Give Douluo a little technological shock

I originally wanted to write the author's words, but the word limit exceeded...

Let me explain here an issue that many book friends are concerned about.

About the heroine:

I don’t know how to write about the heroine’s reassurance. Xiao Tao is here to serve the plot, and she is the only heroine I can think of who can achieve nirvana through mortal means. She will have a very beautiful ending in the end and will not involve the protagonist too much. The other female characters all have their own missions, such as Jin Lin. Isn't this name insensitive? The character card will reveal what is not in the pool. Mo Ling, the protagonist has received a favor, so he takes good care of him, and this lucky hamster will shine brightly in the future farming field. Wang Dong, her ending has already been written, but her name didn't appear.

Regarding writing:

First of all, I am majoring in Chinese language and literature. Although some people say that my writing method does not conform to the logic of composition, and I want to be stubborn, but I do have to admit it. In order to express the effect, I had to make trade-offs, such as the stream of consciousness in Ascension and Divine Punishment, the multiple perspectives and inner straightforwardness throughout the text, and only a little detail when needed. I can recognize these problems. Apart from being a fool and making typos, I can still clearly understand and learn from my shortcomings.

For the reader who commented from the beginning to the end, I was both angry and laughing. What I can promise is that I will try my best to write more details later and give more details to the background characters. But if I want to follow the traditional composition logic to a large extent, I'm sorry. , this is a web article and needs to be subject to local conditions.

Just like what Chen Fu did: rise evenly in the midst of movement and stillness. We should achieve what we want while adapting to the environment. For example, the stream of consciousness in the dual time and space line above is my own way of writing and my own understanding, thus creating a shocking climax.

About Shrek and Tang San:

I think every vivid character needs to have his own independent understanding. How about Shrek, Chen Fu needs to take the readers to see it, and Tang San also needs Chen Fu to take the readers to see it. So the setting I gave Chen Fu was that he didn’t know the plot, because once he knew it, there would be no fun in changing.

About this book:

Thank you very much for your support. Many people said that this book gave them a different feeling. Yes, because the protagonist in this book has no [label], he has no label understanding of all the original characters. All conflicts are completely separate. An accidental collision of routes.

I don’t know why this book suddenly became popular. I remember that at first I wanted to gain some popularity. Finally, I thought about it and came up with an answer: popularity is due to the environment, and it became popular because of the writing. came out with something of their own.

Thank you again for your support, good brothers (σ′▽‵)′▽‵)σ

Love you guys(*)*)..:*