Da Bong fights more people

Xu Qi'an took the opportunity to ask: "Why is there only one hand, what about the rest?"

He pretended to be curious and tried to find out the whereabouts of the rest of Shenshu from the old monk.

The old monk shook his head: "I don't know."

Don't know or can't tell?Xu Qi'an was slightly disappointed.

Zen Master Jingxin turned a blind eye to the others, stared at the old monk, folded his palms together and said, "Maybe senior manipulates the dragon energy so that it only enters my body and does not fall into the hands of others?"

Dragon Qi, what Dragon Qi?

Everyone was at a loss and couldn't help but leaned forward a few steps. Instinctively, they felt that the dragon energy mentioned by Jingxin was the biggest treasure in the pagoda.

The old monk slowly looked at the crowd and said, "Don't get close!"

The precepts of Buddhism affect everyone.

Then he answered Jingxin, "The poor monk can only channel the dragon's energy."

Seeing this scene, the chief Hengyin finally let go of his heart, and said lightly:

"The Futu Pagoda is the most precious treasure of my Buddhist sect, and the treasures in the pagoda are naturally also treasures of the Buddhist sect. It's simply whimsical for you to break into the pagoda to seize the treasure. Sanhua Temple agrees, and the pagoda spirit will not agree."

The Buddhist monks and the Eastern sisters felt a little more relaxed.

Previously, he was afraid that Jingxin would not be recognized by Ta Ling, so he was worried.Now that the overall situation has been decided, as long as Ta Ling is unwilling, these Leizhou warriors will definitely not be able to take away the dragon energy.

Now, the warriors of Leizhou are in a dilemma.

Want to quit, not reconciled.

Want to enter, but was suppressed.

To make Sanhua Temple so solemn, this "dragon spirit" must be a great treasure.

The old monk raised his hand and scratched at the void.

A huge phantom faucet drilled out of the wall, following the old monk's movements, it drilled out bit by bit, its size was unimaginable.

"This, this is"

Everyone who has witnessed the dragon's aura is filled with a strong desire to get it and take it for themselves.

Jing Xin stared at the dragon head in a daze, she had a feeling in the center of the dark, if she got it, she would rise to the top from now on, everything would go smoothly, and it was only a matter of time before she could prove the Arhat status.

Thinking of this, waves surged in the calm lake of heart, and a strong greed for dragon energy arose.

The old monk tapped Jingxin's eyebrows with his fingertips.

Under the guidance of Long Qi, he twisted his huge body and was about to penetrate into Jing Xin's body.

On the other side, Xu Qi'an, who kept a low profile in the crowd, had been waiting for this moment for a long time, lightly tapped the back of the small jade mirror, and read the mantra taught by the supervisor.

Attracted by the book from the ground, the weak dragon energy inside, and the national fortune, the huge illusory golden dragon suddenly stopped, turned its head, and looked at Xu Qi'an.

Then, disregarding the guidance of the old monk, it twisted its body, rushed towards Xu Qi'an, and crashed into his arms.

That is the location of the fragment of the book from the ground.

Successfully cut Hu!

Tell me about the latest episode

Tell me about the latest plot, no, talk about the overall plot of the third volume so far.

Originally, in my mind, the third volume was about the story of the youth wandering in the rivers and lakes. It is a good idea to write about the characters and events in the rivers and lakes, but the reality is often skinny.

In order to write the third volume well, I read a lot of travel notes, animation, and film and television works.

Dismayed to find that if travel notes are placed in the online literature circle, the only ending will be acclimatization.

The reason is very simple, in the category of travel notes, the protagonist keeps walking and embarking on the journey, which leads to two results:

One: The role cannot be shaped in depth, and it is reduced to a passerby.

Two: Readers have no sense of substitution and expectation.

The first point does not need to be explained. After finally creating the characters and getting familiar with the place, I immediately set off to leave.

The deadliest thing is the second point, readers have no sense of substitution and expectation.As readers, you may not have summed up this phenomenon, but as an author, I have relatively in-depth research on readers' sense of expectation and sense of substitution.

Fixed maps, full characters, more sense of anticipation and substitution. .

For example, if Xu Qi'an wants to sleep with a girl, who is more looking forward to sleeping with a teacher or sleeping with a girl in Goulan?Xu Qi'an wants to act aggressively, which one is more exciting to act aggressively in front of the big bosses in the capital or in front of a group of common people?

The anticipation of the former is paved by the number of words, while the travel notes are too "erratic" and go around, so they can't create this kind of anticipation.

Before the beginning of the chapter, I originally planned to write the Jianghu chapter in the form of a unit drama.

For example, take the hosts of the Nine Dragon Qi as the main line, write their stories, and the protagonist participates as a bystander.But in this way, the protagonist's sense of existence is too low, and it's not cool enough.

If it's not cool enough, it means it won't work!

Later, I thought that a large number of small incidents could be used to make up for it and increase the tension of the plot. Those small incidents don’t have to be useful, it can be that when passing by a certain village, ghosts are found making trouble.

When passing through a certain town, there are squire bullies bullying men and women.

These are the usual techniques in travel notes, writing about the events and customs encountered by the protagonist on the road, but they are not very useful for the main line.

It’s okay to write such a fragmented story occasionally, but if you write too much, there is neither a sense of substitution nor a sense of expectation, but it will make readers feel that the author is in water.

Until now, I haven't thought of a better way to solve these problems.

I wanted to ask the boss for advice, but after thinking about it, there are not many people who can teach me, and besides, I don’t know anyone.

Throughout December, my writing status was in a state of desperation.

I desperately want to find exciting points and increase the tension of the plot, so I have the plot of the Buddha Pagoda, but when I write this, I found a problem: the foreshadowing is not enough.

This foreshadowing is not to say that the incident is too abrupt, but that the characters on all sides have not yet plumped up, the characters are not plump, and the pretense will have no charm.

But the writing style of travel notes is like this.

Next, I will focus on "Conflict", "Crisis", "Escalation" and Sleeping Master to develop the plot.Then, according to the effect and your feedback, the length of the first half of the third volume will be determined.

The Boys' Brigade is only the content of the first half of the third volume.

Let’s stop here first, I haven’t coded a single word today, and I’ve been thinking about these issues.