Golden Greenery

"Sir, I still can't touch the inspiration of the creation. Is there a problem with the direction of my efforts?" Zhuo Yang asked Professor Carl Norman.

Zhuo Yang’s undergraduate major is piano performance, and the direction of learning is to become a piano player. But in the view of Professor Norman, Zhuo Yang has such a talent for music, he only pursues playing and has some hidden talents. Zhuo Yang has delicate emotions, unique creative thinking and the ability to shape and integrate music, which has given him the ability to become a A prerequisite for a piano composer.

Since Zhuo Yang decided to continue his studies, it has been shown that he will embark on the road of playing and creating at the same time. Since then, Zhuo Yang has strengthened the study and study of classical music theory and orchestral comprehensive performance, which was originally outside of his curriculum. In other words, Zhuo Yang has actually started studying at the master's level.

In fact, from a certain perspective, Zhuo Yang has been able to independently create piano music, and in fact he does have many works.

The stacking of various musical elements blends in various complex playing techniques, and many obscure rhythms and tone changes, how to get awkward. It is not very difficult for Zhuo Yang to create such an etude. As long as he thinks about it for a while and works together bit by bit, it can still be completed. Moreover, the creative style of this piano major is highly respected in many music universities around the world, including Chinese professional music colleges.

Of course, although this style is popular, it is also controversial, because this kind of music seeks to surpass and lead, and it can also be said that it is self-righteous to surpass and lead. To surpass this era, we must lead this era. Put another way, that is to say, how can you not understand how to come, how can not understand the melody in it. For the time being, this category is called avant-garde.

For those who admire this category, if the created song is understood and understood by the current people, it means failure.

In fact, the repertoire of this style, even the creator himself is not very willing to play, it is really unpleasant, and it has done a job for the faculty.

Hannover University of Music, as a leader in the world of music, is naturally inevitable, and such creative styles are also popular, but the biggest advantage of the piano department led by Professor Al Wadi and Professor Karl Norman is compatibility. The piano department has its own persistence while allowing this avant-garde style to exist.

Including Hanover University of Music, there are also many people in the industry who believe that music creation must contain emotions, and that emotions must stand the test and test of time. Such a movement is the real music, just like the many classics passed down by the former sages.

The avant-garde believes that many of the music of Beethoven and other masters were not understood by the industry in their time, and their music was not understood by many people at that time. The emotions in the movement are endowed by future generations after the time has passed. That is to say, it is because they cannot understand it that they can fully interpret and freely give the movement a soul.

Just like the famous Eiffel Tower, when it was first built, its strange and rough steel shape was completely incompatible with the romantic and classic city atmosphere of Paris, but as time passed, it perfectly integrated into the feelings of Paris In the middle, it is seamless, and even became a symbol of Paris.

This is what the avant-garde wants.

The Emotion School believes that the created movement is like mountains and seas. It is a part of the universe itself. It can withstand the time and the touch. From the moment it appears, it has become the essence of the emotion of the art universe, and it has been growing for a long time. new.

The two schools have no distinction, but for Zhuo Yang of the Hanover University of Music, he naturally admires the sentiment. Zhuo Yang, like his teachers, believes that a successful piano piece comes into being after the expression and accumulation of emotions. It is the rendering and sublimation of emotions, and also the perception of the universe and life.

From the day of its birth, such a movement can resonate with the audience, and allow the audience to touch the emotional atmosphere in it, and it becomes more intense and infectious as time goes by. The music of the sages such as Beethoven was not incomprehensible in their time, but the unique and complex emotional narration was quite targeted, and the special love was for you.

This is Zhuo Yang's pursuit on the road to music.

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"I have never been able to fuse all kinds of fragments together, should I discard them and start integrating again?"

Zhuo Yang has had many pieces of self-created music more than a year ago. These are all derived from his improvisation in learning and life. At that time, he was optimistic that he would soon have a complete movement, and only needed to find a way to connect these emotions organically.

But more than a year has passed, Zhuo Yang has nothing to do with it. The music fragments accumulate more and more, but they can never accumulate sand and pile up. No matter how many fragments, it is still fragments.

Grandpa Al Wadi always told him: take your time.

Professor Karl Norman also comforted him: don't worry, don't worry.

Okay, don’t hurry, just wait. But this is more than a year, still clueless, not even knowing where the effort is, or whether the learning method is correct, which is very troublesome.

When spring comes, Zhuo Yang has discussed this issue with Professor Norman many times, trying to find the crux of the problem with the help of his tutor, or perhaps to find the door. This is the same thing I came to school today.

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"Zhuo Yang, in fact, it's normal for you to find no inspiration for creation at this age. Normally, it is already fast to be able to compose your first track before the age of thirty."

"The first song is the hurdle. With the first song, you will find a way. The inspiration behind will be endless, don't worry." Professor Norman Dunton taught. "Actually, the etudes you created earlier are already very good. I think there are a few songs that might become classics."

"Oh~www.readwn.com~ It depends on how others have interpreted it for many years. Anyway, I don’t know the meaning." Zhuo Yang knows that the kind of track made by stacking depth and skill depends on the post. How do people forcibly give something to them? It’s not just a matter of time.

——This sentence by Lu Xun expresses the author's bitter smile and helplessness of the dark society at that time. The author intends to convey a positive and optimistic emotion to the readers. He must be alert to the people and must be sober to break through the shackles of the old system. However, the author's use of the interjection is fascinating and fully expresses the idea of ​​ending the old system.

——Lu Xunquan knows: I fucking, I don’t even know ‘hahaha! ‘It’s so profound?

"Zhuo Yang, your real problem is that you are too young. You have too few experiences, no matter from emotion or experience, you have too little accumulation."

"Your current age is the biggest threshold for your music creation."

Professor Norman awakened the dreamer, but the next words really disturbed Zhuo Yang's heart.

"Zhuo Yang, you should leave, you should leave Hanover!"