My documentary really doesn't want high ratings

After Liu Ke clicked in.

Jumped directly to the hot search list.

Liu Ke frowned.

I saw the name I just saw in the seventh place on the hot search list.

When Liu Ke clicked in, he was stunned.

The whole person was stunned for a long time and couldn't calm down.

Zhou Huan on the opposite side saw Liu Ke's expression as if he saw a ghost.

Putting down the teacup in his hand, he asked a question.

"what happened?"

"Director, look at this, it's absolutely amazing!"

Liu Ke hurriedly handed the phone to Zhou Huan.

Zhou Huan took the phone and looked at it.

Hot search No. [-]: The beautiful poster of Xu Wenxin's documentary! !

poster? !

Zhou Huan was a little surprised.

He thought it was news or breaking news or something.

But I didn't expect it to be a poster.

But how can a mere poster be popular?

Is the threshold for being on the hot search so low now?

With a skeptical attitude, Zhou Huan clicked on this trending search.

When the hot search was opened, three posters popped up.

When Zhou Huan saw the first poster, he was stunned for dozens of seconds.

Then stared at the poster carefully for 1 minute.

Can't help but be overwhelmed.

The first poster was shot by a porcelain family that was sent to the generation.

The name is "Ru kiln sky blue glaze string pattern three-legged bottle".

This porcelain is characterized by ice cracks all over the body.

It looked like it was about to break.

In this poster, there is a small chip on the side of the bowl of this porcelain.

And the shape formed by the small gap is like a small person squatting there to repair the porcelain.

It echoes the "I am repairing cultural relics in the capital" below.

Zhou Huan's swift undulating fingers slipped the second poster.

The second poster is a painting in which the subjects are two white cranes.

This is the Mingdai "Axis of Bianjing Zhaozhuhe Picture".

And there is a tear in the bamboo crane picture on the poster.

Divide this image into two.

And there is a little bit of paper connected together in the middle.

The shape of that little piece of paper happened to be that a little man was patching up the painting.

Zhou Huan was amazed in his heart.

Hastily rowed to the third poster.

The third poster that appears is a golden bowl with gold francs.

The original is the "cloisonné enamel Wanshou Wujiang medium bowl" in the late Qing Dynasty.

The same bowl was damaged.

Where it is damaged, there is a villain repairing it.

These three posters are not only artistic but also fully demonstrate the characteristics of this documentary.

in the comments section below.

Netizens have been amazed by such creativity.

"Wow! This poster is so beautiful! I'm looking forward to it!"

"After seeing that the director's name is Xu Wen, I knew that this was another high-quality documentary and I didn't run away!"

"Where did Director Xu Wen find such a genius! This is simply a textbook-level poster design!"

"I haven't seen the finished film yet, but I'm full of anticipation for the work because of the poster!"

"Absolutely! I declare that I have successfully been planted by the poster!"

......

Liu Ke couldn't help laughing while looking at the comments.

"I've already lost my appetite now, Xu Wen really has a trick."

"There is no documentary about cultural relics that people are interested in that can be made so popular by him."

"Unfortunately, it says that the feature film won't start broadcasting until half a month."

Zhou Huan smiled.

"I knew it was right to choose Xu Wen in the first place."

"Unfortunately...Xu Wen is no longer an employee of our Jiangsu-Zhejiang TV station."

Hearing this, Liu Ke cast a calm glance at Zhou Huan.

Again.

It's a pity that Xu Wen resigned.

It's a pity that Xu Wen is no longer our station.

Now it has become the mantra of Jiangsu and Zhejiang Satellite TV.

And because these three posters have successfully attracted countless fans once they were released.

Everyone in the team admired Xu Wen's operation of finding Huang Haiyang.

"Director Xu! You are really amazing!"

"How did you think of looking for Mr. Huang Haiyang?"

"Director Xu, my admiration for you is like a torrential river."

......

Facing the team's compliments, Xu Wen just smiled lightly.

"Sometimes you just need to pay attention to the details."

"Now! Let's wait for the premiere in half a month!"

Everyone nodded, this time they were full of confidence in this work!

......

Time turns.

Half a month has passed by in a hurry!

Finally, the premiere of "I am repairing cultural relics in the capital" is ushered in.

This documentary was scheduled early in the morning to be premiered jointly by Jiangsu and Zhejiang Satellite TV and bli bli.

At the beginning, Jiangsu and Zhejiang Satellite TV paid nearly 1000 million yuan to buy this documentary.

It doesn't seem like much, but you have to know that this documentary has only three episodes.

And the money spent in b in b is twice that of Jiangsu and Zhejiang Satellite TV!

Now is the time to put this documentary to the test.

Many people were waiting in front of the TV early.

Xu Zhang and Tong Xing specially made an appointment to watch the premiere of this documentary together.

For them, Xu Wen's test change was selected.

Their hearts are contradictory.

That is to say, I am a little unconvinced, but at the same time I hope that Xu Wen can use this to bring the genre of cultural relics documentaries to the fore.

So with trepidation.

The two came together.

"After waiting for so long, it finally started broadcasting."

Xu Zhang sighed.

Tong Xing on the side also sighed.

"Isn't that right? Next, we'll see whether Director Xu surprises us or frightens us."

Just as he was talking, the TV screen changed.

"I am repairing cultural relics in the capital" officially launched!

Chapter 283: Episode [-]: Bronze Wares, Court Clocks, and Ceramics! !

"It's too windy..."

"Yang Fan, bring that dart here..."

"Look, it's mouse shit..."

......

In a palace that hasn't seen the sun for a long time in the Capital Museum.

Noisy voices came.

It is accompanied by machine and human voices.

Dozens of people came and went.

Although the voice never stopped, the actions of this group of people were extremely slight.

It seems to be afraid of getting something.

In the room, a large ancient screen was moved out.

Every screen is in disrepair for a long time, and the surface is covered with dust.

It doesn't have the brilliance of a national treasure at all, it feels like second-hand furniture that was eliminated by others in a certain corner.

There are still people pointing and pointing around these screens.

There are a large number of screens, some of which can still be seen in complete form.

Some have been eaten by moths and rats, leaving only a pair of frames.

Facing the broken screen, the people in the room did not dare to take it lightly.

They call themselves ordinary staff of the Capital Museum.

But on the outside, they are all top cultural relic restoration experts.

He is a doctor who treats the top cultural relics in this country.