tokyo writer

She "has been indulging in mysterious meditation during the day, and at night, she drives a sports car and roams the streets, as if she has lost her goal in life.

However, when she learned that Bird wanted the newborn disabled child to die, she not only actively tried to help facilitate this, but also seemed to be alive for the first time since her husband's death.

These two "losers in life" started another contact in life because of Bird's disabled child.

During this contact process, Bird has been trying to escape, to escape everything he failed.

He wants to kill disabled children, he wants to go to the free world of Africa he dreams of, and he wants to leave everything that is fettering him now.

In order to forget the reality, he uses alcohol and Himiko's body to separate himself from the moral whipping.

While escaping, he seemed to be slowly drowning in water, tasting the suffocating oppression and sticky entanglement.

In Yoshikawa Yuichiro's view, compared with the protagonist of "Snow Country", Bird's self-negative identification and desire to fall in the most ugly world are more like a real person.

He sighed deeply.

Hiroto Akihara's work is based on realism, featuring psychological experience, and styled with grotesque variations and exaggerated deformations.

It is completely out of aestheticism, which can be described as "grotesque psychological realism".

Hiroto Akihara was able to do this, which is really surprising!

It seems that I don't have to worry too much about the future of traditional literature...

He put down the book, asked his granddaughter to fetch a manuscript paper, and planned to write a book review and a preface himself.

In addition, he had to write a letter to the Classical Literature Society.

Since Hiroto Akihara has been able to give a "satisfactory answer", I also wish him a helping hand.

The so-called salary is passed from one generation to the next...

……

Three days later, Hiroto Akihara received an invitation letter for a lecture without waiting for Yuichiro Yoshikawa's reply.

On this invitation letter, the words "Department of Letters, University of Tokyo" were clearly written. Apart from stating the time and place, there was only one phone number.

Akihara Hiroto thought for a while, and then called the contact person on the invitation letter.

"Professor Kanno? Hello, I'm Yuto Akihara."

"What is the subject of this lecture?"

"There is no specific theme, let me choose by myself?"

"Okay, I accept."

After finishing the call, he hung up the phone.

The person he just called was Takuro Kanno, who is the director and professor of the Faculty of Literature at the University of Tokyo, who manages several literary journals under the University of Tokyo.

In addition to this identity, he is still Yuichiro Yoshikawa's first disciple, and he has a certain status in the traditional literary world.

Out of these feelings, Akihara Hiroto still agreed.

However, during the conversation, Akihara always felt that Kanno Takuro's tone was a bit cold and unkind.

Maybe this is my illusion?

Remember that the other party wrote a book review that praised him?

Just as he was thinking, another phone rang. Hiroto Akihara answered the phone and found that it was Ms. Akiyama Shoko, the president of the Kyoto Literature Research Association.

After exchanging a few simple greetings, Akiyama Shoko quickly got to the point.

"Mr. Akihara, have you received a lecture invitation from the University of Tokyo?"

Akihara Hiroto was a little surprised how she found out so quickly, but he still said truthfully: "Yes".

Akiyama Shoko said politely: "I suggest you better accept it, because this lecture is not an ordinary lecture."

"Isn't it common?"

Hiroto Akihara was a little confused.

According to my previous experience at Kyoto University, the so-called lectures are to share my own experience and take this opportunity to make friends.

Apart from that, there is nothing else.

After thinking about it, he asked this question.

Akiyama Shoko replied: "Mr. Akihara, because of your "Snow Country", many people in the traditional literary world have begun to pay attention to you. Even the Neon Classical Literature Association, many members proposed to accept you as a member."

After a pause, she added, "But in the process, there were some minor problems."

"What's the problem?" Hiroto Akihara was a little puzzled.

Because the plate of the traditional literary circle is too small, he doesn't know much about the Classical Literature Association.

However, in his opinion, its status should be almost the same as that of the Association of Reasoning Writers, an association that only works hard to promote traditional literature.

For such an academic association, what problems can affect itself?

Akiyama Shoko replied: "Yuichiro Yoshikawa is very optimistic about you, so he hopes to directly appoint you as a director, but other members of the association have raised some objections."

"In their view, your identity as a reasoner and your education background..."

Hearing this, Akihara Hiroto frowned.

I have already proved myself through my works, and there are even a large number of traditional literary book critics and authors supporting me in public opinion.

But I didn't expect that in this association of traditional literary circles, there are still people who use their academic qualifications to discriminate against themselves.

In contrast, this phenomenon rarely occurs in the reasoning world.

Hiroto Akihara thought about it and found the difference between the two.

Different from the reasoning circle, many people in the traditional literature circle are often university professors or lecturers, and they are basically highly educated.

Therefore, they are the same as the world, and they may often value their own "circle".

For them, after all, they are only "outsiders" with a high school education.

While he was thinking deeply, Akiyama Shoko continued: "Mr. Akihara, so the association decided to invite you to give lectures to prove yourself."

After hearing this, Akihara Hiroto nodded solemnly.