I am a primitive
Page 661
He didn't take the painting out immediately, but sat here quietly watching the rain through the open window, enjoying this peaceful and leisurely time.
The rain outside the window was pattering, and occasionally a child would cover his head with his hands and run past laughing.
The feet stepped in the shallow puddles, splashing a piece of water...
The spring rain didn't last too long, it stopped shortly after lunch, and the warm sun came out from the sky in the afternoon.
Seeing this, the eldest brother called for people to continue digging outside with tools.
At this time, the door of the big brick house opened from the inside, and Han Cheng came out holding a roll of paper.
"Son of God..."
"Son of God..."
People who saw Han Cheng greeted him one after another.
Han Cheng smiled and nodded to everyone, and then said: "Don't rush to the field, it's not easy to meet a rainy day, everyone should have a good rest, let the ground dry, and continue digging tomorrow..."
"I just happened to watch something with you."
After Han Cheng finished speaking, he asked the elder brother and others to inform the people in the tribe to gather here at the big tiled house.
Everyone's eyes fell on the roll of paper in Han Cheng's hand, not knowing what was on it.
Han Cheng didn't hold back too much, and when he saw that people were coming, he pulled one end of the scroll and let Wu hold it with his hands.
Han Cheng took the remaining scrolls and walked slowly to the other side.
Everyone in the tribe watched all this with curiosity and inquiry. Some people were still talking in low voices, guessing what the Son of God had done this time, and what was on the paper.
Following Han Cheng's movements, the rolled picture scroll slowly opened, and the things inside appeared in front of everyone's eyes little by little.
As the scroll slowly opened, Wu who was pulling the scroll at the other end straightened up.
My heart has been like a kitten scratching a stone and my eyes widened.
When the scroll was stretched less than halfway, the noise in the crowd disappeared.
No one asked for anything from the crowd, but all the people consciously closed their mouths, stopped talking, and all looked seriously at the painting that was slowly unfolding in front of them.
Amazement, shock, sluggishness... This series of things was performed by everyone.
Han Cheng glanced at the crowd and didn't say much, but continued to unfold the scroll.
But in his heart, it was very useful. The reaction of everyone now is the greatest affirmation of his busyness in the recent period.
In complete silence, Han Cheng spread out the entire scroll, and the contents of the entire scroll were revealed to everyone without reservation.
"This... is this our new home?"
After a long time, someone finally asked with a trembling voice...
-------------Chapter Dividing Line---------------
What Han Cheng painted was the tribe in autumn.
Behind a circle of high walls is a mountain, which circles a large courtyard. In the center of the courtyard, there is a large tile-roofed house of blue bricks in the north.
The blue-brick and large tile-roofed house in the painting is the existing one in the tribe.
In front of the big brick house, there is a flat square, which is in the center of the whole courtyard.
On the south side of the square, across the square from the blue-brick and tile-roofed houses, there is a high platform surrounded by steps.
There is a long pole erected in the middle of the platform, and a flag fluttering in the wind is hung on the top of the pole. On the flag, there is a green bird moving in the wind.
With the entire Qingque Square as the center, the remaining courtyards are roughly divided into five areas.
Near the mountain is a row of houses, which is the residential area of the Qingque tribe.
In the middle of the residential area, there is a house that looks more spacious than the rest.
There is a plaque above the door, with the word 'dining hall' written on it.
It was Han Cheng's idea to move the canteen out of the cave, especially after returning from Tongshan for the first time, and after using fireworks to smoke a lot of small animals from it, Han Cheng became more determined about this idea.
It's just that in the following days, I have been busy with the copper thing, and everything has fallen.
Now that he has made up his mind to make a big plan for the whole tribe, Han Cheng will naturally not miss the canteen.
On the east side of the square, there are some buildings different from the rooms in the residential area, which are round and domed buildings.
On the outside of these buildings, Han Cheng drew a square piece of paper pasted diagonally, with the word 'grain' written on it.
These are the places where the Qingque tribe stores food.
Under the same building materials, the cylinder can hold the most things, so Han Chengcheng made the new granary into a cylinder.
The reason why the granary is built to the east is because the east side of the tribe has the highest terrain, and the grain is stored there, which is the least susceptible to moisture.
Adjacent to the granary is the handicraft workshop area of the Qingque Tribe.
For example, weaving, carpentry, stone tools, these things all have to build houses.
It is a very labor-intensive and time-consuming thing to tear down a house and rebuild it. When planning, Han Cheng made the best use of these existing buildings in the tribe, adhering to the principle of not taking them out if he can. .
For example, there were rows of granaries that were not much different from the houses of the Qingque tribe in appearance, but he turned them into houses in the residential area.
Many of these workshops in the painting already existed.
To the west of the square is the breeding area of the Qingque Tribe. Deer pens, sheep pens, rabbit pens, chicken pens, etc. are all built on this side, and the toilets of the Qingque Tribe are also mixed in.
Here in the tribe, the east wind blows more often in a year, so Han Cheng took these smelly things to the west, and when building them, they were as far away from the tribe's residential area as possible.
Behind the breeding area, there are many large pits dug, and these large pits are used to store the dirty water flowing from the various circles.
First, it can prevent pollution and make the tribe cleaner, and second, it can accumulate a lot of fertilizer for the tribe.
On the south side of the courtyard, that is, the side where the gate exists, piles of hay, firewood, charcoal, and other flammable things are piled up.
It is very far away from living conditions, grain storage areas, and livestock areas.
With the increase of population and livestock, more and more firewood is kept in the tribe. This is a great safety hazard, and it is necessary to stay away from people, livestock and food.
The periphery of the courtyard is the autumn field, the ground is full of golden millet, and the fruit trees beside the millet field are full of fruit.
In order to make these ripe millet and fruits more attractive, Han Cheng can thicken the yellow paint and render it little by little, making it look extremely attractive...
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