Entertainment: My band is all lead singer

Everything was ready on the field.

With a heart-stirring drumbeat, the prelude slowly opened, majestic and magnificent.

At this moment, the spotlight focused on him, making his figure particularly eye-catching.

The drumstick in his hand danced with precision and power, and every strike seemed to leave an eternal mark on the drum surface.

The drum surface trembled with his strikes, emitting a deep and broad echo, like an ancient call, penetrating the long river of time.

As the rhythm accelerated, the drumbeats became rapid and intense from the initial slowness, and Long Zhan's strikes became more and more powerful.

In this exciting drumbeat, there was also the low and loud sound of the Dafa horn.

When the deep notes of the Dafa horn sounded, its majestic power penetrated the surrounding air, like thunder and lightning, shaking the hearts of everyone present.

The sound echoed at the scene, as if announcing the beginning of some solemn ceremony or important event.

The Dafa horn, also known as the big horn or the big trumpet, is a musical instrument with a loud and majestic sound, commonly used in religious ceremonies, celebrations and military occasions.

Its sound is deep and long. Unlike the brisk jumping of other instruments, the Dafa horn slowly expands its range in a steady manner.

Every time it is blown, it seems to be telling an ancient story, carrying the weight and depth of history.

It creates a profound artistic conception, as if people see the spectacular scene of the elephant king slowly moving on the vast wilderness.

On the screen of the stage, the turbulent and surging Yellow River appears with the sound of drums.

The river is mighty, the waves hit the shore, rolling mud and sand, rushing forward, hitting rocks, splashing countless water, like pearls, forming a breathtaking natural picture.

"It's this piece of music. Yuebai played this piece before."

"My sister Xilan and sister Ying'er are so beautiful."

"Long Zhan's drumming is so powerful and vigorous."

"The sound of the horn is a bit shocking and penetrating."

"This dress is tasteful, I like it."

"I have goose bumps all over my body."

"It has to be Chinese music. The majestic feeling comes from the beginning."

"..."

The shock experienced by the audience on the scene is incomparable to the audience in front of the screen. It is an unprecedented immersive enjoyment.

Being on the scene, the audience can feel the subtle vibrations from vision to hearing, and even in the air. This all-round sensory experience makes people feel as if they are part of the performance. This immersive feeling cannot be provided by the screen.

The atmosphere on the scene is very contagious, and the emotions of the audience are easily affected by the people around them, forming a collective emotional experience.

This emotional resonance is unique.

It is easier to leave a deep memory.

This is a full range of sensory and emotional experience.

The drums fell, and the pipa started.

The light gently focused on Xia Ziyuan, reflecting her figure very clearly.

In her hands, the rapid, passionate and powerful sound of the pipa suddenly rang out.

The rhythm was fast, the force was strong, and there was a sense of killing.

Like a galloping warhorse, it showed a courageous momentum.

Xia Ziyuan smiled slightly, and her fingers plucked the pipa strings quickly and forcefully. Every movement seemed decisive and precise, like a warrior wielding a sword on the battlefield.

The notes of the pipa poured out like heavy rain, dense and powerful.

With the rhythm of the music, her body also leaned forward slightly, and with the rise and fall of the melody of the pipa, she showed a harmony that was one with the music.

The sound of the pipa formed a series of shock waves in the air, and every plucking of the strings was like a heavy hammer hitting, shaking the hearts of the audience.

The lights changed with the rhythm of the music, flickering, projecting Xia Ziyuan's figure on the background of the stage, forming a series of moving pictures.

The interweaving of light and shadow added to the dynamics of the music, making the whole scene more vivid.

As the antique pictures on the screen behind him were displayed one by one, the audience seemed to feel the precipitation of time and the heavy sense of history, and each picture carried the mark of the years.

The audience on the scene was concentrating, watching the beauty on the stage without blinking.

The sound of the pipa stopped suddenly, and the sound of the flute took off.

The space where Jiang Yuebai was was also illuminated by the lights.

The screen behind him was replaced with the inscriptions of ancient and exquisite bronze ware, adding a sense of mystery and solemnity to the scene.

The melody of the flute was light and flexible. Its arrival freed the audience from the tense atmosphere of the pipa and brought them into a more relaxed and pleasant emotional space.

The rhythm was brisk, and every note was clear and powerful.

Like a call across time and space, it was profound and vast.

Jiang Yuebai with a calm and composed attitude, holding a bamboo flute, his fingers lightly pressed the flute holes, each movement revealed the beauty of natural fluency, showing a calm and elegant demeanor.

His flute sound not only added rich layers to "The Elephant King" at the musical level, but also expanded the connotation of the work in terms of artistic conception, allowing the audience to feel a peaceful and harmonious atmosphere after the passionate emotions.

The flute sound stopped abruptly, and the erhu sound followed, like the beginning of another story.

At this moment, the lights focused on Song Qianyun.

When the deep and restrained erhu sounded on the stage, the audience's attention was immediately attracted, and with the addition of drums, the whole atmosphere became more enthusiastic.

The sound of the erhu gradually permeated the entire stage, and the unique timbre, like crying and complaining, marked the deep emotions.

The erhu not only showed its traditional lyrical characteristics, but also showed the dynamic changes and emotional depth in the music through Song Qianyun's superb skills.

Against the backdrop of the lights, Song Qianyun's figure was intertwined with the sound of the erhu.

Every time she pulled the string and pressed it, traditional music was given new vitality.

The sleeves of her long skirt also swayed slowly as she pulled the bow.

The Buddha statue on the screen seemed to be telling the vicissitudes of history, echoing with the sound of Song Qianyun's erhu.

When the melody of the erhu gradually eased, the sound of the guzheng jumped up, like dewdrops in the morning light, fresh and bright, bringing a new breath to the stage.

Wen Xilan and Su Ying'er, dressed in red, looked particularly beautiful under the light.

The performance of the two was full of tacit understanding, every movement was surprisingly consistent, and their expressions were focused and peaceful.

Every pluck seemed to be telling a story, and every sweep seemed to be painting a picture.

The timbre of the guzheng was crisp and pleasant, in sharp contrast to the deep and restrained tone of the erhu, adding rich layers and expressiveness to the music.

With the addition of the guzheng, the emotional color of the music also changed, from deep lyricism to bright narration.

The picture also changed from the Buddha statue to the murals of Dunhuang.

Crisp and gorgeous, like pearls falling on a plate, clear and long, like a long stream, adding a touch of elegance and fluency to the song.

The two people's performance varied in intensity, from soft plucking to strong sweeping, showing the dynamic beauty of the music.

The sound of the pipa followed the guzheng, and Xia Ziyuan's smile revealed confidence.

Then the sound of the flute, erhu, and guzheng sounded one after another, and the melodies rose and fell.

As the music progressed, the coordination of various instruments became more and more tacit, and their melodies rose and fell, intertwined with each other.

The Chinese painting behind him echoed it, and the mountains, rivers, flowers, birds, and characters on the picture seemed to slowly come alive under the guidance of the music.

Music and Chinese painting complement each other and bring out the best in each other.

……

(The Elephant King’s Journey, composed by Guan Dazhou. I recommend watching the live version of National Treasure.)