Dragon Clan: Fujimaru-san is saving the world

Summary at the end of the volume.

【Opening】

When you are done, make money.

Oh, so this is not Station B?

That's okay ()

This volume is declared finished, and I honestly don’t know where to start.

It feels like "I could have written something better, but I didn't do it for various reasons."

Gee, that’s really uncomfortable.

The themes of this volume are divided into two: "Norton's personal perspective is to resist the world's convergence point and resist fate" and "Fujimaru Ritsuka's perspective is to find the reason for destroying the Lost Belt".

I even considered using the OP of Golden Wind as the roll OP.

It didn't turn out the way I wanted.

I have a rough outline, but because I don’t have the habit of writing detailed outlines, I have almost no manuscripts (as you can tell).

Therefore, when writing, it is easy to be interfered by the outside world and modify the plot in any detail.

For example, when you read this volume, you should immediately realize that I spent most of my time in the Neta Spell Return War Huaiyu Chapter.

Spells have always been a psychological hurdle for me. When I wrote my first fanfic (it ended with a million words, it was moral), he was the one I wanted to write about in my second fanfic. As a result, anyone who knows anything knows that this stuff has had problems for a while. , the agent won’t write it. (You can still see some alive, but it’s probably just the agents who are too lazy to care)

In addition to selfishness, neta is mainly suitable for Fujimaru's own enlightenment.

Well, there are many reasons, and this part is something I have to consider myself.

That's the background. Let me first talk about what I'm not satisfied with about this volume.

——

[Combat power increased too quickly without good preparation]: This volume and the previous chapters have a new hurdle in the combat power level, but I did not provide enough preparation. There is no other reason. I just didn't realize it when I was writing. Because I didn't save the manuscript, I wrote chapter by chapter and easily ignored the whole.

Although I mentioned that Fujimaru Ritsuka's mastery of the spiritual oracle has deepened, and that I could find a second-generation species as a foil at the beginning of the chapter, it is obviously not enough. If I write it again, I think I will arrange for Fujimaru Ritsuka to rely on the dream tapir. A plot like entering your own memory space and practicing with the heroic spirits you know? Moreover, the previous article should have added a description of Fenrir's combat power when he first appeared.

Hmm. It's a pity that Qidian does not allow you to modify chapters that were written too long ago.

ps: I never understand why. You guys can’t even change your own works, right? I cry to death ()

[The portrayal of Norton is not adequate]: It includes the creation of many aspects, not only the character image and combat power, but also has various problems.

I also mentioned it in PS before. Due to internships and other things, it was difficult for me to write in a difficult environment for a period of time, and I was in a bad mood. The shaping of Norton was a bit... unmotivated. I just built an image in my mind, but lacked the Plot support.

I think I can round out the logic of my work, but reasonableness is not enough.

Reasonable is not enough.

Whether a work looks good or not has something to do with whether it is reasonable or not, but it hardly depends on this.

Is the plot of Guilty Crown reasonable?

It's reasonable, but it doesn't stop me from thinking he's just weird. (Speaking of which, the character settings of Guilty Crown are too similar to Dragons. I always confused the two things when I wasn’t watching Dragons)

I made this mistake too.

What's the point of only caring about whether it's reasonable or not? It's my problem if it doesn't bring good enjoyment to readers. Whether the plot is interesting or not is the key. If I had it to do over again, I probably wouldn't consider a dual narrative.

When I first wrote it, I did it that way mainly because there were too many characters in Cassel. I wanted to write about characters like Caesar, Zero, and Fingel at the same time, but in the end I found that as long as Fujimaru didn't appear in the chapters, it would basically be enough. The order would jump, which led me to speed up the pace and fail to shape Norton.

Hmm. There should be a smarter way. I will try to figure it out slowly or quickly.

ah! ! (Look up)

Unfortunately, I have said my apology many times, but I still cannot give a promise that I will never continue to do it.

Mainly because I didn’t know if it was interesting enough before I wrote it ()

In the first volume, some people scolded me for the fact that the protagonist was a woman, some said the character was inexplicable, but some said it was just like that.

During the second volume, some people scolded me that the plot was too slow and the chatter was boring, but some people said it was fun to watch Lixiang's chatter.

In the third volume, some people said that Eri Yi was incomprehensible, but some people said that the writing was very good.

During the fourth volume, it seemed that many people praised me for writing the world background of Odin, but in fact, during that time, some comments came directly to scold me, saying that they had not seen such a third-rate setting in a long time, and they scolded me several times. A hundred words long, some people followed the post and cursed dozens of it.

Volume 5. No, there is no controversy at all. I wrote Volume 5 purely with the intention of easing the plot to draw out Xia Mi, so I didn’t criticize it much and didn’t praise it much.

The sixth volume is just a foreshadowing, similar in nature to the fifth volume. It is a bit of fun. Many people say it is boring, but some people say that Caesar has fun playing volleyball.

The seventh volume is the volume that I want to write the most, but it is also the most subtle volume for me.

So the conclusion is... As a result, no matter what I write, some people like it and some people hate it.

If I have to say it, it is a matter of proportion.

Damn it, after going round and round to come up with such a simple theory, what the hell, I thought I could also have an epiphany! (half annoyed)

In short, calm down, what I wrote is over. If you don’t like it, I apologize. If you like it, I’m happy. After reading this, you should have your own answer in your mind whether you have confidence and expectations in me as a creator.

None of this matters.

The following part is just me, as a Xingyue fan, discussing with other Xingyue fans. This may include Mr. Xingyue, who has only watched the animation, and people like me who have watched the animation and have a little knowledge of the game and settings.

Anyway, I want to chat.

(This part is mainly for the setting of model month)

——

Chapter 367 is the most satisfying chapter since I wrote this book, more satisfying than Odin and the plot of Da Vinci. I also mentioned those two plots, so I patted my head and started writing them during the class break. However, I thought about the plot of Fujimaru [Tenjo Tenka] for at least half an hour before going to bed.

I even got up and wrote a memo just for him.

This is amazing! The child is a pure health person, basically goes to bed at 12 o'clock, and doesn't like to stay up late.

No matter it is not space, but the alchemical matrix with time as the axis.

Self-cocooning.

Use the concept card bug of [Spirit] to obtain the memory of the White King.

To the final enlightenment of Buddha nature.

I'm very satisfied with these settings.

But looking at the response, you can tell that I must be self-righteous.

sorry! (stand at attention)

But to avoid misunderstanding.

Anyway, let’s talk about settings first.

first--

[Convergence Point] [Cut World] and [Steel Land] are three different things.

[Convergence Point] [Cut World] and [Steel Land] are three different things.

[Convergence Point] [Cut World] and [Steel Land] are three different things.

Say it three times~

In this volume, Norton has always struggled with the [Ending Point]

What Fujimaru Ritsuka is struggling with is [The World of Tailoring]

Convergence point: refers to something that is bound to happen in human history. King Arthur's death will happen no matter what, and it is absolutely unavoidable. Many people have proposed ways to get rid of this, but none of them have been officially recognized.

The root of the whole world stuffing proposed by Norton in this volume is my own idea, because I think the essence of the convergence point is actually an event that observers of the universe think "if you don't do this, the world will only go to the land of steel", so as long as we simply Just free the entire world from observation.

Hey, there is another [Space Observer] setting here.

It’s really troublesome. Interested viewers can check out the up host I recommended before, station b: beauty logist.

It was only after watching the up video that I thought about writing this chapter.

In summary, back to what I just said, let’s talk about Norton and the closing point first.

Norton knew that Constantine would definitely die in the convergence point, so for the sake of Constantine, he affirmed his dignity as the Dragon King and decided to get rid of the convergence point theory without being played by fate.

In this volume, Norton achieved his goal, because this is something that has never been done before or since (probably, anyway, there is no such thing as plugging the world into the roots in the original work of Xingyue)

Therefore, the dragon world is completely separated from the parallel world and becomes a line independent of the cable tie.

But Fujimaru Ritsuka had another problem to solve.

【Cutting World】

Follow the settings given in the video.

Condition 1: [There is an observer in the moon-shaped universe]. Cosmic observers mean that in the Xingyue world view, the Xingyue universe seems to have a "consciousness"-like existence. The current behavior of this observer is that he will take the initiative to eliminate those parallel worlds that he feels are not feasible.

The characteristic of the cropped world is that because they have no possibility of development, they will inevitably reach the so-called bad end like the Earth of Steel or the Coral of the Moon.

Condition 2: [The universe has resource limits, that is, observation limits]

This is why it must be cut, because if it is not cut, the history of pan-humanity, which seems to have hope, may be affected.

This is the basic setting of my writing. I don’t know if there are any mistakes. If there are any mistakes, please correct me.

Then, the next thing I thought about——

What will Fujimaru do next and what will he think?

Let me start by saying that I am a cloud player (I have played part of it, but not enough, and I have not played the latest chapter).

I will only make inferences based on the "what I know" part.

The topic is what I just mentioned, the legitimacy of cropping and destroying the world.

Many players will not be touched by this plot. The reason is that every Lostbelt world seems hopeless. Without Fujimaru, they are terrible. Even the most normal-looking Qin Empire seems to exist. the root cause of the problem.

But, but——

First of all, being unsaved does not mean that you can destroy him, nor does it mean that you have the right to destroy him.

Players may not have any psychological burden, but in which PV, plot, or psychological description does it appear that "I have completely understood it, I have a good theoretical system, and I will destroy it and that's it!"?

If you really have it, please be sure to take a screenshot and send it to me. I would really like to see what answer Mushroom gives Guda.

Secondly, who decides that there is no cure? Don’t most players judge other worlds based on their own standards, worldview, and values? Do we really have the qualifications to say that those worlds are terrible?

Who are you?

I am?

And we know that our world must be better than those worlds? If so, what do you mean by "good"? Who decided?

Moreover, FGO is a commercial work after all. It will definitely not put a real utopia there for players to destroy. It must create obvious clumsy shortcomings to properly justify the protagonist's behavior.

And I watched the plot of the Qin Empire Lostbelt. Qin Shihuang agreed with Guda and Chaldea at first not because he thought Guda was right, because unlike Qin Shihuang, Guda himself did not fully explain his thoughts and opinions. No matter what is right or wrong.

Qin Shihuang quit just because he discovered that he was wrong. He knew that the world he created was fundamentally contradictory, so he just wanted to see how far Chaldea could go.

To put it bluntly, this plot actually avoids this problem.

Mushroom, no, Lao Xu was responsible for the Qin Empire. In the end, Lao Xu was not cruel enough to let Guda completely stand on the opposite side of "Perfect Utopia".

ps: The captain's plot is the same, it makes players think, but it still leaves shortcomings, giving players reasons to convince themselves.

But isn’t it obvious whether Mushroom himself wants to discuss this issue or not?

[What will Fujimaru Ritsuka do in the future? 】

【Continue to destroy? 】

【Here comes the problem】

[If fgo does not consider commercial factors. 】

[If one day, there is a world, the doctor in that world is not dead, no one is dead, there is a Guda that does better than the current Guda, and that world instead regards the current Chaldea as Lost Tape, when it’s time to cut it? 】

Players think that Guda will choose to compromise for the sake of doctors and the future of mankind, and let himself die?

Or do you mean to carry the fetters you have along the way, but have to kill with your own hands a more "better" future for mankind?

Isn't it, isn't this a closed loop?

Whether Guda wants to live or agrees with the standards of the so-called universe observer will determine Guda's choice when facing this problem.

FGO2.0 is now here, and it must give players an answer.

My thoughts on this issue are reflected in Chapter 367.

I think Guda wants neither.

In other words, at least Fujimaru (not Ritsuka of fgo2.7) doesn’t think so until this book.

The path I found for my character was to avoid all options and simply solve the problem at its source.

Observers of the universe have limited observation capabilities, but unlimited goals, so there is a need to prune.

Then I will simply turn the infinite into the finite.

Forcibly telling the whole world his answer, unifying countless worlds into a whole, forcibly narrowing the scope of the observer's observation, so that the observer has enough power to observe all worlds.

Although there may not be any way to achieve absolute "one", at least it will definitely reduce the difficulty of observation.

And I think this circumvents the problem of tailoring the world.

I think it's very romantic and very imaginative.

Yes, okay, having said all that——

In fact, I am here to brag!

I just think this idea of ​​mine is great!

In the previous chapters, I always had the mentality of "Well, let's write it and see, I don't know if readers will like it." But with this setting, I have the mentality of "Whether readers like it or not, I think Cool!".

Although the latter really had a mediocre response.

Ahem.

No matter, just think of me as a kid. The author likes this kind of game where others tell the settings and then answer the questions, so as a former FGO player, this is the answer I gave to FGO.

It's clumsy, but at least it's an answer.

So, compared to me, a cloud player, everyone who has finished playing fgo must have more complete, better, and deeper thinking, right? (Not provocative, I really want to hear it, after all, FGO is such a great game)

Serve it up quickly! (prprprprpr)

You can chat with me privately to discuss.

ah? Why not invite readers to join the group discussion?

I'm afraid that some players will think my theory is too stupid and just come in and start complaining. I don't care (actually it does matter, but I will pretend that nothing happened), but it will not be good if it affects the mood of the group of friends.

So if it’s a rational discussion, you can join the group, but if it’s a direct rant, I’d be scared.

Therefore, the biggest purpose of this chapter is to listen to readers' discussions about "Cutting World" and "Guda's final answer to the Lost Belt".

Then, I make a very important point at the end.

[Cut World] and [Steel Land] are not the same thing.

The latter is something that mushrooms have not yet solved, and the history of pan-humanity has not said that it can be avoided. It is better to say that humans who have a high probability of dying violently will eventually come to an end (reflecting the pessimistic side of mushrooms towards human development)

The Servant Universe doesn't count, it's just a joke, it's not salvation at all.

And what I mean by Guda unlocking is only the [Cutting World] part.

The next thing she has to face is the "Land of Steel". How Guda will solve this part - this article has not yet written at all.

[The Earth of Steel] is a question that Mushroom himself, and even all mankind, have been unable to answer for thousands of years. It is almost a question that is close to philosophical discussion.

And what kind of cow and horse am I? !

but

how to say.

Since I have chosen to write about type month.

It's easy to do some pretense, and I should be able to do it, but I still want to try to give the answer.

So maybe, maybe, I may have an "answer" that is not very solvable and is very tricky, but it seems to be an idea that has not been proposed yet, and it can also be linked to a work that I particularly like that also has a huge world view.

The answer is actually hinted in the previous article (the classic claims to have foreshadowed it)

Why.

It's hard to write. It will expose your own poor side to the sophisticated boss. It will also make ordinary readers unable to understand the setting and how much effort the author has put into this place.

Both sides are unhappy.

I cried to death.

But for the time being, I still hope that everyone will watch the next plot with a relaxed attitude.

If you think it's well written, thank you. If you think it's poorly written, I apologize. You might as well be curious to see if the next plot will be even worse.

The child's family is in debt and is short of money. ()