Dawn of the Grey Tower

Chapter 258: Deadly puppet

In fact, it is not a human being and it is not too surprising to be surprised. This world is not only a human being. Not to mention animals and plants, not only elf dwarves and witches, but also other races derived from human beings with human races or aliens such as vampires that have been changed by magic. It was just that what Atta saw made her uncomfortable. Because what she recognized was a puppet, a puppet that was too realistic. Farsightedness is not considered a prop for acting. Few people would be willing to come in close contact with such dolls at night, and the inhuman things are the most frightening.

The female swordsman was leaning against the wall of the house, and the blade in her hand was already sheathed. The puppet did not appear in the mage's narrative at all, indicating that its appearance was not anticipated by the cheese. And seeing the puppet also means that there is another problem. The puppet, he will not move, nor will he silently patrol around the hut, and then there must be an operator. It's just not known whether the manipulator is in the room now, or in what way he manipulated the puppet, and whether he can get its feedback immediately to know the existence of Atta. Thinking of this, Atta quickly looked at the surrounding environment and made a decision.

Puppets, the action does not make a sound because the bottom of the feet supporting it is not a human foot, but four pointed claws that open like bird claws. These four pointed claws step on the soft Not only will there be no sound in the soil, but even the footprints will have very small holes that are very difficult to recognize. The mud that collapses after the pointed claws are pulled out will completely cover it, unless the structure of its footsteps is known beforehand. There is no way to recognize this special footprint. It can be seen that this thing was never made by accident. There must be someone or an organization that made this doll and let it perform certain tasks.

The figure of the puppet appeared again at the corner of the hut. It glanced at the environment with its head made of dark brass, and the mechanism on the raised arm opened to become a strong crossbow. At this distance, the power of the crossbow arrows is enough to penetrate the metal armor. The premise is that there is an armor for it to shoot. In front of the puppet, there should be a place for human females, and there is no one at this time. Where did she go?

Carrying a crossbow machine, the puppet moves along the wall after a short period of doubt. It has no illusion, and the situation just now is not false. Besides, the footprints on the ground also show that there was indeed someone here a moment ago. Hiding in the grass? The doll's crossbow machine crossed the direction of the maze, except for the bushes and walls, there is no grass or other shelter for people to hide. She hid back in the maze? This is a reasonable inference, but the complicated terrain in the maze is not suitable for crossbow shooting. So the doll's other arm shook gently, and a short blade was ejected from its palm. The dim color on the short blade indicated that it could not only cause stab wounds.

One step, two steps, the puppet approached the labyrinth cautiously. The shadow of the hut no longer enveloped it, and the puppets were some distance away from the wall.

"Click!" The plank of the roof groaned. It was a very broken house. It was no surprise when the roof collapsed. But at this moment, it was only due to coincidence that the sound was made, and the possibility was too low. So the fact is that it was the sound of Atta’s footsteps as he jumped from the roof. The female swordsman did not disappear in place, she just climbed to the roof. The effect of this is better than she expected. Not only did the other party not find her trace, but she also erroneously walked away from the wall and walked to the open place. She had no reason to miss this opportunity and launched a raid from above.

Although the rotten roof exposed Atta’s intentions, she was up, the puppet was down, one was attacking from behind, and the other was facing forward. Even if the puppet reacted, it was too late. But the female swordsman made a mistake. She regarded her goal as the same creature as herself, unaware that human common sense does not apply to dolls. So when the man was in the air, Atta witnessed how the puppet kept his lower body still, and the upper body quickly rotated 180 degrees with a gap in the waist, turning the enemy's side from the back. To be positive.

Unable to think of the female swordsman, she immediately laid Flacrage across her chest, almost at the same time, the crisp sound burst out on her chest and wrist with sparks and great power. It was the doll's crossbow that hit the blocking magic sword. The impact force even changed Ata's flight trajectory, pushing her backwards and hitting a wooden wall. The shock in front of him had not been resolved, and the wall behind him gave Ata a sturdy look. The female swordsman only felt the waves in her stomach, and there was a wild beast roaring in her chest. However, she didn't have a chance to savor the pain because the doll had already been killed.

"Ding!" The iron thorn like a bird's claw was held up, leaning on the support of the wall behind, Atta pushed hard, trying to push the doll closer. The effect of this push is better than she expected, because the puppet is really light and terrible. If you think about it too, if the puppet is too heavy, it can't stand on the ground with eight spikes anyway. The doll that was pushed out once again twisted his joints with actions that humans couldn't do, and hit the ground with one leg before falling. It did not mean any frustration or pause. The hand with the outstretched short blade raised his hand and cut it down according to the female swordsman~www.readwn.com~ Her room is extremely limited, but her opponents are constantly attacking, using her hands and feet to attack from various directions. The biggest problem with fighting puppets is its unpredictability. In the face of flexible joints, the experience of fighting humans has become cumbersome. Every attack must focus on twelve points of spirit to deal with it. There is no time to plan a counterattack. .

This is not the way, and not to mention the physical energy consumed in the stalemate. Now the noise they have made must have alarmed the people in the room. If the puppeteer is here, the consequences would be unimaginable. what can we do about it? In the final analysis, the puppet is a dead object, and the ability of the puzzler cannot be estimated to work on this thing. He can only find opportunities to defeat it positively. Wait, dead thing, won't the dead thing move out of thin air, right?

Atta has also seen people performing puppet shows on the street while traveling. The workmanship of those puppets can be ignored for a while, but it is ultimately controlled by the line in the hands of the performer. Although the puppet in front of you is not necessarily active in this way, it must still be dependent. As long as you find this dependence and cut it off, the puppet without the operation line will naturally not be threatening. Thinking of this, the female swordsman finally found some hope out of the immediate predicament, and then, how to seize the hope to turn it into victory. Come on, tell me, where is your line?

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