Feature Shows Extravaganza

Kuuga has entered the Ascension Chapter.

For a new year knight TV drama, more than 20 episodes have been aired, which is considered a critical watershed.

Success or failure, it all depends on this!

Whether the sublimation chapter can continue the previous Tenhu Beginning and stabilize the existing ratings and praise will directly determine Kuuga's future destiny.

Fortunately, Shirakura did a good job.

After being scolded by Meng Lang, he put away his random thoughts and implemented the original plan. The story line of the sublimation chapter has not deviated.

Constructing a real world of knights and focusing on the interaction between Godai Yusuke and the people around him is Kuuga's biggest change!

Realistic, lifelike!

Shirakura's understanding of Kamen Rider amazed many viewers and made Ishimori full of praise. The theme determined by him has also become the most popular slogan of Kuuga Broadcasting to this day.

Fight to protect your smile!

Most of the knights in the past fought desperately for revenge, so the plot is very depressing, and the audience will feel depressed after watching it for a long time.

But Sora is different...

The smile on the corner of Godai Yusuke's lips, the thumbs up, the support of the police and the interaction with people around him inadvertently healed many viewers.

They suddenly realized...

It turns out that Kamen Riders are not all depressing protagonists with great suffering and deep hatred. Occasionally, a healing male god like Godai Yusuke will appear.

After eating too much big fish and meat, it’s good to change the taste.

In the early days of Kamen Rider, he liked to play suffering, great hatred and depressing protagonists, so the unique style of healing Kuuga was impressive.

Ultraman next door is the complete opposite!

Tsuburaya likes to create healing male protagonists, but suddenly he used Nexus to create a depressive style. The audience was also deeply impressed by this work.

Although, the ratings are very poor...

But it’s not all Tsuburaya’s fault!

Kamen Rider goes from depressing to healing, which is from frugality to luxury, and the audience transitions very naturally. As for Ultraman's transition from healing to depression, it is a transition from luxury to frugality. The preparation must be made in advance to leave a buffer period for the audience.

Otherwise, the psychological gap will be too big and the audience will explode!

Having said that, the leather sheath actually doesn’t change much between Kuuga’s sublimated form and basic form. Some golden textures have been added and the shape has been slightly modified. If you don’t look carefully, it’s quite easy to get confused.

This is not because Meng Lang is stingy.

Each of Kuuga's forms, including his sublimated form, has two exclusive leather cases, so he won't be stingy about his leather cases and attract criticism.

The reason why it is designed like this...

The reason is simple, follow the settings.

For example, the Ascendant Almighty form is derived from the Basic Almighty form. If the design changes too much, and even abandons the unique red armor of Almighty, how can the audience recognize that it is Sublimated Almighty?

Don't make it too complicated!

As the saying goes, half a step ahead is a genius, one step ahead is a madman.

Kamen Rider only introduced multi-form, and the audience is not yet used to multi-form changes. Rushing to follow the practices of the Heisei New Year, or even the Reiwa Knights, may be counterproductive.

Nothing can be rushed.

After the audience adapts to various form changes, designers can design new forms of new knights without any worries.

Until then, the so-called bottle and coin drive and cassette camera will be arranged for you in one go!

…

It is different from the empty self.

Due to the late launch of Tiga, the broadcast progress cannot keep up with Sora. We are currently at the beginning of the story, and the exciting part is yet to come.

The fifth episode is currently being filmed.

This episode is very interesting. A foul-smelling monster corpse floats from the sea. Because the corpse was so smelly that it caused discomfort to local residents, the director decided to burn it.

The captain was not in favor of burning it.

A woman's elusive sixth sense gave her an ominous premonition. If you burn the monster rashly, something may happen.

Turns out, she was right.

While Lina was lifting, the zombie monster Cilizan came to life. It has no life response and relies entirely on body instinct to move. It eats everything it sees, just like a zombie in a horror movie.

Victory missile, eat it!

Liquefied natural gas tank, also eaten!

Zai Pelli Ao light, eat it without fail!

Even Tiga was almost stuffed into his stomach and eaten by it...

Cilizan, who ate everything, died in the hands of Diga in the end. The liquefied natural gas tank in Zaipellio's body exploded with a ray of light, and exploded into ashes on the spot.

The episode is titled The Day the Monsters Haunted.

As can be seen from this title, the focus of this episode's story is not the monster Cilizan, nor the Victory Team, nor Ultraman Tiga, but ordinary citizens.

The original Ultraman Tiga had a number of scriptwriters involved, and thanks to their outstanding talents, Tiga can be so good.

Among them, Xiaozhong Chiaki is worth mentioning.

Many people may not know him, but the series he was responsible for must have left a deep impression on many people.

Kirialodians, Cilizan, Gazot, the giant robot Gobnu appearing on the Machine Island, the episode where the director was trapped in a meeting, the episode where Dagu flashed to Kunlun Mountain, Masaki Keigo and Xedi, Saga and Gatanje...

These episodes have one thing in common.

Monsters are not the absolute protagonists of the plot, humans are. In other words, exploring the connection between humans and monsters is what Chiaki Xiaonaka wants to express.

On the surface it talks about monsters, but in reality it talks about humans.

The same is true in the fifth episode. Through the appearance of Cilizan, Chiaki Konaka depicts the different attitudes of the citizens towards monsters at that time.

There are two key characters in this episode.

One is a news reporter who is eager to interview the Victory Team, but supports their work but has some small complaints. Finally, he meets Vice Captain Munakata in a bar and understands the difficulty of the Victory Team.

The other is a monster disaster expert who was invited to explain the Victory Team's Operation Plan on the TV show. Its absurd and inconsistent explanation left a deep impression on the audience.

Not to mention journalists...

Regarding this monster disaster expert, Meng Lang invited a particularly powerful master to guest star. His identity and past experience are very suitable for this role.

He is not an actor...

He's just a retired bad old man.

Although, the bad old man has a lot of fans. Not only Meng Lang, the entire crew is his fan...

“Good seat!”

Okay, hello everyone!

Thank you everyone!

It's not hard, please take a seat quickly...

With the arrival of the seats, the crew of Diga instantly turned into a star-chasing scene. Fans gathered around and even Meng Lang couldn't squeeze in.

It's too much! It's too much!

Does Mr. Meng have no face?

You guys get out of the way and let the director get closer so that he can explain the play to the director. Otherwise, if the filming is delayed, who will bear the responsibility?