From Hogwarts to Strixhaven

For Ivy, fabricating memories in the soul is a familiar thing.

It turns out that the so-called Phantom of the Opera is indeed a living human being. But he is not a playwright and architect living in the Garnier Opera House as described in the novel.

He is a wizard, a wizard who fell in love with a Muggle.

For him, he is a warrior who broke through the barriers of the Statute of Secrecy and was willing to sacrifice everything for love.

However, his love object, the soprano Christina, did not appreciate it. She did not think that this magician who "can show off a few tricks" was attractive. She was dating another composer who was famous in the Muggle music world at the time.

So the unrequited love of the Phantom of the Opera turned into jealousy, and eventually the entire Garnier Opera House was burned down, even causing the deaths of hundreds of people including Christina. After the French Ministry of Magic disguised the matter, the Muggles could not tell clearly what caused the fire.

Unwilling to believe that Christina would reject him, the unrequited love wizard turned into a ghost after his death, wandering around the rebuilt underground facilities of the Garnier Opera House all day long.

Many people would hear the noises he made from time to time, so a rumor was born that a terrible phantom was always wandering around the underground of the Garnier Opera House.

After the artistic processing of the novelist, the suspense story of "The Phantom of the Opera" finally spread in France. It was not until this suspense novel was adapted into a musical by a new era playwright that things began to get strange.

Because it was not preserved in a magical place like Hogwarts, the ghost wandering around the underground of the Garnier Opera House had been irreversibly worn out for more than a hundred years. He had almost lost the power to show his body.

But as the musical spread, the wizard ghost, who knew nothing about music, was like being injected with new magic. He not only learned the singing style of the Phantom of the Opera in the musical, but was even able to magically summon the ghosts who died with him in the fire. Some of them could provide accompaniment, some could play supporting roles, and some could act as audiences, but there was only one missing heroine.

This is why the Phantom of the Opera set his sights on Fleur.

The magic of wizards is the power of belief. With the widespread spread of musicals and suspense novels, the "belief" of Muggles has become the power of the Phantom of the Opera, which not only gives him the ability to summon past dead souls, but also allows him to cast spells by relying on music melodies and singing. If Ivy hadn't used the "Silence Spell" to turn off his speakers, the noise he made in the end might not have been so easy to cover up.

But considering the efficiency of the French Ministry of Magic, that's not necessarily the case. Ivy and the Phantom of the Opera fought for so long in the basement of the Garnier Opera House, but they didn't see them send a wizard to find out the situation; later, when he was enjoying the breeze on the Eiffel Tower with the Flamel couple, they attracted two wizards who made a bet, and even one unlucky guy fell down.

This work efficiency and responsible attitude are not much worse than that of the British Ministry of Magic. Even if Ivy really blew up the Garnier Opera House, the French Ministry of Magic might not be able to find anyone.

With the blessing of the popularity of musicals, operas and suspense novels, the Phantom of the Opera is no longer just a ghost left by a wizard in the Garnier Opera House. He is a combination of the "belief" of Muggles, the marks of wizards, and the ghosts who died in the fire more than a hundred years ago.

Compared with harmless ghosts, he is more like a ground-bound spirit or a devil. It is for this reason that he can use some magic that looks particularly bizarre.

After fully absorbing the spirit of the Phantom of the Theater, Ivy gained a lot of experience points and got a new feat - Melody Casting.

The effect of Melody Casting is to use music instead of spells and gestures to create a magical melody, causing extensive and lasting spell effects.

With this feat, Ivy can use solo singing instead of spells, use ensembles instead of magic rituals, and even weave the melodies of multiple spells into a symphony, and trigger multiple different spell effects at the same time within the duration of the symphony.

For example, the wizard has an 8th-level spell Earthquake, which is a concentration spell that the caster must continue to channel after completing the casting.

During the duration of the earthquake spell, a violent tremor will tear the ground within a 100-foot radius centered on the target point, and shake all creatures and buildings connected to the ground in the area.

All targets standing within the spell range cannot attack or move unless they have additional bonuses on balance or they can leave the ground. Earthquake will have a permanent impact on the earth. It will cause caves to collapse, cliffs to shatter, the ground to crack, and the resulting cracks will suck water from rivers and lakes, and cause serious damage to buildings, just like a real earthquake.

If Ivy uses melodic casting to release this spell, he can even make the rhythm of the earth's tremors keep up with the rhythm of the magic melody. In simple terms, it is to make the earth dance to his command.

Isn't it very exciting to think about it this way?

For another example, he can combine the human giantization spell and the acceleration spell into a symphony. When playing this piece of music, all targets that can hear it can be affected by Ivy's spells and gain the benefits of these two spells at the same time, directly transforming into large running giant monsters. Moreover, during the duration of the symphony, the spell effects will not end and will not be dispelled unless someone can turn off Ivy's speakers.

However, there is only one problem with this specialty, that is, Ivy must have the corresponding musical literacy. Music theory knowledge is easy to say, Ivy only needs to use the scholar's touch to quickly get it done. But the muscle memory on the fingers is not something that can be fooled casually.

No mistakes, one post, one content, one 6, one 9, one book, one bar, take a look!

Even if Ivy really uses the scholar's touch to make himself a master of music theory, if he doesn't really practice, it is very easy to fall into the dilemma of learning it in the brain but not in the hands.

Fortunately, Ivy is a wizard himself, and he only needs to use the transformation spell to create musical instruments, and then command the hands of the telekinetic wizard to play. After all, those magic fingers made of telekinetic power are completely controlled by Ivy's thoughts, so there will be no situation where you think about this key but press that key.

Ivy looked at his new expertise and sighed silently. Even though school hasn't started yet, there is one more item on his to-do list.