The perfect future of rebirth

I have to say that "Crazy Racing" is a very good movie. In Zhao Fusheng's opinion, this movie continues the style of Ning Hao's black comedy, with multiple lines going hand in hand, and the structure is much more complicated than "Crazy Stone".

Some media wrote a horrifying article in advance, saying that Ning Hao has transformed from Guy Ritchie to Quentin. Fortunately, Guy Ritchie is abolished, otherwise fans still have a lot of arguments to fight, and the form is not the only key. It's still up for debate.

Form is an appearance, and there are still many people who play well or not.

Speaking of it, "Racing Cars" is still similar to Guy Ritchie's networked narrative. The eight gangs have their own goals, and the four independent stories are carried out separately and intertwined at several points. It is still different from Quentin, let alone better. Which one is worse, compared to "Stone" which is centered on a prop, it is naturally upgraded a few levels.

"Who is in China" is not a top-notch compliment after all. In addition to being skilled in routines, Ning Hao's localization is also really well done, and he is good at using expressions, body and language-including dialects to create jokes. be three-dimensional.

Ning Hao is also very good at various elements of commercial films. Fighting, car chasing, and narration in rivers and lakes are all familiar, and the occasional special effects and ghost music are also very suitable for the occasion, especially the elements in different narrative contexts. The contrast caused by the pot of chowder is full of laughter.

Speaking of localization, "Racing Car" integrates the grassroots reality and abnormalities into the movie. Several groups of characters have erroneous relationships, most of which are related to it. It is interesting and not blunt. Huang Bai pretends to be a driver and mixes into the race. Added a bit of emotion.

The whole play is actually similar to the narrative line of "Crazy Stone", except that the Hong Kong Island killer has become a crooked gangster, and Huang Bai's acting skills have improved even more.

As a movie that you can laugh from beginning to end, there are too many laughs in "Racing Car", some of which are still too much, a bit talkative. After all, there are too many things in the movie, and the spread is too big. Tell the story Good is not easy.

But I have to admit that it can be seen from the laughter in the movie theater that this movie is very successful.

In the past, some directors always said that Huaxia's audience was not good enough, and they couldn't understand some things.

How to understand this sentence.

The appreciation level of the audience, sometimes it is really impossible to keep up with the pace of the creator.

But the question is, are the vast majority of audiences not good enough?

It's as if Ke Ge's movies have been scolded since "The Promise", although we admit that this is indeed a top director in terms of artistic level and aesthetic level.

But it's really hard to identify with the way he shoots.

Just like the paragraph he was in charge of in the national conditions gift film, to put it bluntly, it was just to praise his son.What do you really want to say about the artistic connotation...

Zhao Fusheng was too lazy to complain.

It is said that film art comes from reality and is higher than reality, but if the creator is seriously divorced from reality and only shoots movies according to his own ideas, then the final result is what is shot, and no one can see it except the creator himself. understand.

This is not a joke.

Lao Jiang's few movies after "Let the Bullets Fly" all hit the box office, largely because he habitually mixed his own things into the movies.

Sometimes the audience may agree, and sometimes the audience does not.

As a result, both word of mouth and box office collapsed.

For the same reason, Kaige's movies are actually the same.

"Chairman, this movie is not bad."

After watching the movie, Liu Yiming said to Zhao Fusheng when he walked out of the movie theater.

"Yeah, not bad."

Zhao Fusheng nodded with a smile: "The laughter in the cinema can already explain everything."

On this point, Zhao Fusheng and Ning Hao have some common understanding, no matter how you say it, as long as the work can satisfy the audience, it is a good work.

As for the pursuit of art, that is a later matter.

Zhao Fusheng would definitely not agree to give up the box office for the sake of art.

He is an investor, not a director, screenwriter and actor.

The ass decides the head, this point, no matter when, is true.

Chapter 4 Adding fuel to the fire

Zhao Fusheng had high expectations for Ning Hao, but it was only on the box office of the movie.

As for winning.

Ha ha.

Zhao Fusheng never thought of relying on Ning Hao to win the prize.

If you want to win an award, you have to look at a guy like Wang Ping'an.

Just in the past few days, "Tuya's Marriage" ended its filming and became a participating film at the Rotterdam Film Festival in the Netherlands.

As a local film festival in the Netherlands, although compared with Cannes, Berlin, and Venice film festivals, it is slightly lower in terms of compulsion.

However, the Rotterdam Film Festival also has its own characteristics.

This film festival is a well-known film trading platform in Europe.

Moreover, in the entire world film circle, this place is known as "the most important stage for the world's emerging directors"!

From this sentence alone, we can see what the characteristics of this place are.

During the film festival, the Dutch will provide financing channels and support for those filmmakers with potential. Many directors of the sixth generation have received help here.

Moreover, the famous Seven Gentlemen Incident was banned because a certain director participated in this film festival without the approval of the General Administration.After that, it quickly sparked a huge discussion in the circle.

Naturally, Ning Hao couldn't participate in this film festival.

But Wang Ping An can.

Under Ye Jing's operation, Wang Anan took his film and heroine Yu Nan and set off for Europe to participate in this film festival.

In Ye Jing's words, even if it is swiping, there must be several big prizes.

After all, this kind of movie basically has no box office in China.

The only profitable channel is to win awards in Europe, and then sell overseas copyrights of movies to foreigners.

Wang Ping'an himself knew this, and without any complaints, he flew to Rotterdam by plane.

Zhao Fusheng heard about this matter by accident when he was chatting with Ye Jing.

He had no objection to this, but just told Ye Jing that since he was going to Europe, he might as well not be idle, and go to Venice and Cannes for a while.

Whether there are dates or not, let's talk about it after a shot, in case you win a prize.

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Sure enough, even Liu Yiming, who doesn't watch movies very much, finds the movie "Crazy Racing" interesting, let alone other people.