Gamers Are Fierce

Tap tap tap tap.

Li Ang and Wang Congshan stepped on the bricks and tiles of the roof and ran all the way.

Although the bone spurs shot by the Venus flytrap monster from its arm bones are amazingly powerful, it takes a certain amount of time to reload, and they are slow to react and move slowly.

The hit rate against moving targets is very low.

The two players flew up and down on the roof without stopping for a moment, making tactical evasive moves from time to time to avoid the intensive bone spur fire.

The area where the Fujimura family is located has relatively dense housing.

As the terrain ahead gradually opens up, the distance between houses increases, and players cannot jump across it just by relying on their own body functions. The tactical boots with bounce function in Cardinal Wang Congshan's Rubik's Cube,

It is also because the structure is too complex and consumes too much spiritual power, so it cannot be taken out.

Fortunately, Li Ang still has psychic powers that he can use.

The psychic creation system is a first-level superpower and a secondary creation technique.

I saw Li Ang pulling his hands to create a long and narrow wooden board from the void. He picked up the wooden board and threw it forward, and put it on the roofs of two houses to form a temporary passage.

The two stepped on the wooden planks and continued running wildly. They built wooden bridges three times in a row and finally reached an open road with fewer Venus flytrap monsters.

Yuanke Village is built on the mountain, with a slight slope, and the overall shape is a right-angled trapezoid.

There is a Y-shaped road in the middle that runs through the entire village.

The Fujimura family’s house, as well as other private houses, are located downhill.

At both ends of the uphill Y-shaped road, the right end leads to the Hiratsuka family mansion, while the left end continues straight around to the other side of the mountain.

I don’t know if the Venus flytrap monster only appears in low-lying areas with the fog, or if there is some kind of restriction on the Hiratsuka family mansion.

They did not continue to chase Li Ang along the upward path.

Instead, it stayed in the downhill direction, wandering aimlessly.

Li Ang and Wang Congshan looked at each other and walked up the road. Along the way, they saw three rows of paper red lanterns hung neatly on the eaves and walls of the houses on both sides of the road.

These lanterns have been out for a long time,

The candles burned out inside,

The outside is printed with patterns such as cherry blossoms, and decorations are hung below.

Some lanterns are also printed with the words edge carving in black, which appear to be decorations prepared for the festival.

Without the interference of monsters, the two quickly arrived at the fork of the Y-shaped road.

There are few houses here,

Standing at the intersection and looking to the right, you can see a large, illuminated Hijima ancient house. The ancient house is surrounded by a square wall and there are many trees planted in the courtyard.

If you stand at the intersection and look to the left, you can vaguely see a torii gate at the end of the road.

The torii is an auxiliary building of Hijima Shrine. In Shintoism, it represents the entrance to the divine realm. It is used to distinguish the divine realm where gods live from the secular world where humans live. Visitors are reminded to pay attention to their words and actions after entering the torii.

The presence of a torii means the existence of a shrine.

Li Ang and Wang Congshan looked at each other, walked a short distance along the left side of the Y-shaped road, and soon saw the entire torii gate.

This torii gate is made entirely of wood, with no paint on the surface. The ends of the Kasa wood on the pillars are raised. In the middle of the two pillars, a thick and long shuriken rope is tied, with a white 之 hanging on it. The glyph royal coin.

strangeness.

Li Ang frowned slightly. Generally speaking, the rope is a barrier that prevents disasters from passing through. It will be tied to the pen of the torii - that is, under the beam.

But this torii gate in Enkei Village has a rope tied in the middle of the torii gate, which looks nondescript.

More like...roadblock?

Moreover, the wood used for this torii seems to be greenish-black in color, a bit like the wood that Li Ang found in the Noh-making secret room of Fujimura Residence.

Li Ang took out the piece of wood from his backpack, compared it with the pillars of the torii gate, and found that the textures of the two were very similar.

Wang Congshan carefully touched the rope tied in the middle of the torii gate and said doubtfully: Well... the system won't let us pass.

Um?

Li Ang raised his eyebrows and touched the rope like Wang Congshan, but he touched a wall of air, and a system prompt immediately popped up in front of him,

[The current area is sealed by a barrier and cannot be passed]

Li Ang pressed it with force and found that the air wall was motionless, so he had to look behind the torii.

Behind the torii is a bluestone staircase built upwards along the hillside, with hundreds of steps.

The steps eventually lead to a red and black wooden shrine building.

The door of the shrine was closed tightly, and the candlesticks on the platform in front had long been extinguished. It was dark and dark, giving people a strong sense of foreboding.

The entire torii gate is covered by a wall of air.

The rope tied in the middle of the torii gate is welded to the space and cannot be destroyed or disassembled.

Trying to bypass the torii gate and enter the shrine,

It will also hit the wall of air,

A system prompt appears [The current area is sealed by a barrier and cannot be passed].

It seems that we need to continue advancing the script mission and get the key props before we can pass here.

Li Ang withdrew his palm pressing the air wall, and returned to the fork in the Y-shaped road with Wang Congshan.

Those flytrap monsters were still wandering the streets below, not chasing them.

However, through the light of the residential buildings below, the two of them saw with their own eyes a dark figure walking out from across the street, pushing open the door of the Hiratsuka family mansion, stepping straight inside, and disappearing from sight.

The body of the black shadow was covered with rich black hair (maybe it was covered in fur), and its back was slightly curved, but it could be seen that it had a human outline.

Another monster? Or is it another living person?

Li Ang and Wang Congshan immediately caught up and rushed to the door of the Hiratsuka family mansion.

But he saw that the door was open, and there was no trace of anyone inside.

It shouldn't be an illusion.

Wang Congshan said softly: When we came here just now, the main door of the house was closed, but now it has been opened.

Moreover, there was a black handprint on each door frame of the two doors.

Um,

Li Ang narrowed his eyes, nodded, and said thoughtfully: I understand.

Eh? Wang Congshan was stunned when she heard this, What do you understand?

This handprint is a hint,

Li Ang pointed to the fingerprints left on the door frame and said, It means to provoke us.

Asked us if we dared to go in and show hands, and let us know what black hands are.

That's what it means.

Wang Congshan's eyes twitched, and she stroked her forehead and said: Anyway, there is nowhere to go now. Let's go in first and trigger the next stage of the mission objective.

etc.

Li Ang waved his hand, and under Wang Congshan's puzzled eyes, he took out a brick from his schoolbag.

Wang Congshan's eyelids twitched and she complained: Damn, when did you bring this thing and carried it all the way? It's not too heavy.

As a student, isn't it normal to stuff bricks into your schoolbag?

Li Ang said casually and placed the bricks just enough to block the door to prevent the door from suddenly closing after they entered the mansion.

After getting ready, Li Ang nodded, OK, let's go.