I Know Everything

When Cui Zhong called Shen Huan, he was visiting Huajing Theater.

Fan Dan, the vice president of Huajing Drama Theater, had already actively invited Shen Huan to visit their theater.

After the Spring Festival, The Gift in Room No. 7 started the third wave of tours again.

Previously, two groups of people set off one after the other, but this third tour was directly divided into three parts.

The two teams of AB have already accepted the test of last year's tour.

The C team, which was formed in October last year and played a total of 40 games in Huajing before and after the Spring Festival, has also received wide acclaim.

Although it is the same play, and it is produced by the same screenwriter, but the actors are different, and the taste of the performance is different.

Therefore, audiences who have never watched Team C's performance have had enough fun during the Spring Festival.

Especially for some literary young women, some watched 5 games, and some watched 10 games. The most exaggerated record is to watch 20 games in a row.

This is true love!

Thanks to all the fans, the 40 performances were full again.

If it weren't for the consideration of shame, the bigwigs of the northern dialect would have almost decided to sell standing tickets.

Back to the topic.

The three teams of ABC, each responsible for 20 or 30 cities in a region, this time directly sank into the important prefecture-level cities of the third tier.

Originally, some high-level executives in the North dialect were still a little hesitant, thinking that this kind of third-tier prefecture-level city would not be able to The Gift of Room No. 7 because of the lack of literary and artistic accomplishment of the masses and their inability to understand dramas.

However, after the pre-sale ticket system was implemented in advance, all the tickets for three games and five games in these more than 50 third-tier prefecture-level cities were sold out in an instant, which made them feel at ease.

As long as there is a basic disk, then whether to perform an encore or not to adjust is secondary.

So starting from March after the Spring Festival, the ABC third team of the drama version of The Gift of Room No. 7 embarked on their own journey again, and returned to Huajing successfully in June.

During the period, they performed a total of 180 performances of The Gift of Room No. 7, with an average of 60 performances for each team, and the performances were all sold out.

Whether it is a newly joined third-tier prefecture-level city or a first- and second-tier city that I have been to before, the supply is in short supply.

It is also natural to think about it.

A concert usually has 10,000 to 30,000 people. For example, the kings like Tang Yuan and Su Mo have at least 50,000 people, and they have sung in venues with 100,000 people.

Therefore, if you go to a city to hold a concert, at most there will be 2-3 concerts, and if there are more, there will not be enough audience.

But drama is different.

If it is good, the theater is usually around 600-800, and the effect of more than 1000 will not be good.

If you think about it, even if there are 10 plays in one place, there will be less than 10,000 viewers at most.

Compared with first-tier cities like Beijing, Shanghai, Guangzhou and Shenzhen, and second-tier provincial capitals with a population of more than 5 million, is there a lot of 10,000 viewers?

Not much at all!

For example, in Shanghai,

The ABC team has more than 30 games in two years, but they still complain that they are not enough. They have to grab tickets every time they are issued, and the scalpers are even more profitable.

So this is the most important reason for Beihua to dispatch three times within a year.

This time the response was also good.

Many provincial capitals have aroused enthusiastic responses. Many audiences who have never seen a drama before experienced this form of artistic expression for the first time, and praised it highly, looking forward to their next visit.

On average, there are only two or three episodes of The Gift of Room No. 7, which is far from enough to satisfy their hunger.

Fan Dan invited Shen Huan to come over, and also took Shen Huan to watch the rehearsal and preparation process of the actors, and by the way, he could also raise his opinions in private.

Why do you say it in private?

Because apart from Fan Dan, even their big boss didn't know that Chu Liuxiang was Chen Huan.

Fan Dan concealed this matter very tightly and regarded it as his biggest secret.

However, Teacher Lu Xiaofeng is also a famous artist and a great mathematician, and he is good friends with Teacher Chu Liuxiang. Of course, he is also qualified to watch the rehearsal preparations of the actors in the repertory theater.

In June, the three ABC teams returned to Huajing one after another. After more or less rest, they made new rehearsal preparations.

Every script every year will make some changes according to the actual situation, which is also a means to increase the freshness of the audience.

It's not that these players don't know how to rest.

Fanciers are so enthusiastic. Over 80 cultural centers and ticketing performance companies in more than 80 cities have already sent out invitations to prepare 200 drama performances of The Gift of Room No. 7 for them.

Winter is more suitable for watching programs indoors.

So the three months of drama from November to January are also peak seasons.

The bosses of the drama theater felt that it might be unrealistic to quickly sink to the fourth-tier cities for performances, but they no longer had any scruples about going to all the third-tier cities.

Since the audience likes to watch and is so popular, there is no reason for them not to perform and not to expand the influence and vitality of drama performances.

The Gift of Room No. 7 is enjoyable, so why don't you go to the next classic plays Thunderstorm, Tea House and so on!

After coming and going, won't everyone become familiar with it, and thus a new audience group will be cultivated?

Even if there are failures and setbacks in the middle, it is a good thing to cultivate some new audience groups.

The significance of this is greater than making money.

So they started to actively film again.

Although this is very tiring, some of them rested for more than ten days, and some of them only rested for about a week.

But now everyone makes a lot of money. A random behind-the-scenes handyman can get a bonus of more than 10,000 a month, the supporting role can also exceed 30,000, and the protagonist can even get 50,000 a month.

Compared with people in the entertainment industry, the salary is hundreds of thousands or millions. This figure seems to be very low.

But in the drama circle, the amount of this bonus is a lot.

Not to mention that the theater gave everyone a basic salary, so everyone was very satisfied.

Now it is even better.

Shen Huan also directly asked Xin Changkong to select a character in Beihua to participate in the performance in Yue Prison.

This man's play requires a lot of role actors.

If you want cheap prices and good quality, then the repertory theater is definitely the best choice.

With a salary of 100,000 to 200,000 yuan, an actor with good acting skills can be hired.

Even if there are 30 or 50 actors, the total will be 10 million at most, which is much cheaper than hiring celebrities.

And such a huge demand also gives drama actors the opportunity to find extra money.

It can be said that everyone is happy that the northern dialect can still get a little success in the middle!

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