a supervisor, Yuki Kusano released each mission before shooting, and then everyone started to get busy.

As for the supervisory position, Coppola has also heard about it. I heard that Japanese filmmaking is often done by one person. He is the screenwriter and the director. He is even the only work he can do.

Kurosawa Akira is such a representative.

Sophia Coppola, she also really wants to be such a supervisor, but it's really difficult in Hollywood.

I don't want this anymore, Miss Coppola immediately felt many differences.

fast!

The rhythm of the entire crew is very fast, and after Yuki Kusano arranged it, he immediately began to act.

Of course, you have to set the scene to make a movie, and this job is generally speaking of big directors, especially Hollywood, so it's just a commander.

The big director, speak out his ideas, and discuss them through some meetings. After everyone has spoken their opinions, they start to draw and draw the general situation. Then go on to arrange the project, and the people who do the project will appear, and start slowly. Build.

In general, Hollywood is characterized by relatively clear and clear division of labor, but efficiency is really slow.

Sometimes it takes a month to just build a set. The big director comes over and takes a look. If it doesn't work, then he has to start over.

Kusano’s current film doesn’t seem to need a complicated setting. As for the engineering staff, let’s do it together anyway.

The pace of the whole work is very fast.

Coppola took this down.

In addition. . .

"How to do it? No way!"

"Hayi!"

"Come over!"

"Hayi!"

Miss Coppola also saw this, and that was the reprimand of the superior to the subordinate.

I heard early on that Japan has a hierarchical system, but now I don’t say it, but now it seems that it is so.

Of course, in some places, it is indeed impossible to do it, and the reprimands from the superiors do have some truth. Afterwards, the re-production and the efforts of various personnel should be done.

But what about in the United States?

It is estimated that the workers will directly point the middle finger, and then quit.

Otherwise, many workers are working there slowly.

Anyway, their wages are actually calculated based on time. The longer they work, the more they earn.

Therefore, the workers are still very smart.

Miss Coppola saw the difference between Japan and the United States here, and she naturally stood on the side of the United States very decisively.

Obviously, American workers are more self-aware, while Japan is far behind.

However, she also has this judgment, that is, work here in Japan will be very efficient. Although the workers are oppressed, they are really working.

Well, these are pretty good gains.

...

Kusano’s arrival of Miss Coppola was really big, but he couldn’t do anything about it. Who made this task given to him by Fuji TV.

But it’s good. Let this girl get a glimpse of the working conditions in Japan. She guessed... By the way, the film "Lost in Tokyo" might be filmed early.

In fact, for the movie "Lost in Tokyo", Yuki Kusano still has a deep memory. He doesn't know how many people have actually watched this movie, but at the beginning of the movie.

Well, Scarlett gave the viewers a back view above. She was lying on the bed, just wearing cotton underwear.

It must be said that Yuki Kusano is definitely a serious supervisor, and he only views this scene with an appreciation mentality.

As for why Kusano Yuki feels that it is likely to affect this "Lost in Tokyo".

The reason for this is also very simple. Anyone who has watched this movie will understand. In fact, Miss Coppola wants to describe some cultural conflicts between East and West. In this movie, the heroes and heroines are all white, both European and American. People, they live in Japan, they are incompatible with Japanese culture and it is difficult to adapt.

Look at the changes in Miss Coppola's expression now. Yuki Kusano doesn't need too much analysis at all. The talented Hollywood girl should discuss how to tell this story in her heart.

In other words, the cultural differences between the East and the West are of course a very old topic. The key is how to choose the entry point. The entry point of "Lost in Tokyo" is good.

In the past, few people would pay attention to what would happen to a white man’s heart when he came to the Eastern world, especially when the white man was not very powerful and could not lead a group of Eastern people.

At least in the field of movies, very few people shoot like this.

Hollywood movies about this aspect are mostly oriental. Whether they are Chinese or Japanese, they have undergone various changes since they arrived in the European and American world.

In fact, it can be seen from this point that the cultural arrogance of Europe and the United States, or, at all, the arrogance in the bones.

Kusano understands this. He just understands this arrogance. He doesn't want to do too much, because he knows that whatever he does will not make much difference.

It's like a sentence he likes very much.

Weakness and ignorance are not obstacles to survival, but arrogance is.

Anyway, nothing can be changed, so as long as you understand it, this is the Cao's philosophy of eating melons.

So at the moment, Kusano Yuki is ready to make a serious film.

The current movie is the previously planned "Fatal ID" in three low-cost movies.

According to Kusano’s script, this movie will take place on a rainy night, and there are many characters who kill each other, and eventually one or two people will become survivors.

The truth is that so many people are actually murderers.

In fact, as far as Japan is concerned, there are practical examples at the moment.

In 1989, a guy named Miyazaki Tsunami was arrested, and he was involved in the death of at least four young girls.

Simply put, this guy is a beast, a bastard, and not a person at all.

However, there is also a lot of evidence that this guy is probably not ‘a person’.

This is what some Japanese scholars have said, that is, Miyazaki is very likely to be a patient with multiple personality psychosis.

Of course, this is also probably done by some abolitionist groups that are more active in Japan. In other words, they want to rescue this scum, this demon, and then demonstrate their will to abolish death.

This is a speculation, but it is true that some people are talking about Miyazaki's multi-personality problem.

Fortunately, Kusano naturally determined that the dead groups really had no lower limit, and even this kind of scum would have to be rescued.

But right now...yes, this movie I made is just enough to make an allusion.

Therefore, the name of the murderer has now been determined.

Miyazaki Cockroach.

Well, the name seems to be too strong, but in Japan, it seems that the more it is, the better.

And the murderer's scenes are not many, Kusano Yuki is planning to find a very wretched guy to try.

Other roles are more important~www.wuxiaspot.com~ Before, there was the former bathtub, Kusano Yukidas...

This is not the point, the point is that he has agreed to Nanako and Ahui, letting them both star in this movie.

Ever since, the arrangement of this role...

Nanako's temperament is better, so she was arranged to be an ordinary ‘personality’.

An ordinary office worker, kind and strong.

Very suitable for Nanako.

But Ahui is different, she is too beautiful, and her looks are too high, so she is...to accompany the wine girl.

Well, when Kusano offered this role, Hui pinched and pinched him.

why?

Because A Hui’s mother, Mitoko, is a wine girl, what do you mean by Yu Kusano in this role?

In fact, Kusano swears to God that he will never mess around, because in the original "Fatal ID" there is a relatively sloppy girl who is undressed on weekdays. . .

Now he is just using it, and this role is still very brilliant.

Fortunately, Hui finally agreed, and she was very happy.

Because she has figured it out clearly, she can get angry with her mother through this role.

What about Yuki Kusano?

Bai was pinched...it was terrible.

This arrangement is good, but!

The two Zhongshan sisters. . .

Anyway, the four female characters in this film, that is, female personality, are four of them.

It's just that Yukiko Kusano never dreamed that the four of them were chatting in pairs.

"Master..."

"I'll explain it for you, Xing may have a different taste, and I want to try a blonde babe!"

This is Nanako and Ahui.

"No way!"

"Whether it is or not, we can't let that foreign girl succeed!"

This is the Zhongshan sisters.