After recording the show, the much-anticipated new drama "The Son-in-law" was launched that evening.

On the night the TV series was launched, a large number of fans flooded into the 271 platform.

All of them went for Guan Xiaotong and Cao Gong.

Although the box office of the movie "The Cage of Spirits 2" has not increased much, it has not been removed from the shelves.

After all, it set a record for the box office of domestic films, and Guan Xiaotong reaped the biggest dividends from this movie.

With this movie, Guan Xiaotong became a top star in one fell swoop

The previous accumulation, plus the performance of this movie, and the results and reputation of this movie.

Guan Xiaotong became the third top star among post-90s female stars.

Together with Dilireba and Yang Ting, they are called the three top female stars among the post-90s.

Although they are top stars, there is a gap between them.

Dilraba Dilmurat has good acting skills, high popularity, good popularity among the public, can carry a drama, has high commercial value, and is the only female star born in the 1990s in the fashion field.

Yang Ting has good acting skills, high popularity, good popularity among the public, and can carry a drama, but his commercial value and fashion performance cannot keep up with Dilraba Dilmurat even if he drives a supercar.

Guan Xiaotong has good acting skills, high popularity, good popularity among the public, and average ability to carry a drama, high commercial value, and excellent fashion.

Because of participating in the program "Ace", Guan Xiaotong's popularity among the public and audience has improved a lot.

However, Guan Xiaotong's personal ability to carry a drama has not yet proven itself, so it is relatively average; but her performance in the fashion field is second only to Dilraba Dilmurat.

If the top stream is also expressed by scoring,

Then Dilireba is the top star with 9.9 points, Guan Xiaotong is the top star with 9.4 points, and Yang Ting is the top star with 9.3 points

If Dilireba had not been helped by Cao Gong, she would still have taken those bad dramas, and her ability to carry a drama would not have been recognized.

It is precisely because Cao Gong gave her 603 advice and her agent Ye Xiao helped her tailor the script that Dilireba's ability to carry a drama was demonstrated and recognized.

Otherwise, if Dilireba took those dramas according to Cao Gong's memory, then she would definitely not be recognized in acting, after all, the image of the dramas she took was not suitable for her.

Of course, another point is that Cao Gong helped her improve her acting skills.

If her acting skills had not improved, her works would not have received such high evaluations.

Guan Xiaotong is almost the same. In addition, her acting career in the parallel world is not smooth.

After dating Lu Han, she was influenced by Lu Han's Buddhist attitude and naturally had no ambitions.

In fact, it is understandable that Guan Xiaotong is just playing in the entertainment industry with Lu Han's family background.

No need to work hard, she will definitely be able to succeed in her life.

Because of this, Guan Xiaotong did not seize the good opportunities after dating, nor did she carefully select the scripts, so she was unable to come up with a hit drama starring herself..

This world is different. Under Cao Gong's training, Guan Xiaotong is now doing well in all aspects.

She is not indifferent to vision. In terms of acting, Cao Gong also suggested that she get two roles that suit her.

The two hit works "Story of Yanxi Palace" and "The Cage of Spirits 2" really made her successfully reach the top.

……

It is hard to say how "The Son-in-law" aired tonight will perform.

In fact, Cao Gong himself participated in the adaptation of this script, and it was not filmed according to the script when he first received it.

When he first received the script of this drama, the plot was the same as the plot Cao Gong saw in his previous life.

But Cao Gong was not satisfied with the quality of the adapted script.

In his previous life, he had high expectations for this TV series, but after seeing the finished product, to be honest, Guo Qilin's acting skills were there, but not much, especially when he spoke the lines, it always felt like he was telling a crosstalk.

Add to that Guo Qilin's appearance, it's hard to get into the story. Ning Yi was a manager in his previous life.

It can't be said that Guo Qilin's acting was bad. There are some merits and praiseworthy ones, but they are rare.

On the contrary, the most outstanding character in this drama is King Jiji Liu Guanlin.

In fact, the one who got the most dividends in this drama is Liu Guanlin. His acting skills in the TV series are so good that everyone remembers him.

Also, the plot is simply unbearable to watch.

"Zui Xu" has the blessing of IP, but it has not become a hit drama.

You should know that there are very few ancient costumes about Zui Xu.

Now it is made into a costume drama, which is a very fresh theme in the field of costume dramas.

It's just that the screenwriter's ability is insufficient and he failed to adapt the novel well, which makes this plot worrying.

Although the popularity of the entire network was very high when it was first broadcast, it was not easy to achieve such a sad result without top traffic, but "The Son-in-law" still couldn't escape the fate of starting high and ending low.

After watching the first six episodes, you will think that this drama will be a hit drama, the plot is compact and not dragged out, the actors' acting skills are also online, and the content is novel and interesting.

But after watching episode 12, I found that the plot began to go downhill.

Three of these points make it difficult for this drama to become a hit drama, and it is difficult to even be considered a popular drama.

The first point: the plot is stupid, and the IQ of all villains is not online;

According to the setting in the play, Ning Yi has two opponents in the early stage. One is the second room father and son who compete with Su Tan'er for the seal of the cloth shop; the other is Wu Qihao who is tit-for-tat;

This setting is actually very interesting. The second room and Wu Qihao are both enemies of the male and female protagonists, so the two of them can make it difficult for the male and female protagonists to be attacked from both sides; however, in the play, the two are united, but the two villains are set too weak by the screenwriter, and the second room father and son are set as the funny ones.

If the villain is too incompetent and not as good as the protagonist, it will feel good at the beginning, but it will be boring later.

The second point: All female characters are vases.

The heroine is originallyA person who dares to fight and has high IQ and EQ; but in the play, she is almost reduced to a tool person, and everything depends on the male protagonist, which is completely inconsistent with her character as the head of the Su family; it feels like every problem needs the male protagonist to help solve it.

Then the other characters are too ordinary, and it feels like the ability setting of a maid.

(ajab)The third point: Guo Qilin's crosstalk-style dialogue performance.

Guo Qilin can act, but if he plays this kind of male protagonist, he is actually very inconsistent; plus he is not from a professional background, he has acting skills, but he is too biased towards crosstalk performance, plus his partner Song Yi, the female lead, has played a brother and sister in "Celebrating Yu Nian", which looks inconsistent.

These three points are why "The Son-in-law" cannot become a hit drama.

When Cao Gong got the script, he saw the setting like this.

When giving feedback to the film company, he also made it clear that he would not accept this script. The script setting was too problematic and he did not want to accept such a script.

After the film company learned about it, they specifically found Cao Gong to discuss this matter.

Finally, Cao Gong took advantage of his free time during the Spring Festival last year to write a version himself.

After comparing, the film company and the director discussed and decided to use the version modified by Cao Gong.

If it was not the version modified by Cao Gong, he would not decide to star in this drama.

As for the original screenwriter, the name of the original screenwriter will also be on the information of this TV series production, and Cao Gong's name will also be on it, but he is not the chief screenwriter.

It is enough for him to modify the script, and there is no need to grab all the credit.

……

As soon as the TV series was broadcast, it immediately attracted a lot of attention.

At the beginning of the TV series, Cao Gong was smoking a cigarette and talking on the phone, with the cigarette between his fingers, which made the audience feel very natural. This is definitely the appearance of a smoker.

When writing the novel, the slovenly and decadent feeling also made the audience feel very real.

Then, the camera turned and drove a luxury car in the rain.

Fans were fascinated by Cao Gong's performance and liked it very much.

The plot was very compact, and then it was time-traveled to ancient times.

After arriving in ancient times, Ning Yi began to adapt to this matter.

The plot of the whole drama was very compact, and the logic was also very clear, which made the audience feel that there was no disobedience at all. (To read the violent novel, go to Feilu Novel Network!)

When Guan Xiaotong appeared, everyone saw a different Guan Xiaotong.

Before, she was the domineering sister Bai, but now she has changed to the gentle and virtuous strong woman Su family eldest lady.

However, this kind of strong woman's personality is also quite consistent with Guan Xiaotong.

The eldest lady of the Su family is not a silly and sweet girl, and Guan Xiaotong's performance does not feel disobedient.

Especially Guan Xiaotong's ancient costume image in this drama has amazed many fans and viewers

Even in terms of hairstyle, Cao Gong also gave a lot of suggestions to make Guan Xiaotong's makeup look better and match the costumes better, which is why Guan Xiaotong's makeup look in this drama is so amazing.

The key is that when Cao Gong and Guan Xiaotong's characters stand together, the CP feeling is amazing

Four episodes were broadcast on the night of the premiere, but the audience fans were so addicted that they even felt it was not enough

"Wow, it's amazing, Xiaotong's makeup in this drama is amazing."

"I also want to say that Xiaotong has played so many costume dramas, and finally there is one that is so amazing."

"In "Shadow", the part of holding an umbrella in the rain is also amazing."

"Indeed, the movie That scene in the film is indeed good, but it is just one shot; this TV series is the whole series, the makeup, manners, and temperament are all very well grasped. At first glance, she is really well-educated, gentle and virtuous, and at the same time, she has all the temperaments that a strong woman in ancient times should have. It's amazing. "

"As of now, the plot is very compact and there are no complaints for the time being; setting the second room father and son as the funny ones is very successful. The key is that it is funny, but the IQ is also online . ”

“Brother-in-law’s acting is really good. He has captured the psychological state of a modern man who travels back to ancient times to be a son-in-law. His acting is so good.”

“This drama is going to be popular. It is definitely going to be popular.”[]

“The theme of son-in-law is rare in the field of TV dramas, and it is a costume drama. The plot is also very well adapted now. It is hard not to be popular.”

“I found out after looking at the staff list that brother-in-law is also one of the screenwriters.”

“It must be the original script. Brother-in-law felt that the script was unreasonable, so he participated in the scriptwriting and redesigned the script. This is an old habit. Brother-in-law has always been like this before, helping to improve the script. Therefore, his works are of such high quality. Everyone in the circle knows this.”

“Yes, Cao Gong is famous for his love of changing the script. If the change is good, it is the credit of other screenwriters. If the change is not good and he is scolded, he will take responsibility and say that it is not the fault of other screenwriters. This responsibility is unique in the entertainment industry.”

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