Entertainment: My band is all lead singer

After the song "Proud Youth" ended, the four hosts came on stage.

While praising the positive power of the song, they warmed up for the next show.

At the same time, it was also to buy time for Jinghua Shuiyue and others.

Backstage, Jinghua Shuiyue and others quickly changed their clothes with the help of the staff.

When the host finished speaking, the curtain slowly opened.

As the lights gradually dimmed, the audience's attention was completely attracted to the stage.

In this dim light, the audience's expectations became stronger.

They all knew that the next show was also Jinghua Shuiyue's.

It was also the Chinese music ensemble they had been looking forward to for a long time.

Jinghua Shuiyue has released four Chinese music so far, that is, four pure music.

In chronological order, they are "Desolate", "Floating Light", "Elephant King's Journey", and "Infatuated Tomb".

A large part of their fans like this kind of Chinese music.

Compared with pop music with lyrics, they prefer to appreciate Chinese music quietly.

This preference may be derived from the cultural consciousness deeply rooted in the Chinese nation and the cultural identity in its blood.

Chinese music is not only an art form, but also a spiritual inheritance and cultural continuation.

The power of this music will continue to spread and develop in China as time goes by.

It is like an endless warm current, nourishing the hearts of every Chinese son and daughter, inspiring their love and respect for traditional culture.

"Chinese Music Harmony "Nine States Together"

Guzheng: Wen Xilan, Su Ying'er

Flute: Song Qianyun, Xia Ziyuan

Suona: Jiang Yuebai

Drum: Long Zhan

Sataar: Hawul Maimaiti"

"Nine States Together? What a grand name."

"I remember, isn't this the name of the song revealed during the live broadcast before!"

"Why is there another person? I haven't heard of it."

"This name is so strange, it seems to be from the Uyghur ethnic group."

"It is from the Uyghur ethnic group, this one is considered Master Satar." ”

“Oh? That’s not bad. I wonder what kind of sparks it can create.”

“You can probably tell what kind of song it is by listening to the name.”

“Suona? There’s actually a suona. Isn’t the suona a deadly instrument?”

“You know nothing. If you don’t know, don’t talk nonsense.”

“Among all kinds of musical instruments, the suona is the king. Do you understand?”

“When the suona sounds, it’s worth a ton of gold. It’s either ascension or worship.”

Sattar is a Uyghur stringed instrument with a long history and unique timbre.

It is made of wood, with a long gourd-shaped resonance box, which is made of a whole piece of mulberry wood. The neck is long and decorated with bone patterns.

The timbre of the satar is rich and varied: the high pitch is sharp and has a metallic luster, the mid-range is bright and beautiful, and the bass is thick and slightly hoarse.

Against the dim lights, the scene suddenly became quiet.

The audience's eyes were focused on the stage, and Satar's melodious voice began to slowly sound in the venue.

Hawul Mamtim wore the unique costumes of the Uyghur ethnic group and sat quietly on a chair.

Mamtim placed the body of the instrument vertically on his left leg, held a horsehair bow in his right hand to rub the strings to make sounds, and changed the pitch with his left hand according to the frets.

This posture is not only a need for performance, but also a respect and awe for music.

The deep and desolate music poured out from his fingertips, as if it was a solitary smoke in the Gobi Desert, distant and clear.

This sound is not just music, but more like an echo of history, which makes people feel the vicissitudes of thousands of years and the thickness of culture in an instant.

The vast feeling of the music of the solitary smoke in the Gobi Desert at the beginning of the song instantly shocked people's hearts, as if they could see the vast desert and feel the precipitation of history.

After a short period of tranquility, the melody changed, as if the wind in the desert suddenly changed direction, bringing new breath and changes.

Mamtim's left hand moved quickly on the strings, changing the pitch according to the frets, and every change was full of surprises and expectations.

His playing skills were not only skillful, but also natural, as if there was no barrier between him and Satar, and the two had merged into one.

It felt like going from the Gobi Desert to the ancient city of the Western Regions.

The ancient buildings and relics told the vicissitudes of history, while the street tunes in the streets and alleys revealed the fireworks of life.

The originally dark screen gradually lit up, and the magnificent scenery and unique customs of the Western Regions were displayed one by one in the interweaving of light and shadow.

Every light and shadow, every picture, showed the beauty of the Western Regions, which made people fascinated.

As he played, the audience seemed to be able to feel every corner of the ancient city.

They closed their eyes and felt it all quietly.

Satar's voice was like a key, opening the door to these places, allowingPeople can feel those ancient and mysterious cultures.

The sound of Satar gradually became low and disappeared with the sound of a door closing.

The sound of the zither rose in response.

A cloud of smoke dissipated, revealing Wen Xilan and Su Ying'er in the mist.

Wen Xilan and Su Ying'er's fingers gently jumped on the strings of the zither, and the sound of the zither was clear and melodious, like a clear spring flowing in the mountain stream.

The movements of the two people playing the zither were ups and downs, but they were elegant and calm.

Their fingers jumped on the strings, sometimes softly, sometimes forcefully.

The picture on the screen also gradually changed from the Western Regions to the vast land of the Central Plains.

Some drum sounds could be faintly heard in the middle.

Long Zhan controlled the drumstick and gently hit the drum surface.

"Wonderful! Wonderful! The Western Regions style that hits me in the face, the whole mind is full of the vastness and remoteness of the exotic style."

"It's the first time I heard Satar's voice, but I like it very much."

"Kou can go, I can go too!"

"This is awesome, I can't criticize it at all."

"Who else? I don't think anyone dares to say that Yuebai is not good."

"As soon as the sound of the guzheng came out, the picture in my mind changed instantly. It turns out that you can really integrate into the song just by listening to the music."

The sound of the guzheng stopped abruptly, and Wen Xilan and Su Ying'er's hands were still hanging in the air.

The lights were all on where Song Qianyun and Xia Ziyuan stood.

The beautiful scenery of the Jiangnan water town emerged.

The mountains and rivers are beautiful, and the clouds and mists are lingering.

The lakes and mountains are beautiful, and the smoke and waves are vast.

The sound of the flute sounded quietly, like the fairy music floating from another world, breaking this short tranquility.

Like the breeze in the forest, fresh and smart.

The sound of the flute is crisp and bright, which can express cheerful and lively emotions.

Their performance not only shows the classical beauty of the flute, but also brings a sense of tranquility and harmony, as if it is the gentleness and delicacy of the Jiangnan water town.

At this moment, the sound of the satar and the guzheng suddenly joined, and the atmosphere of the whole scene had a sense of harmony.

The four instruments blend together, which is a dialogue between heaven and earth, and a fusion of history and modernity.

At this time, the suona has not yet appeared.

The audience began to look forward to what the suona sound would be like later.

Is it as shocking as the previous one?

Suona, an instrument that occupies an important position in Chinese folk music, is famous for its unique timbre and expressiveness.

Almost everyone knows its sound. Its high-pitched, passionate and penetrating sound can always catch the audience's ears in an instant.

It is hard to imagine what role the suona can play in this combination.

The audience's expectations are brewing quietly in their hearts, and the mysterious veil of suona is about to be unveiled.

…

("Jiuzhou Tong" Composer: Guan Dazhou, it is recommended to watch the live version. The original version does not have a drummer, but there are drum sounds, so I added it in. Don't worry about this, just watch it.)