tokyo writer
Page 309
There is no doubt that this scene gave his friend Kawabata Yasunari a great stimulus.
As for his works, Hiroto Akihara naturally didn't dare to use them.
Otherwise, if someone interprets some special right-wing ideas in the content of the work, my literary path will undoubtedly be black-spotted.
Thinking of this, he crossed out the name with a pen again, and looked at the last name.
Kenzaburo Oe, the second Nobel Prize winner besides Yasunari Kawabata, is an old friend of Mo Yan and an admirer of Lu Xun.
Compared with Yukio Mishima's right-wing ideas, he can be called an anti-war writer.
And his anti-war background is also closely related to his era.
When he was 10 years old, Neon surrendered to the United States and was reformed by the latter to issue a new constitution.
When he was 13 years old, because of the influence of Chairman Mao, the "Red Army Movement" broke out in Japan, which failed under the suppression of the government at that time.
But these two huge historical events had a profound impact on Kenzaburo Oe.
Because of his constant reflection on reality and the future, his works contain many anti-war styles.
Even he himself has repeatedly claimed: "Neon should apologize for the war and liquidate the past history."
However, Oe Kenzaburo's works have been praised by others. In fact, the most critical point is the fusion of Japanese tradition and Western modernity.
Unlike Haruki Murakami's attitude towards traditional neon literature, although Oe Kenzaburo has also widely absorbed the ideas of foreign literary works, he respects traditional neon literature very much.
In many works, he makes extensive use of the symbolic techniques in "The Tale of Bamboo Cutter", creating an imaginary world that closely condenses reality and mythology.
It is precisely this feature that made his "Personal Experience" successfully won the unanimous approval of the Nobel Prize in Literature jury.
Hiroto Akihara thought about it for a long time, and found that Kenzaburo Oe's works were the most suitable for him to "transport" at present.
First, the background of Kenzaburo Oe's era is almost the same as his own, and the time when he won the Nobel Prize happened to be 1994.
Second, although Oe Kenzaburo's works have absorbed a large number of western literary ideas, they are different from Haruki Murakami, in the final analysis, they are still developed on the basis of neon traditional literature, and they are a unique genre.
Having made a decision, Hiroto Akihara poured himself a cup of tea, and then began to write vigorously.
This time, he plans to write Oe Kenzaburo's masterpiece, that is, "Personal Experience".
……
In this story, the protagonist named Bird, whose wife gave birth to a disabled baby, suddenly put Bird in a difficult situation.
Bird wanted the doctor to delay the operation to kill the baby, but the doctor said "you can't kill the baby directly", but privately suggested that Bird "adjust the amount of milk you feed the baby" or simply "use sugar water instead of milk."
Out of fear, the bird first chose to escape.
He dumped the baby in the hospital and managed to weaken it to death.
On the other hand, he hides in the bedroom of his former lover Himiko, and falls in love and desire.
Himiko is both an angel and a witch. She comforts the bird, makes the bird forget its worries, and induces the bird to continue to fall.
At this time, the phone rang in the darkness, but the long-awaited call did not bring the news that the baby had died of exhaustion.
On the phone, Bird was told that the brain surgeon and the vice president of the hospital decided to operate on the baby.
No one can determine the result of the operation. If the effect is not satisfactory, Bird will have to spend his life with a plant-like child.
This is the reality that Bird refuses to face no matter what.
He rejected the doctor's advice and brought the baby back from the hospital.
Bird and Himiko plan several plans, including burying the sick child with the help of a black-market abortion doctor.
In the bitter wind and rain, the crying of the baby caused the bird to start a fierce confrontation in its heart.
In the end, he decided to take the responsibility of his life by sending the child back to the hospital for treatment.
……
After about half a week, Hiroto Akihara finally finished writing this work.
After careful consideration, he did not publish this work immediately, but sent the manuscript to Yuichiro Yoshikawa first...
[Chapter 279.278 The Tinder of Literature]
"Teacher, it's time to take your medicine."
Yuichiro Yoshikawa sat on the tatami, took the water and medicine handed to him by the woman next to him, and swallowed it directly.
Watching his actions, the woman kneeling next to him showed worried eyes.
Her name is Honma Kurumi, she is the granddaughter of Yoshikawa Yuichiro, and also a lecturer of the Faculty of Literature of the University of Tokyo.
But because of respect, she always called her grandfather a teacher.
If Hiroto Akihara was present, she would be the middle-aged woman who sat in the tea room last time.
Honma Kurumi looked at Yoshikawa Yuichiro's weak Yoko, and couldn't help but sigh.
Yuichiro Yoshikawa is already 73 years old this year. Although he is still 9 years short of the average life expectancy of neon men, he is considered an old man.
And because of his irregular writing life when he was young, he has left many roots of illness in his body.
According to the family doctor, his health is far worse than that of an old man of this age.
So Kurumi Honma disapproved from the bottom of his heart when he left home to meet Hiroto Akihara at the tea room last time.
In her opinion, as a teacher, it is enough to just ask Akihara Hiroto to visit her.
But even though he was dissatisfied, as a junior, Honma Kurumi didn't have much right to object.
Seeing the old man finished drinking the medicine, Honma Kurumi took the water glass and put it away, and asked a question that was puzzling in his mind.
"Teacher, is that how you look at Yuuto Nakaakihara?"
In addition to going out to meet each other in person, I even said something to encourage the other party to let traditional literature "bloom" longer.
Even before that, Hiroto Akihara dismissed his first disciple as an "excellent writer".
But in Honma Kurumi's view, Akihara Hiroto is just a young writer who only wrote one traditional novel.
And Hiroto Akihara has always declared to the outside world that he is a reasoner.
Hearing his granddaughter's question, Yuichiro Yoshikawa laughed.
"Kurume, in many cases, you should not look at what this person said, but what he did."
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