Hollywood Road

As a director, of course, it is impossible for Murphy to leave the entire crew behind and go to have fun with Gal Gadot on his own. Not to mention other aspects, the representative of the American International Insurance Company on the crew alone, I am afraid Will call him like crazy, so that even if he is alone with Gal Gadot, he will be harassed to the point of annoyance.

Therefore, he chose to continue working, and when the shooting in the afternoon was over, he threw the crew to Seth Rogen and Paul Wilson, and took Gal Gadot back to the hotel directly.

Murphy and Gal Gadot are in love, and haven't seen each other for nearly a month, and there is only one result after falling in love.

In the hotel suite, Gal Gadot was lying on the soft carpet, and Murphy was pressing on her back from behind. Because the two had already had an extremely violent car shock in the hotel's underground garage, The current movements are very gentle, and from time to time he will whisper a few words in Gal Gadot's ear and say a few touching words of love.

Honey... Gal Gadot propped up his body, turned his head and kissed Murphy passionately, and said breathlessly, This...this is not enjoyable...

Perhaps it was due to reading Murphy's script. After adjusting her breath, she said, Ride me like... like Master Yoda rode Luke Skywalker! P1ease! Ride Luke Skywalker like Master Yoda Ride me like that!

I will, Murphy grabbed Gal Gadot's shoulders and pulled her up, I will ride you all night like Master Yoda rode Luke Skywalker!

Gal Gadot straightened up, relying on Murphy's strength to hold his shoulders, stood on the carpet, his whole body quickly entered a state of excitement, and shouted, No! No! I don't want one night! I want a whole year!

Happy to help. Murphy quickened his movements, My goddess.

It is unrealistic for a year, and it is impossible for one night. After sending Gal Gadot to the cloud again, Murphy also felt tired. He took Gal Gadot to the bathroom to take a shower, and the two put on big towels , holding red wine and two glasses, sitting on the balcony of the suite, admiring the night view of Sydney, while pouring out their thoughts.

At noon, the two didn't talk much, and Murphy went to work. When he returned to the hotel in the afternoon, the war broke out directly, and there was not much verbal exchange.

It is now summer in Sydney. It is very hot during the day and cool at night with the sea breeze blowing. From the balcony, you can see the brightly lit Darling Harbor in Sydney.

I dream about you every day.

Sitting in the high-back rattan chair, Gal Gadot raised her feet and placed them on Murphy's lap opposite her. The bath towel hung from her waist, revealing two long, slender, white and extremely sexy legs.

You never dream of me.

Honey, it's not like you don't know... Murphy gently kneaded Gal Gadot's slender calf with both hands, and walked up the river from time to time, I'm busy and tired at work. Come on, sleep like a dead pig.

Hearing Murphy's self-deprecating words, Gal Gadot couldn't help laughing, but then withdrew her smile again. This long separation not only brought her endless miss, but also brought her a feeling that she had never felt before. of insecurity.

One of Murphy's hands slipped to the upper part of the long legs, and while rubbing it lightly, he said, Didn't you feel how much I miss you just now?

Gal Gadot raised her foot and deliberately pressed Murphy's lower abdomen, but said nothing.

Her family has a close relationship with Ivy-Niwo and knows that there are too many temptations in this circle.

However, Gal Gadot is a smart person after all, he did not bring up such a topic directly, but instead muttered sideways, Who knows how long this feeling will last?

In fact, she could feel that Murphy had an almost crazy obsession with herself, which was why she felt insecure.

Murphy leaned over and kissed Gal Gadot's delicate face, continued to walk on the two long legs with both hands, and lightly bit the pair of white earballs, They, can let me Fascinated for ten years.

Gal Gadot pouted, but still said, You can talk.

It's getting cold outside, Murphy picked up Gal Gadot's knees with one hand, wrapped her shoulders with the other, and hugged her, Let's go back.

Today's work was not easy, and after returning from the two battles, Murphy obviously felt a little tired. Not long after he returned to the bedroom and lay down, he closed his eyes and fell asleep.

Gal Gadot leaned against the head of the bed, heard Murphy's even and long breathing, picked up the remote control, turned up the temperature of the air conditioner, and pulled a blanket over Murphy who was pillowed on her thighs body.

Seeing that Murphy was still hugging his leg even when he fell asleep, Gal Gadot couldn't help but shook his head and smiled. Murphy is like a child now, and only in front of him, he doesn't appear to the outside world That mature and resolute director.

In his deep sleep, Murphy had a dream. In the dream, a woman squeezed a baby out of sand on the beach, prayed to the sky, and the sky sent down blessings. A gust of wind and lightning appeared, and the baby made of sand suddenly came to life. , there was a burst of crying, and decades passed in an instant. He appeared on that island and met this baby girl, but the baby girl had grown up, and she looked like Gal Gadot.

She was wearing a red and blue retro battle armor. Under the extremely short blue battle skirt, she had two slender, light, and moving legs, which always flicked and flicked when she walked, which fascinated him extremely.

Then, the two got together, and he hid on the island, playing with these long legs year after year...

The infatuation that seeped into his bones made him forget everything.

However, after waking up, Murphy is still the sober Murphy, knowing that he still has important work to do, and there is still a long way to go.

Due to the full schedule of work plans, in addition to spending a morning with Gal Gadot to go around Sydney Harbor where the Sydney Opera House is located, Murphy still has to be responsible and work hard for the filming of Deadpool.

Not to mention the normal shooting, Murphy was also the last group of people to leave after get off work on normal working days.

The work after the daily shooting is to plan how to complete all the shooting in such a short period of time. For half an hour after get off work every day, he either decides the work schedule or holds meetings with other departments.

The director of a film crew will never be idle, and if you want to find a leisurely job, don't be a director.

Among them, Murphy put a lot of energy into the filming and production of the action scenes of Colossus and Sand Angel, especially Colossus. The crew did a lot of preparation work, such as the static dialogue scene with the black spider. You can use strong perspective to shoot relatively easily, but action scenes cannot be used.

Murphy and the production team need to calculate and arrange the actions of Colossus. Considering that Colossus is more than 2 meters high, putting him and Sand Angel in the same frame to shoot intense action scenes is far more difficult than forced perspective shooting.

Although Krakow, the actor who plays Colossus, is 193 centimeters tall, he is still a long way from the height of Colossus. The action drama team plans to continue to use double-track shooting, switching back and forth according to the scene to simulate his height.

The battle of Colossus is the most difficult point of shooting. It is very challenging to shoot the fight between a giant more than 2 meters tall and a woman with a height of 1.7 meters.

Murphy can use a small duel between Deadpool and Colossus during the high-road chase to give the team practice before filming the difficult battle between Colossus and Sand Angel in the final scene.

During the filming, all the car chases were done in front of the green screen of Fox Studios, and the opening battle scene of Deadpool was also shot in the studio. Murphy used two stages of Fox Studios, except Outside a large studio with multiple scenes, in another small studio, only a high road bridge in front of a green screen was built.

The construction of this part takes a lot of time and money, but compared to the cost of road closure shooting, this shooting method is relatively economical, otherwise Murphy would not use it.

The total investment of the film is here, and Murphy must consider the reasonable arrangement of scenes and shooting methods.

There is also the scene of Deadpool taking a taxi, all of which were filmed in the studio. The crew has gone to Detroit in advance to shoot all the necessary background materials.

In order to use these materials, Murphy asked the prop artist to set up 9 Led panels around the car. The lighting is adjusted, and the lighting changes are used to simulate changes in road conditions.

The whole shooting process was quite crazy, the high road scene, the crew had nearly 250 shots to shoot, so there were a lot of things to do every day, Murphy planned to finish shooting 200 shots in a week, this is a very Such a daunting task that the crew didn't even have time to eat, let alone time to hang out with friends at night.

The scene of Gao Gonglu is definitely a highlight of the movie. Murphy attaches great importance to this scene, so the crew must find a way to make it perfect.

Murphy uses Led panels to create changes in light and shadow, which also helps the lens to better blend with the background. The entire scene is shot with a digital camera. Since there is no time, suitable location, and sufficient funds for location shooting, the crew has to use Detroit. The background and the foreground of the familiar shot are composited.

The order is also important because it's one of the few scenes in the film that has an urban setting.

Murphy and Helena Esper spent a lot of time designing the city where the story happened in the early stage. At the beginning, it was set to be a gothic city combining Detroit and Sydney. The crew needed to combine Detroit and Sydney with the two cities. To find a balance on the high roads between them, in order to make the world look real, it took a lot of time to draw materials for streets, high roads, overpasses, buildings and textures.

Compared to Murphy, Gal Gadot, who came to Sydney, felt like he was doing nothing. After walking around Sydney twice by himself, he simply returned to the studio to work with Murphy.

On the third day of filming the high road scene, she came back to the studio and met a little girl who looked very interesting. (To be continued.)