My documentary really doesn't want high ratings

Xiaojia chats with her friends occasionally.

By the way, waiting for the opening of the movie.

Apparently 7:[-] am is the reason why.

As a result, none of the people who came to watch this scene filled up a quarter of the seats.

After chatting for a while, the lights dimmed.

The theater also gradually quieted down.

The movie has officially started.

Chapter 296: "I am repairing cultural relics in the capital" big movie!

The opening of the vermilion gate represents the beginning of a day's work in the Capital Museum.

The lengthy creaking sound seemed to blend into the whimpering of the years.

The old man who opened the door had a long key ring in his hand.

Inside are the different doors of the Capital Museum.

He started the work of opening the door, and the story of the Capital Museum also started from the door.

The restorers in each group pushed their bicycles into the Capital Museum one after another.

He opened seven doors all the way, and then returned to his group room after exchanging the keys.

As the flow of people dispersed to each room, the long street with red walls and yellow tiles became quiet again.

Only a few orange cats crouched under the eaves and looked around.

It's only here that the title appears.

"I am repairing cultural relics in the capital"

"Monday is the most comfortable time, because there is no one in the museum when it is closed on Monday."

Chen Yang from the Textile Restoration Room rode a bicycle on the central axis of the Capital Museum.

The bicycle took her all the way to Xisan Institute.

After parking the car, Chen Yang, holding a stack of documents, happened to meet a group of people transporting cultural relics.

The camera follows the group to the gold and silver restoration room.

"This is a silver pot. Its surface is too embroidered. It needs to be derusted. Just light it up."

The person who transported the cultural relics said to Wang Youliang.

Wang Youliang nodded.

Take this silver jug ​​to the special instrument.

Turn on the lights and start grinding the silver jug.

"Doing our kind of work is not boring. It has been worn down for decades. In our line of work, you must be able to sit still. Like when I first came, my master gave me a bronze bow and asked me to scratch it. The copper on it actually means to hone your patience."

"The masters also took a knife of paper for you to scrape off the straw and black residue on it. In fact, when you think about it now, she has his purpose, which is to hone your patience."

Lin Zeming in the painting and calligraphy restoration room said the same thing to the camera at the moment.

Not far behind her, a little girl who had just entered the restoration room was grinding paper.

"When I imagined that the condition of the Capital Museum was very good, I imagined that everyone was like a medical staff, the environment was very clean and the equipment was very advanced, but when you came here, you found that the environment is not like this, in such a Can he heal the cultural relics repaired locally?"

"When I first came here, I was really disappointed. I remember that the day I signed the contract, I was in the narrow alley, and I wandered there for more than an hour, because when I was in school, I was considered a professional in our class. of."

"But I know that after I come here, all the things that I created will no longer exist, and I cannot create them here."

Qu Feng from the wood restoration room said with a smile.

Everyone comes to the Capital Museum for different purposes.

Everyone also has a vision for their future.

While their classmates were flying outside, they entered the Capital Museum.

The people behind the artifacts that started out in obscurity.

Pushing the brilliance of cultural relics to the fore, the Capital Museum of Nuo Da is the only place where they stay for a long time.

The Longevity Picture of Emperor Kangxi is still being restored.

With so many screens, the repairs on each side are calculated on a monthly basis.

The Liao and Jin Buddha statues with broken fingers have not been repaired.

The tricolor horses of the Tang Dynasty are still painted.

It's as if everything has been dialed back to a corrected timeline.

Wood Restoration Group.

At this moment, there is a Buddha statue in the wooden set.

This Buddha statue is from a Buddha statue in the Liao and Jin Dynasties.

The carcass is round and plump.

But because of the age, the color of its surface has lost its color.

The original gray texture was revealed.

Qu Feng of the woodware group brought this Buddha statue to the Ministry of Science and Technology.

Scanned by a professional instrument.

Under the X-ray, the gap in the Buddha statue is revealed.

"Look, the color is off here on his lips, so his color is black."

The staff in charge of scanning pointed to the screen and said to Qu Feng.

And Qu Feng was also recording with a camera and a small notebook.

After finding the gap that should be there, Qu Feng took the Buddha statue back to the wood restoration room.

"Their request to us is that this Buddha statue can be used as long as it can be used in the exhibition, but I think it's not good if the Buddha statue is missing two fingers, so I suggest to add the fingers."

"Sometimes it is always said that incompleteness is a kind of beauty, but sometimes the incompleteness is always uncomfortable to look at."

Facing the camera, Qu Feng smiled, and continued to paint the broken fingers of the Buddha statue with a paintbrush.

The screen turned to the ceramic restoration room.

Ceramic restoration is a comprehensive work. It is necessary to understand the main characteristics of ceramics of various dynasties and to be familiar with various restoration materials.

Master some relevant physics and chemistry knowledge.

Wang Wusheng is still restoring this three-color horse from the Tang Dynasty.

Because the gap of the three-color horse is relatively large, there are large areas missing in the chest muscles and back.

According to the suggestions of the experts, a leather belt should be added to the chest of this tricolor horse.

But Wang Wusheng is not sure whether the shape is correct, and the horse's tail is always missing.

So he decided to go to another place to find the answer.

Come to the Ceramics Pavilion.

There are many ceramic horses restored by predecessors here.

Wang Wusheng took pictures while watching.

For the ceramic horse I am restoring.

After seeing the leather belt on his chest again, Wang Wusheng had an idea in his mind.

"But the shape of the tail is different, so we don't repair it, just like the broken arm of Venus, you don't know its shape, so we don't repair it."

Wang Wusheng took a look around and walked out of the ceramics museum with his camera.

Go back to your own ceramic restoration room from the ceramic hall.

The middle passes through the Hall of Supreme Harmony.

The floor tiles in front of the Hall of Supreme Harmony are not very smooth, and some of them have been in disrepair for a long time, resulting in one or two pieces missing in the middle.

"You see, walking on this, there is a sense of history."

Wang Wusheng said with a smile.

Pick up the camera and take a picture or two from time to time.

Wang Wusheng is about to retire, and there are still places in the Capital Museum, which he has never been to.

Mixed among the tourists, Wang Wusheng's posture and expression in taking pictures seem to be no different from those who came here for the first time.

Just one of many people.

The Capital Museum plans to build a north campus in Haiding District.

Where to provide modern conservation spaces for large cultural relics.

Solve the problem of existing site limitations.

The person in charge of many groups such as woodware group, calligraphy and painting group, ceramics group, etc.

Together they boarded the bus prepared by the Capital Museum and set off from the Capital Museum to the North Campus.

Every time you come out of the Capital Museum, it is like traveling back to modern society from a hundred years ago.

The North Campus is built between the fifth and sixth rings of the capital, more than 30 kilometers away from the Capital Museum.

When we arrived at the North Campus, we obviously couldn't see the old facilities anymore.

Brand new tall buildings appeared in the camera.

Arriving here, the restorers of the gold and silverware group encountered new cultural relics.

An artifact shaped like a birdcage, but much larger.

There is an iron basin under it, which is connected to this simple cage.

Most of the cages were rusted, and in some places the wires that held them together were broken.

These are the things used in ancient courts for warmth.

Compared with folk, they are much larger in size.

The design is also very particular.

In the past, when files were managed, these were counted as data.

It is also a cultural relic now.

Wang Youliang's task is to restore these overstocked and deformed bronze wares to their original state.

The procedure will use their orgasmic plastic surgery techniques.

Wang Youliang was blowing heat on the curved part of the copper pot with a heat gun.

It seems unremarkable, but in fact, the temperature control of this process is difficult to grasp.

It is necessary to bake out the flexibility of the metal, but the temperature should not be too high, otherwise the color of the cultural relics will be damaged.

As the iron sheet softened due to heat, Wang Youliang used iron tongs to restore the iron sheet to its original shape.

On the side of the camera, there are more iron pots waiting for Wang Youliang to restore.

While the North Campus was busy, Wang Jin and Qi Haonan from the watch team had already arrived at the Capital Airport.

Today they are going on a business trip to Xiamen.

Because a forum in the watch industry is about to be held in Xiamen.

Similar to an exposition in the watch world.

The scene of the meeting has a style similar to the venue of the United Nations.

The circular seats are full of people.