Tokyo Literature and Art Times

But after all, in Takeshi Iwata's style, this is considered a 'trouble'.

Therefore, for his role, even if he has done a lot of foreshadowing, he has created the appearance of a super devil.

Kill it!

This is Takeshi Iwata's style!

Splashy!

……

In fact, the Temple of Reality is still immersed in the previous killing array.

The blood spurts wildly, the moment of killing.

so comfy.

And about Takeshi Iwata being killed as soon as he shows up... still very comfortable!

Well, the key to this comfort is that it fits into a very traditional story structure.

A story basically has these four stages.

Beginning, development, climax, ending.

The first two are easy to understand, while the latter two are often connected together.

Many classic movies end immediately at the climax.

Or simply, the climax is the ending, it's over.

The rest of the aftertaste is left to the audience.

This "Kill That Man", from the first battle to the final fight against Shura Xueji.

Then to face the strongest enemy... that man.

That's the way it should be shot.

Listen to everyone's exclamation.

Splashy!

……

In fact, as far as Takeshi Iwata is concerned, this "Kill That Man" is really not that simple.

The original Quentin used two movies, although it really should have been one movie.

But Takeshi Iwata first had to solve the problem of combining the two movies into one, and then he had to solve the problem of connecting the plots of the two movies.

In many cases, Quentin did not explain the 'causes and consequences' of some details.

It's like how the heroine found the copperhead snake, how she found Hattori Hanzo, and how she found Bill's brother.

Of course, Ishii Miren is too ostentatious, so it is easier to find, this is not a fault.

In short, just like the heroine can take a plane with a long knife casually, there are many places that cannot be carefully considered.

Quentin can do that because that's his style.

And Takeshi Iwata has to deal with these details, especially Japanese audiences are also very concerned about details.

So, there is the 'Aoba House Matchbox', this kind of thing is very common, and most of the bars use this thing for publicity.

The black mamba is very familiar with the copperhead snake, which explains why the heroine can find the copperhead snake quickly.

In addition, the California Mountain Snake and Bill's younger brother were merged into one by Takeshi Iwata.

Matsushige fulfilled Takeshi Iwata's request for performance very well, and he also made sacrifices.

This women's big guy is actually a must.

In this day and age, even though the island nation already has a geeky magazine like "Rose Clan", it is still very conservative in general.

Therefore, as long as you know that he has the hobby of being a bigwig in women's clothing, it's easy to find him in Hong Kong.

Of course, that scene was actually filmed in Japan.

It is through these many small details that Takeshi Iwata connects the four small revenge passages together to form a wonderful revenge drama.

The real reason is that he has no extra 'time'.

That's right, in the previous few films, Takeshi Iwata made up the time, but this time he didn't have enough time.

Look, there are fewer walking shots.

The 'man' he played himself had to be killed at the climax of the movie!

Moreover, Takeshi Iwata has to solve one of the most critical problems.

That man, why did he kill his bride!

……

When the knife was successful, Ishii Miren didn't have any excited expression on his face.

She did smile, but it was very, very miserable.

Anyone who sees this smile can clearly understand Miren Ishii's thoughts, and even Anita Mui.

She has loved.

This knife, this miserable smile, absolutely nothing!

That man didn't die for a while, after all, he is such a strong person, it's not so easy to die.

The bride picked up her knife again, and she walked up to the man.

Miren Ishii pulled out the sword with the last of her strength.

puff!

A cavity of hot blood sprayed on the bride's face, the man couldn't hold on, and fell to his knees.

But he still didn't die.

Ishii Miren closed her eyes, as if merging with the snow.

The man and the bride looked at each other, and the bride held the knife in both hands, and did not cut it off for a long time.

After looking at each other for a long time, the man suddenly smiled.

He opened his mouth.

"Be a samurai!

When fighting, you can only think about how to overcome the enemy and win!

Abandon all distractions, abandon all emotions!

Even if you are facing gods, Buddhas and devils, it's the same! "

This is a part of the bride's chanting after killing the copperhead snake, and we all know now that this is the monologue of the swordsmith Muramasa.

That man, whose apprentice is he?

The man before contacting again killed Baimei, and Baimei was a peerless master.

Even Baimei was a killer in the past, with no life in his hands.

In an instant, everyone understood!

With tears in her eyes, the bride let out a loud drink.

what! !

The shining long knife cut down quickly!

At the last moment, the man said three short words.

"It's a daughter."

The bride's eyes changed, but the knife could no longer be held back.

Red blood sprayed into the air, and white snowflakes slowly fell.

The snow has lost its original color.

……

When the bruised and casually dressed bride reappeared in Muramasa's hermitage.

A little girl, with big eyes, looked at her stupidly.

The bride hugged her tightly and burst into tears.

This is the end of the film, and at the end, there is no line, and the music starts from the moment the bride is slashed with a knife.

"Flowers, if they are beautiful, they will be praised..."

This is "Resentment Festival" by Meiko Kaji. If translated by Xin Daya, it can be called "Song of Resentment" or "Song of Resentment Love".

It was once used in "Sura Snow Princess", and this song was originally sung by Kaji Meiko in "Female Prisoner 1972" in 701.

One of the lyrics is impressive.

"Stupid, stupid, stupid woman, song of resentment..."

At this moment, this song seems to have shattered the big screen and penetrated into everyone's hearts.

clap clap~

"Siguoyi!"

"Splashy!"

"It's so good! So good!"

The entire theater was boiling, and everyone's applause and praise were intertwined into one piece.

The fans, especially Mingcai Pie, are going crazy.

Akatsuki's performance in this movie is too good.

The point is, this movie is too cool!

Who is that man alluding to? Isn't it too simple.

That's how it should be!

Moreover, this movie is the real breakup declaration, right?

Whether it is or not, our fans think so!

The reporters couldn't help it.

Originally, there were still many events at the premiere, so they simply moved the interview forward.

"Mingcai, can you tell me about the original intention of taking this movie?"

"Has a decision already been made?"

"This movie is tailor-made for you, Ming Cai, right?"

Ming Cai is naturally the most focused one, and Anita Mui is also surrounded at the moment.

"Miss Anita Mui, did you really come out this time?"

"The role of Ishii Yulian is really amazing! But it's also a bit too ruthless. How did you think about it when you accepted the role?"

"Can you tell me the details?"

Need more details?

Ming Cai and Anita Mui exchanged glances, and then said in unison:

"About the movie, you should ask the supervisor, we are just performing according to his request."

This……

Suddenly, Takeshi Iwata was surrounded.

It's just that he's too fierce, and the man in the movie just left a psychological shadow on everyone.

The reporter wanted to ask, but couldn't ask for a while, so he looked at him with his eyes.

That means: You should know what we're going to ask, right?