I teach kendo in Tokyo

Kiryu and Ma met the eyes of the first girl who ran into the classroom.

Judging from his age, he was a junior high school student, and he had a refreshing figure that none of the girls around Kazuma had.

If the girls around Kazuma are compared to modern main battle tanks, with thick turret front armor - modern main battle tanks like to have this kind of diamond-shaped bulge on the front armor, what a 2A5, T80U, what an image.

This girl is a wheeled armored reconnaissance vehicle with a little bit of explosive reactive armor to deal with infantry-held RPGs.

However, what attracts Kazuma most is not this girl's appearance. No matter how beautiful she is, Kazuma doesn't feel much about her now.

Kazuma's eyes were locked directly on the top of the girl's head.

This guy has level 14 of Shinto Wu Nian style.

Among the three major schools in the late Edo period, the most practical one was actually not Beichen's Itto-ryu, but the Shinto Mu-Nen-ryu, which emphasized simplicity and roughness.

Beichen's Itto-ryu is famous because it looks better in fighting than Shinto Wu-Nian-ryu, and it may not be possible to beat it with really tough swordsmanship.

In addition, the concept of Beichen Ittōryu is also the reason why it is widely spread. There is a saying that the ultimate secret of Beichen Ittōryu is to climb up to a high position and let the guards do it.

It is to entertain the enemy to drink at one's flag base, then throw the cup on the ground, and the iron artillery team hidden outside the flag base will open fire, beating the enemy into sieves through the curtain.

It is said that Beichen Yi Dao did not draw the sword from the beginning, and waved the military fan in his hand leisurely.

So it is really normal for Beichen Yidao style to draw a gun. This is the philosophy of the founder of this school.

Among the three major schools, the one with lower practicality than Hokatsu Itto-ryu is Kashin Akechi-ryu, which emphasizes aesthetics. Because it is so beautiful, it was deeply loved by the upper class in the Edo period.

In summary, there were three major schools in the late Edo period: the elegant upper-class lords played Kashin Akechi-ryu, the real people in power liked Hokatsu Itto-ryu, and the stupid green samurai practiced Shinto Muken-ryu.

The headquarters of the Shinto Mu-Nen-ryu is directly called the Training Hall. Compared with the Genbukan of the Beichen Itto-ryu and the Shigakukan of the Kagami Akechi-ryu, the style of painting is different starting from the name.

To be honest, Kazuma was a little surprised that a girl actually practiced Shinto Muken-ryu at home, because Shinto Muken-ryu is really the same path as Kemon-ryu. It is famous for its strength and is not suitable for those with men in terms of strength. Gap female practice.

This level of swordsmanship is not the most shocking thing for Kazuma. After all, he also has a level ten new rank. This is a level difference that can be overcome by performance on the spot.

This guy also has two permanent entries.

One is called Tian Lai, which means a singing voice kissed by an angel.

It seems to be an innate entry that comes with birth. If this is the case, this should be the first entry that Kazuma has seen since time travel that is not related to experience.

The second entry is called Going to a distant place, which means setting off to a distant place with music and poetry in mind.

The second entry is obviously a result of life experience. This girl looks like a musician.

But she has level 14 Shinto Muken-ryu, which is a very high level considering her age. The Endo Nakato whom Kazuma fought before are only in their early tenth level.

Nanjo Honami practiced until her third year of high school and was only at Level 8.

Daimon Goro is now a fourth-level person, which is only the eighth level.

Kiryu Kazuma was even more embarrassed before, only level three, and even if the current level Kazuma brought from his previous life, he was only level six.

This girl has reached the 14th level of kendo, but she looks like she is still in junior high school. This is very scary.

I am afraid that even if he were not in the dojo, he would be regarded as a star of tomorrow and be trained by the master.

But she...she actually has two permanent entries related to music?

It doesn’t matter that it looks like an innate entry, but this one “Going to a Distance” is too literary and artistic.

However, Kazuma has finally figured out that fighting in this world is part of his combat power. This entry on going to a distant place may not seem to have anything to do with fighting, but in actual combat, just humming someone else's song will fill up the BUFF.

Thinking about it this way, isn't this my BUFF machine, no, BUFF Ji?

After some calculations with Ma, he felt that the two girls' music-related entries were most likely not here to watch martial arts performances, but because they came to see the talented composer after reading Fang Chun's Natongshui in the weekly magazine.

So, should I take out the harmonica and play a song here?

But this girl may have professional musical literacy. I have only practiced harmonica for a hundred days, can I be able to understand the other person's method?

At this time, Anri Okada came over and reminded Kazuma: It's almost about to start. Passerby NPCs can read the cheat sheet, but you two leading actors can't. Don't forget the lyrics.

Kazuma nodded: No problem.

He glanced at Nanjo Honami and found that Nanjo was also observing the girl Kazuma had just stared at.

——Well, I did look at her for a little too long just now.

I hope there won't be any misunderstanding.

**

Kitagawa Saori and Kiryu Kazuma looked at each other.

Her first reaction was that Kiryu Kazuma recognized her, but then she thought about it and thought that she had never interacted with this person before, so it shouldn't be the case.

——Then why is he looking at me so intently?

Am I right in his strike zone?

Kitagawa Saori couldn't help but glance at Nanjo Honami - after Kiryu Kazuma recently started to appear in the entertainment pages, the face of the eldest daughter of the Nanjo family was also published in newspapers by reporters from time to time, so Saori recognized her.

Kitagawa Saori felt that Nanjo was still prettier than herself.

What's more, Kitagawa Saori is not the kind of girl with distinctive looks, just ordinary delicate and beautiful.

In terms of type, there is no difference between him and Nanjo, and then he loses in terms of sheer beauty. Kitagawa Saori does not feel that he has the elements to be loved at first sight by Kiryu Kazuma.

After all, love at first sight is basically about the face.

But this couldn't explain why Kiryu and Ma stared at him as soon as he entered the door.

Kiryu and Ma can't tell at a glance that I sing and practice kendo, right?

This idea inspired Kitagawa Saori: Yes, kendo.

Kitagawa Saori is known as a genius kendo girl in the kendo field, and she is deeply favored by her master.

Whenever the master had free time, he would catch Saori and say something about the unity of mind and skill, including powerful swordsmen are attracted to each other when they meet each other.

Kiryu and Ma noticed that I practiced kendo?

The nonsense Master said were not all made up?

Saori Kitagawa has been practicing kendo since she was a child, and she has never seen anyone who has integrated mind and skills, including the master who brags about the integration of mind and skills all day long. She has not felt that the master's sword is any different from other people's swords.

Recently, a new Yinliu diner came to his father's place. Sasuri practiced with him for a few games and didn't feel any difference in him.

I didn't feel anything like the integration of mind and skills at all. It was indeed the master's nonsense.

Then why did Kiryu and Ma... Suddenly, Kitagawa Saori took a breath of air.

Got it, he likes my body shape! He is a pervert!

Originally, Kitagawa Saori planned to go to the front and sit down so that he could see clearly later.

Now she changed her mind and turned towards the wall, finally standing against the wall with her hands crossed in front of her chest.

**

Kazuma looked at his BUFF Hime candidate, who was originally going to sit in the front row, but turned around and went back to the back row of the classroom, suddenly showing a confused expression.

why?

Could it be that the entertainment reporters outside the classroom had noticed that something was wrong, and many people pointed their cameras at the girl, so she shrank?

Could it be that she is actually a little star? No, she didn't dress up much, she didn't even wear toad glasses for errands.

If this was a famous little star, reporters would have exploded.

Kazuma shook his head, thinking no more, let's do a good job in martial arts first.

Chiyoko is eagerly counting on the performance of martial arts to attract students to come to the dojo to pay tuition.

He and Nanjo looked at each other, and then nodded to the chairman who was responsible for overall field control.

**

Kitagawa Saori finished watching this little drama called Yanwu in silence.

Because she also knows a little bit about kendo, it can be seen that the final kendo fight was carefully choreographed.

Generally, martial arts performances in gymnasiums are very boring. Because they are afraid that the audience cannot see clearly the movements and understand what is happening, all the movements are broken down very finely, and there is enough space between each movement to allow the audience time to react.

However, Kiryu Kazuma's martial arts performance can only be understood by masters of swordsmanship. A layman can only watch the excitement, because it is too fast, and a layman cannot react at all. He only feels dazzled and very exciting.

There is a saying at the kendo hall where Kitagawa Saori became a disciple: if the audience only thinks the martial arts performance is wonderful, then the martial arts performance is not up to standard.

However, Kiryu Kazuma obviously doesn't care about the unexpected behavior at all, he only pursues a coherent battle.

There is no doubt that these two are masters, and they may both be better than him - Kitagawa Saori judged this, although judging from the proficiency of the movements, he was probably stronger.

Especially Miss Nanjo, in Saori's opinion, some of her movements were actually a little out of shape, but her performance was close to the level of a high school master.

But for some reason, Saori felt that Nanjo was so strong that he might not be able to beat him.

As for Kiryu Kazuma, it can only be said that he is worthy of being a master who inherited the dojo. Most of his sword skills are consistent and precise, especially the back roll, which is of an incredible standard.

Moreover, Kazuma Kiryu exuded an extremely amazing aura. For a moment, Kitagawa Saori even had the idea that this may be the unity of mind and skill.

But she immediately rejected the idea. How could such a thing exist?

In addition, Kitagawa Saori always felt that the two of them were really competing.

That part of the fight felt very enjoyable.

I don’t know if it was the plot of this short play that made Saori Kitagawa develop a liking for the character played by Honami Nanjo. From the beginning, Saori Kitagawa hoped that Nanjo would win and kill the general’s grandson.

What's wrong with a daughter using her father's sword to kill her father's enemies?

However, Kitagawa Saori could not accept the final outcome.

What, understanding each other in a sword fight? This is all nonsense from sword and halberd movies. How can we understand each other? She muttered quietly.

You can understand each other by clashing swords, and there is a sense of sympathy between warriors that is established through fighting. These things are all fake and do not exist.

Recently, it seems that a cartoon has also started to do this, about understanding each other, and then being able to sense each other. It seems to be called Niu Taipu, which is hilarious.

People cannot understand each other. I once thought that music could do this, but in the end I found that it was just my self-satisfaction.

What others hear about the songs I sing may not necessarily be what I want to express. Even if there are clear lyrics, others can taste it differently.

Music is a refuge, a paradise for loneliness.

Kitagawa Saori watched the final ending of the martial arts show with a contemptuous expression.

so terrible.

She thought that if the two people who fell in love killed each other in the end, the plot would be rated high.

Mutual understanding of this disgusting and cliched plot is really a huge failure.

What are the people who wrote the script doing? They are blinding the superb martial arts displayed by the two people.

At this time, Kiryu and Ma led all the participants to complete the curtain call, and then he said: Actually, there is another link at the end of the martial arts performance, which is the kendo experience. I will teach one-on-one. If after this martial arts performance, you like kendo. , you can consider the sword dojo run by my family. There are flyers at the door that you can get for free.

So, who wants to come first? Kiryu and Ma looked at everyone.

Several girls in the classroom raised their hands.

There was also a girl who seemed to be a little girl who shouted: The one-to-one teaching package does not include the hug at the end of the performance just now?

Not included. Kiryu Kazuma answered decisively.

Then what's the point? Tai Mei said.

Kiryu Kazuma frowned: We practice swordsmanship not because it's fun, but to strengthen our bodies and protect what we want to protect.

Kitagawa Saori pursed her lips. She had some knowledge of what Kiryu Kazuma had experienced before.

It is true that he used the way of the sword to protect what he wanted to protect. Most people would think that they were just talking nice words when they said this, but Kiryu and Ma were different.

He really did it.

Kiryu Kazuma continued: Is there anyone else who wants to protect everything with a shuriken who wants to give it a try?

Wouldn't it be better to use a gun? The girl just now started teasing again.

Kiryu Kazuma: At close range, a pistol cannot threaten me.

This sentence made Taimei and her companions scream.

But Saori Kitagawa knew that firing a pistol at close range was of no use.

This is especially true for a petite girl like her who is known for her agility.

So, is it true that no one is coming? Kiryu Kazuma asked for the third time.

At this time, some of the boys who came with the Taimei group started to make noises: We don't want to fight with a strong man who can dodge pistol bullets. It's impossible to win. You should go fight with a Kamen Rider. Not afraid of bullets.

Kiryu Kazuma said solemnly: Sometimes you don't fight just because you can win. Although the ideal state is to only fight battles that you are sure you can win, but life is fucked, and many times you have to fight some obvious battles. Know the battle you can’t win.

For example, Oda Nobunaga's Okehazama.

Who is Oda Nobunaga? The man yelled loudly, and the girl just now responded, I don't know, he sounds like a bad old man.

Kiryu Kazuma was not annoyed either. This time he looked directly in the direction of Kitagawa Saori.

——Sure enough, he asked repeatedly, it was for me.

Shasuli made up his mind not to participate.

However, the next moment, Kiryu Kazuma spoke: Nine times out of ten, life is unsatisfactory. Even with poetry and music, the distance can only exist in fantasy, right?

Sasuri was so shocked that his heartbeat stopped.

What the hell?

Kiryu Kazuma continued: Although this is a classroom, the place where I hold my sword is my dojo. Isn't it not good to enter someone else's dojo without announcing your home status and just peeking at other people's martial arts performances?