Inherit For Three Thousand Years

In particular, it is extremely difficult to burn the live ring. When the bottle body is put into the sagger for firing, a support must be used to hold the live ring in the sagger to prevent the live ring from sticking or breaking with the ears, so you can see clearly There are traces of burning on the living ring. Only this firing technique is more accurate than ordinary folk kilns.

The porcelain of the Qianlong period, whether it is blue and white, bucket color, pastel, foreign color and bionic porcelain, is extremely unique. Pastel is the mainstream of Qianlong colored porcelain. It often integrates various decorative techniques such as embossing, scratching, painting, consecration, colored glaze, hollowing out, stacking, and gold painting on one utensil.

It should be said that the famille roses in the Qianlong period not only inherited the elegant and quiet style of porcelain decoration in the Yongzheng period, but also had heavy colors and rich colors, which were icing on the cake.

Emperor Qianlong preferred the decorations of majestic beauty and fragrance, and there were often imperial edicts on the use, shape, and pattern of some famille rose objects. Before production, there must be a drawing or wood sample, which can only be officially fired after review.

Whether the utensils have inscriptions or not, what kind of inscriptions to write and the poems that match the decorations must be approved by Emperor Qianlong. On the one hand, Tang Ying, the kiln supervisor at that time, made exquisite palace porcelain according to the emperor's will; .

This Qianlong blue and white powder enamel outing spring amphora is undoubtedly the work of Tang Ying when he was in the Jingdezhen Du Kiln. Therefore, Xiao Yao has reason to believe that its firing date belongs to the early Qianlong period.

Xiao Yao turned over the bottom foot, and there was a red inscription in six-character seal script of Made in the Qianlong Year of the Qing Dynasty on it.

There is no doubt that this is a Qing Qianlong blue and white pastel amphora with a wide open door.

This is the largest piece of porcelain placed on the Bogu shelf in the first row. According to its rarity, Xiao Yao estimates that the market price of this piece of porcelain should be around 120 million.

This is the most precious piece of porcelain placed on the Bogu shelf in the first row.

There are many types of porcelain placed on the second row of bogu racks, but most of them are not expensive, basically the price is between 1 million and 5 million.

Xiao Yao was a little disappointed by the porcelain placed on the second row of antique racks, until he saw the last few pieces, and finally smiled again on his face.

This is a ruyi ear pipa statue about thirty to forty centimeters high.

Its shape is dignified and elegant, its decoration is graceful and gorgeous, and its pair of Ruyi ears are exquisite and exquisite. The head of Ruyi is tied with a red ribbon decorated with the word Wan in golden color, which is vivid and elegant.

The edge of the mouth is decorated with Ruyi cloud head pattern, and the pattern of Wanshou streamer for a week is echoed with the decoration of the ears.

The abdomen is painted with landscape gardens, towering palaces in the distance, cornices and corners, surrounded by green pines and cypresses, like a fairyland, majestic and magical.

The fishing boats on the shore of the lake sing at night, there are several thatched huts in the jungle, and the distant mountains are covered with clouds and mist, which seems to be thousands of miles away.

Its composition is full of virtuality and reality, the brush and ink are sparse and clear, and the mountains and rocks are especially beautiful. The light moss and thick moss, the sharp edge and the subtlety of the ink technique are breathtaking.

Shi Cai is delicate and beautiful, and the colors are light, elegant and timeless. It is more elegant and profound. It is just like the green and green mountains and rivers of the Song Dynasty.

The shape of the ears echoes the theme decoration, implying all generations of the country, which can be described as ingenious.

The glaze color of this vessel is exquisite and beautiful, and many aspects of decoration and pigment application techniques highlight the characteristics of typical foreign colors.

One is that the painting technique imitates the western light and shadow painting method, paying attention to the distance relationship and three-dimensional level of the layout of the picture.

The second is that the edge of the mouth and the ears are decorated with round light spots unique to Yangcai.

The third is to use hair-thin ink color to depict waves on a large area of ​​white color that is milky, devitrified and flat. base color.

Xiao Yao turned over the bottom foot, and the stamp was inscribed as: Made in the Qianlong Year of the Qing Dynasty.

This Yangcai Jiangshan Wandai Ruyi Ear Pipa Zun made by Emperor Qianlong of the Qing Dynasty is another rare porcelain treasure, and its market value should be around 100 million yuan.

The porcelain placed on these two rows of Bogu racks was rare before the Qing Dynasty, and the value was not very high a few decades ago, but now, the price is basically more than one million, which is another fortune. Huge wealth.

After appreciating the porcelain, Xiao Yao came to the ancient shelf where the jade ornaments were placed.

On the first Duobao Pavilion is a white jade statue of the God of Wealth. The jade is of high quality and the carving is exquisite. Xiao Yao picked it up and weighed it in his hand. It weighed about 4 kilograms.

It is a pity that the producer of this work cannot be verified, but because the quality of jade is so rare, the market price of this white jade statue of the God of Wealth should be at least 80 million or more.

Next is a set of sapphire cups and pots, the price should be around 10 million.

The next three multi-treasure boxes are all Hetian jade, but the quality of the jade is a little bit worse, and the price is less than 10 million.

On the Duobao Pavilion below is a pair of white jade rugs, Xiao Yao took a look and knew that they were rare treasures.

Luduan is a legendary mythical beast, similar to Qilin, with strange shape, rhino horn, lion body, dragon back, bear claws, fish scales, and ox tail. It is said that he can travel 18,000 miles a day and speak four languages.

This pair of white jade rims is carved from the above-mentioned white jade.

His body is strong and majestic, his four legs are strong, his head stands proudly, his eyes are round, piercing and energetic, and his momentum is majestic. The hair and beard are knotted, the front chest is equipped with tasseled bells, the head is separated from the body, the abdomen is hollow, which can be used for aromatherapy, and the articulate teeth are carved so that the fragrance can disperse. Both sides of the abdomen are consecrated and engraved with pictures of the auspicious clouds of the Shoushan Mountain, the Fuhai Sea, and the auspicious clouds of the Shoushan Mountain. The engraving is smooth and fine.

There is a pair of sapphire lutuan of the same kind in the Palace Museum, but the quality of the jade is far inferior to this pair of white jade luduan.

Therefore, it can be seen that this pair of white jade luduan is extraordinary.

This pair of white jade mats should be the treasures of the inner palace in the prosperous age of Qianlong. Although it has gone through nearly three hundred years of hardships, it is still shining brightly. The price should be more than 120 million.