"Actually, the biggest difference between new martial arts and traditional martial arts is this. In traditional martial arts, for example, in "Three Heroes and Five Righteousnesses", Nan Xia Zhan Zhao is a knight in the traditional sense... Traditional martial arts focuses on the philosophical view of "chivalry uses force to break the forbidden." "Criminal", so it's about chaos. Jin Yong was in Hong Kong, and he wrote about prohibition!"

"ban?"

"The underworld is rampant! In fact, it describes the society of Hong Kong. Those sects can represent the Hong Kong government at that time, and the Sun Moon God Sect is the gangster..."

"Is this how you understand it?"

"Yes…"

After a pause, Shen Xudong continued: "So Linghu Chong is not a knight in the traditional sense. He is just naive and impulsive. He fails to succeed but fails to succeed..."

Zhao Xin suddenly thought of something: "In fact, Professor Dai Jinhua has evaluated Jin Yong's novels. She said that all Jin Yong's protagonists "recognize thieves as their fathers and refer to their fathers as thieves." This is a representation of the historical structure of Xiangjiang and the historical experience... itself is It’s a colony…”

Shen Xudong shook his head: "It's different. People like Professor Dai Jinhua actually don't believe in non-system and non-organized people like Xia. Jin Yong has neither system nor organization. She fundamentally looks down on him... and laughs. There is no hero in the traditional sense in the entire book Ao Jianghu, and only Lin Pingzhi is better!"

"Lin Pingzhi?"

"When encountering a disaster, he knows how to adapt, adheres to morality, and can stand up in the face of evil. This kind of person should give the protagonist a halo. But it is a pity that this novel is not a story about happiness and revenge..."

Zhao Linhai made a decision immediately: "Okay, let's not study these... let's not talk!"

Liao Gaoxiang suddenly asked: "Xudong, do Gu Long's novels have similar views?"

"Gu Long...I have read "Little Li's Flying Knife" and "The Peerless Two Prides"..." Shen Xudong shook his head...

Gu Long's novels "Sentimental Swordsman", "Peerless Two Prides", "A History of Martial Arts", "The Legend of Lu Xiaofeng" are ranked in the past...

The Chu Liuxiang series is certainly good, but his writing skills are not as skillful as those in the Lu Xiaofeng series. Compared with Lu Xiaofeng, Chu Liuxiang is a little more pretentious. The "Lu Xiaofeng series" is the best, especially "Before and After the Decisive Battle", with the classic battle in the martial arts novel "The Top of the Forbidden City" as the best. The background, the story is compact, and the characters are rich. What's even better is that the foreshadowing of Honest Monk, Ouyang Qing and Gongsun Aunt in the previous films is also used.

In addition, after the mystery of "Before and After the Decisive Battle" is solved, there is also the classic ending of the decisive battle between Ximen and Ye Gucheng.

Endless aftertaste!

Of course, in terms of writing techniques alone, the most awesome one is definitely "Happy Heroes", especially the first half of "Happy Heroes" - there is no need to deliberately make up a story, just a few people chatting back and forth. Not relying on the story but exaggerating the atmosphere and characters has made everyone happy.

The reason why it is the first half is because in the second half, we realize that seemingly ordinary people are not ordinary, and in the end they are all from famous families...

Falling into a rut!

"And Gu Long's works are not as widely circulated as Jin Yong's works..."

Liao Gaoxiang nodded: "That's true!"

Zhao Xin added: "Actually, the most widely circulated one is Jin Yong, and the other one is Qiong Yao!"

Shen Xudong's eyes lit up: "Qiong Yao?"

"What? Do you also have an interpretation of Qiong Yao's works?"

"Haha!" Shen Xudong smiled, and then said: "...You wait until I finish writing it!"

"BJ Youth Weekly" was renamed "BJ Youth" in May 2002. The sales volume is not bad, and its readers are mostly young college students and white-collar workers aged 18-35.

A new issue comes out every Thursday.

On December 19th, Thursday, Huang Ruoyao, the head teacher of the Theater and Literature Department of China Central Television, stopped his car at the school gate, and for a moment he didn’t want to go in...

There are always 24 hours a day when I don’t want to go to work!

However, his classes are very good and he often imparts some experience - the biggest job as a screenwriter is to forget the scripting method anytime and anywhere. You can't write with "I want to write well", as it seems to be a kind of gambling. You cannot hold on to experience. This is not your experience. Why give up experience? experience.

Simply walk to a book and newsstand and ask: "Is there any news today?"

"News? Shenzhou 4 is about to be launched. Does that count?"

"…Seriously!"

"That's gone!"

Huang Ruoyao had no choice but to look for it on his own. He saw dozens of red and green newspapers on the stall, and then he saw "BJ Youth"...

"Take this!"

"Okay, 8 yuan..."

"Give."

He took out ten yuan from his pocket, found two yuan, took the magazine into the breakfast shop next to him, ordered a bowl of wontons, and opened the magazine...

Four sections: news, people, wealth, and culture...

The first thing I saw about culture was the new section—Talk about Jianghu!

The opening chapter is written by editor-in-chief Zhang Yabin:

"In the autumn of 1972, Jin Yong published the last chapter of "The Deer and the Cauldron" in Ming Pao. Wei Xiaobao went away to Dali to live happily, leaving Kangxi to wander in Yangzhou in confusion... When Jin Yong wrote the novel, martial arts were in their prime!"

"Sima Ling wrote "Guan Luo Fengyun Lu" in his sophomore year, Liu Canyang crouched on the deck of a tank to complete "Jade Face Shura"; Zhuge Qingyun chose his pen name because he wanted to overpower Wo Longsheng; Li Liang couldn't wait for Jin Yong's new work, referring to Wei Xiaobao Evolved into "The Strange God Yang Xiaoxie".

On the cheap manuscript paper, the ink is thick and dense, forming rivers and lakes, and phantoms emerge from the paper, connecting them to form a world. In a humble room, under dim light, you can travel thousands of miles by holding up a scroll of martial arts. The happy years were interrupted in 1985 - Gu Long died of illness! "

"On the day of his burial, movie star Wang Yu prepared 48 bottles of XO, which everyone drank together, and then sprinkled them around the tomb. Ni Kuang wrote an obituary of more than 300 words, claiming that he was the best article in his life: People are in the world, and they can't help themselves. Now they are free of everything. The fetters, from now on, one owes another, once and for all, there is no more restraint.

Gu Long's long journey seems to have taken away all the happiness in the world. Since then, the newspaper has canceled its serialization, the number of published books has decreased, and the martial arts vegetation has withered. Wen Ruian opened 18 columns in martial arts magazines in Hong Kong, Taiwan, Singapore and Malaysia to support the overall situation. Huang Yi wrote about martial arts and no one wanted to publish it, so he got angry and opened a publishing house by himself. "

"We are just talking about martial arts characters! If there is any offense, please forgive me, we are just interpreting!"

Then I saw the title "Linghu Chong with no sense of responsibility", the author... Shen Xudong...

Shen Xudong?

Huang Ruoyao felt quite familiar...

Hey, I have a student Shen Xudong!

It can't be such a coincidence, right?

Take a look first!

"Actually, criticizing Linghu Chong is quite unpleasant. Over the years, Linghu Chong has been played in film and television drama adaptations such as Xu Guanjie, Li Lianlian, and Lu Songxian. Through the beautification of film and television dramas, Linghu Chong has given the audience the impression of a free and uninhibited man who values ​​love and justice. As for the image of a knight, is it not good for me to write about him so rashly?"

"But I've watched "The Swordsman" several times, and I really can't complain. Linghu Chong is the most psychologically uncomfortable male protagonist I've ever seen. This kind of psychological discomfort even surpasses Linghu Chong played by Li Anpeng..."

"As an aside, in my opinion, the CCTV version of "The Swordsman" and the TVB version can actually be compared. Of course, the comparability is also with Teacher Wang Wei and Teacher Weizi's Yue Buqun, and He Baosheng and Li Jie's Lin Pingzhi. That’s all!

The two characters are so different in their own way that they don’t give in to each other!

As for Teacher Tu Men's Zuo Lengchan, Teacher Lu Xiaohe's Let Me Go is definitely better than the TVB version...

Then why did the CCTV version of "The Swordsman" stretch the crotch?

The reason lies in the protagonist Linghu Chong!

Let's put it this way, it's Linghu Chong who tells the joke, Lu Songxian makes you feel that Linghu Chong is telling the joke, and Li Anpeng makes you feel that Linghu Chong is a joke. "

"Okay, let's get to the point... Why do I think Linghu Chong has no sense of responsibility?"

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