I didn't want to be an actor

Shen Teng is certainly suitable for comedy!

But Shen Liang may not be suitable...

Moreover, given Brother Liang’s status, it is unlikely that he will be a voice actor, so this script will be difficult to write!

You can’t play out the conflict between father and son, right?

He acted in "Catch a Baby"?

"Man Jiang Hong" is actually quite suitable, with a great director and a great production...

The only problem is that this movie... can easily mislead the audience.

Moreover... "Manjianghong" was promoted too much!

When Zhang Yi won the award, he promoted ""Man Jiang Hong" is a heroic crew! ’

It caused strong public dissatisfaction, but it did have a publicity effect!

What kind of heroic story can a heroic crew produce?

Often the higher the expectations, the greater the disappointment.

We originally expected director Zhang Yi to use his excellent directing ability and a good script to recreate exciting moments for the audience. However, after watching the movie "Man Jiang Hong", we had to accept an entertainment-based version of history. Sketch.

After "Man Jiang Hong" was released overseas, many viewers commented: An epic movie, the only regret is that l didn't understand the historical background. But l believe the Chinese should be proud of having a national hero like Oin Hui.

Translation: The only regret of an epic movie is that it doesn’t understand the historical background. But I believe the Chinese should be proud to have a national hero like Qin Hui!

Therefore, the cute side of the foreign devils is that they will always expose and make public all the conspiracies that their domestic lackeys, demons and monsters work secretly and try their best to cover up!

The Ministry of Foreign Affairs officially issued a document directly nailing a group of so-called celebrities!

I remember when I was watching an interview, Chen Danqing chatted with Jiang Fangzhou. Chen Danqing didn’t particularly understand what Jiang Fangzhou was doing in Japan for a year. In fact, he was just giving money to Chinese writers every month, so that he could wander around in Japan in vain.

Chen Danqing said, this thing is amazing, this thing is amazing,

How could we have such a good thing back then? The poor artists who went abroad were all busy washing dishes. Jiang Fangzhou was really lucky to catch up with this good time...

Yes, Chen Danqing's generation brought their own dog food, but Jiang Fangzhou's generation can finally receive dog food.

So in those years, there were many similar articles: "Recovering Human Ecological Conscience from the Japan-Benz Nuclear Power Accident", "Japan-Benzene Does Not Have to Apologize to China", "Why Japan-Benzene Judges Are Never Corrupt"...

Talking back to "Man Jiang Hong", look at this comment: "Chinese people should be proud to have a national hero like Qin Hui."

How else do you want to wash it?

Shen Teng's most common comedy image is that of a slightly wretched middle-aged frustrated man...

Although this image has quite a comedic effect, in fact, if it is used too hard, it can easily appear greasy and offensive, and comedy is a performance type that is difficult to retain. As a result, Shen Teng's success is always accompanied by doubts and criticisms...

Compared with those comedy superstars in the past, his image is always a little less than perfect.

But...how can the performance in "Flying Life 2" be worthy of an actor trophy?

In fact, he is quite suitable to play the kind of hero who dies in his twilight years...

Besides, there must be a suitable opportunity!

…

After returning to Hengdian, Shen Liang continued to shoot "The Legend of Blue Orchid", and Rouba also went to Xiangshan to shoot her "The Legend of An Le"...

It's June in the blink of an eye.

The ban has been lifted in various places, and 80% of cinemas have resumed operations...

But there are still no movies that dare to set a schedule...

The total daily box office is less than 15 million, so this thing is useless!

However, one day, Shen Liang's mouth was so numb from kissing that he couldn't help but ask producer Yang Bei: "Mr. Yang, does the ancient puppet show have to have so many kissing scenes?"

“…the audience loved it!”

"…All right!"

Shen Liang has always felt that ancient puppet dramas are essentially idol dramas. Kissing scenes can be included, but it is better not to make them too "sexual".

It's aesthetically pleasing if it's overdone, but it tastes bad if it's overdone.

But Brother Liang is still very satisfied, at least he is acting in front of people. In many scenes in "The Secret of Blue Orchid", he is acting in front of a green screen, which is called embarrassing!

Yang Bei suddenly remembered something: "Brother Liang, I heard that your studio is also filming ancient puppets?"

"...No?"

"No? Isn't "Ancient Acacia" produced by your company?"

"Oh... that one is just for production..." After a pause, Shen Liang explained the whole story.

The directing team of "Ancient Acacia" is well-known in the short drama industry, with its representative works "The Princess Is Here" and "The CP You Are Smoking Is Real".

The "Reverse Timeline" setting of the play "Ancient Acacia" is actually Shen Liang and Liu Yifei's modern La Lang chapter "Send You a Bridge"...

As for the original work, there is actually no original work. It is adapted from the edited work "Ancient Lovesickness" by San Qianyu, the up owner of B station. The original edited video tells the story in just half an hour of a modern professor who came a thousand years ago and met the Han Empress Wei Zifu and The story of General Wei Qing's reverse encounter.

The director sent an invitation to Shen Liang...

Then... Shen Liang invested!

"The cost of a series of more than ten episodes is not high. It is considered a small attempt..."

"Can you play it for us?"

Shen Liang waved his hand: "We have reached an agreement with Sister Fang Fang..."

Fang Fang is the deputy director of Tengxun Video. She was very satisfied with the edited film and offered 50 million to buy it out...

"That's a pity!"

"It's okay... We may have a chance to cooperate."

"... Do you have any other ancient idol dramas you want to play?"

Shen Liang shook his head: "Not yet..."

"We have the adaptation rights of "The Legend of Sword and Fairy"..."

"Which one is it?"

"The Legend of Sword and Fairy 4..."

Shen Liang's eyes lit up: "The plot of "The Legend of Sword and Fairy 4" is good... The plot of "Shushan" draws on "The Legend of Sword and Fairy 4"..."

"The Legend of Sword and Fairy 4" can be said to be the best plot arrangement in the "The Legend of Sword and Fairy" series!

The script of "The Legend of Sword and Fairy 4" is a watershed in the series.

The previous works are all centered on "emotion", focusing on the "touching" of players, that is, emotional resonance and catharsis.

After "The Legend of Sword and Fairy 4", the core is "reason", focusing on the players' thinking about some ethical issues or human nature.

Specifically speaking of the fourth game of The Legend of Sword and Fairy, its "reason" mainly has two aspects, one is the worldly outlook on life, and the other is to explore the coexistence of different ethnic groups.

The worldly outlook on life conveyed by the fourth game of The Legend of Sword and Fairy is very close to the existentialism of the 20th century in the philosophical school.

Although its theme is to seek immortality, those who have played this game know that the whole game is written around the criticism and negation of the "cultivation of immortality" behavior of "pursuing eternity".

In the story of the fourth game of The Legend of Sword and Fairy, the pursuit of "eternity" is vain, and the pursuit of transcending life itself is meaningless - the meaning of life is actually in the most realistic and ordinary secular life.

Although the fourth game of The Legend of Sword and Fairy has not gotten rid of the traditional model of triangle love, its innovation in shaping team relationships is still remarkable.

When the emotional choice between the male and female protagonists is no longer the main driving force for the contradiction of the plot, the creators can have more ink to explore more topics and dig out some deeper things.

But... this theme is too old, and the form of the story is: the naive male protagonist goes out to the rivers and lakes, and his luck is all thanks to his father and his ancestral sword...

"Then are you willing to take it?"

Shen Liang shook his head: "Forget it..."

"Why? Don't you like "Chinese Paladin 4" very much?"

"I can't act well!"