My documentary really doesn't want high ratings

It is well known that Liu Shishi is a fan of Xu Wen.

What Liu Shishi said made everyone startled.

Since Lu Hong issued a statement, Xu Wen has left a lot of bad comments under his scarf.

He was spurned by thousands of people overnight.

Although the matter has been rehabilitated and resolved now, the comments left by those people under Xu Wen are still there.

From the appearance of the entire cyberbullying period, Xu Wen did not close the comments, and did not silence the speech.

Instead, it accepts all the emotions of netizens.

Now that the truth of the matter has come out, netizens suddenly feel guilty.

They all rushed under Xu Wen's scarf.

"Those cyberbullyers before you, have you ever thought about the harm you caused Director Xu when you made a bad comment?"

"One word that hurts others, but it takes a long time for others to be relieved."

"When an avalanche hits, no snowflake is innocent."

"We really need to reflect on our ability to distinguish."

......

With so many netizens pouring in, Xu Wen's scarf directly gained nearly 40 fans.

There are even a lot of media wanting to interview Xu Wen.

I want to know what kind of attitude Xu Wen has in this incident.

But Xu Wen declined.

Simply wearing a scarf around his neck is a way of showing his attitude.

"The wind blows and wrinkles a pool of spring water."

This scarf made some restless fans calm down immediately.

"It's no wonder that you are a cultural person, you express your attitude so elegantly!"

"Is there anyone here to explain what Director Xu meant by this sentence?"

"It means: nothing happened at first, but the wind disturbed the calm water in the pool."

"Lu Hong is this chaotic wind!"

"Lu Hong is the wind, and we are not innocent, so don't make sarcastic remarks."

......

The more flat Xu Wen's attitude was, the more it brought out how bad Lu Hong was.

If Xu Wen yelled for grievances, netizens might still find it very lively.

On the contrary, Xu Wen's performance is more flat and more admirable.

I always want to do something to make up for my previous bad comments on Xu Wen.

At this time, a simple comment from an unfamiliar netizen made everyone suddenly enlightened.

"Director Xu's attitude is obvious, he is not a pushy person, we just pay attention to his works!"

Rough words are not rough.

Xu Wenwen is a low-key person.

If you are misunderstood, you will not take it to heart.

That being the case, the best way to support Xu Wen is to support Xu Wen's works.

Ever since, many netizens clicked on the page of "I am repairing cultural relics in the capital" in bli b, and made an appointment for the broadcast of the last episode of "I am repairing cultural relics in the capital" this Saturday.

Soon it was Saturday.

Xiao Jia is a middle school student.

At the beginning, because of things on the Internet, I had a bad impression of Xu Wen.

As a middle school student, what attracts him are often movies, TV and anime, and there are no documentaries in short.

So he knew Xu Wen's name, but he had never read Xu Wen's works.

Later, Xu Wen was wronged.

And Xu Wen's consistent and calm attitude made Xiao Jia curious.

I just finished my homework early today.

So Xiao Jia took advantage of this time to see what this so-called documentary was like.

As the time came to 8pm.

The last episode of "I am repairing cultural relics in the capital" is officially launched!

......

The Capital Museum is as quiet as ever.

Between the red walls and ancient tiles, stray cats lie on the long street.

The balmy sun made them stretch out comfortably.

In contrast to this quiet picture, there is laughter from the next room.

"The maximum multiplier of our [-]D video is a hundred times, right?"

"This character is basically quite characteristic."

"You have found someone who looks like you. There are several people who look like you."

This is the calligraphy and painting restoration group of the Capital Museum.

Several calligraphy and painting restorers are talking and laughing in front of a huge old picture.

There are nearly a hundred figures in the colorful ancient paintings.

Judging from the surrounding furnishings and the image of the characters.

This is a banquet scene during the Qing Dynasty.

There are young noble women and children playing in it.

The maid carrying melons and fruits stood aside, looking at the children playing and sniggering.

This painting is not signed by the author.

There is no description of the painting content.

There is also no exact creation time.

Before that, it had never met with the public either.

Even its name was not fully finalized during the restoration.

It has been verified by experts from the Capital Museum.

It depicts the real scene when Emperor Qianlong gave his mother, Empress Dowager Chongqing, the [-]th birthday.

"They got all the characters right, including the concubine and so on. Look, this is Qianlong, and this is his mother."

Lin Zehua of the calligraphy and painting group is explaining the characters in the painting to the camera.

The painting has a lifespan of 250 years.

Originally very dilapidated.

The silk surface has defects, cracks and mildew.

Yang Zehua and his colleagues have just repaired it.

Most of the materials used in Chinese ancient calligraphy and painting are silk and paper.

The texture is slim, plus the age.

It is easy to get damaged and lose color.

Without the work of generations of restorers, it would be impossible for us to see those famous paintings that have been handed down for thousands of years.

Painting and calligraphy restoration?

Xiao Jia was a little surprised.

How can I fix a piece of painting that is missing?

The main reason was that he hadn't watched the second episode, and he didn't know that besides calligraphy and painting restoration, the Capital Museum also restored textile cultural relics.

Otherwise Xiaojia will be even more surprised

......

Huaguo calligraphy and painting enjoy a high reputation in the forest of world art.

Painting and calligraphy mounting originated from the needs of the ancients for viewing and collecting.

When did it originate first? According to the available information, it was in the Jin Dynasty.

It has been more than 700 years ago.

After such a long development and exploration, it has formed a complete set of fine traditions.

Yang Zehua held a searchlight-like instrument and shone on an ancient painting.

He came to the Capital Museum decades ago.

After three years of apprenticeship, he was assigned to the calligraphy and painting restoration group.

With a lively and cheerful nature, he is willing to accept the combination of traditional things and science and technology.

"You see, we have a lot of mineral pigments that we don't know the source of, and we don't want to repair them indiscriminately, but now with the help of the instrument, we can see it clearly at a glance."

Yang Zehua said proudly facing the camera.

The first generation master craftsmen of the painting and calligraphy restoration group of the Capital Museum.

He has restored top famous paintings such as "Along the River at Qingming Festival" and "Five Bulls".

They are the golden generation.

And Yang Zehua's master Xu Ming is the second generation.

"Look, you have to fix this here first, and then fix it to the side."

Xu Ming dipped the sieve in water and sprinkled it on the painting.

Wait until the water droplets are even, and then wipe the edges evenly.

Surrounded by many young people, watching his action process.

Because there are many apprentices and few masters.

Xu Ming, who is in his 60s, is now re-employing after retirement.

Continue to teach in the Capital Museum and continue to engage in this craft.

Today they are going to paste this ancient painting in their hands on the wall.

This is an old tradition.

When pasted on the wall, the painting will be flattened by its own tension during the process from wet to dry.

But it is also an extremely careful process.

Because it will break if you are not careful.

Papermaking tells us.

The interconnection of paper is achieved by hydrogen bonds. When the paper meets water, water bridges are built between the fibers.

Loss of original hydrogen bonding because wet paper is not as strong as dry paper

After drying to remove water, the water bridges are broken and the hydrogen bonding is resumed again.

The strength of the paper increases again.

wow! !