(You grin.)
(Sure enough, as you speculated, "I" did not die, so as long as you smash the mask, the real "I" will also die together.)
(Woman: Don't do such extreme things, my daughter still has hope of survival, please don't hurt her.)
(You: Then, you follow my request and give me the doll first.)
(The woman compromises.)
(She glances at the doll in her hand, and uses her hair to hand it to you.)
(After losing the doll, the woman's face withers away at a speed visible to the naked eye.)
(You look around at the doll and see nothing special about it, but you see a zipper on the back of the doll.)
(You unzip it and find a red access card inside.)
(Woman: You...give me my dead body.)
(You: Give it to you? Huh, give it to you and let you kill me? Dream!)
(You put away the doll and leave the Chamber of Secrets.)
(The woman's heart-piercing yelling resounds throughout the office.)
(You leave the room with the doll.)
(Your eyes are blood red.)
(You take off your mask.)
(The mask is crying blood, and you find the same words written all over the mask.)
("what goes around comes around.")
("what goes around comes around.")
("what goes around comes around.")
(You feel your heart beating fast, as you did when you picked up the dead woman in the third-floor office.)
(You: Why do you punish me instead of your good mother? Isn’t she the one who did the evil first? If I don’t lie to her, I will be killed by her!)
("what goes around comes around.")
("Evil comes around...")
("The bad news...")
(Your mind is broken.)
(You totally turned into a monster.)
(you are dead.)
(The deduction is over!)
"Shit, which side is this Toto on?"
Gu Yi opened his eyes again, cursing in a low voice.
The mental shock he suffered during the deduction was too great, which deepened his infestation in reality, and he found that his left wrist had also started to grow black hair.
Gu Yi shook his head unwillingly, and continued to close his eyes, thinking about countermeasures.
(Deduction begins!)
(You're sitting on the toilet summarizing the lessons learned.)
(Obviously, this time you are punished by "me" rules and turned into a monster for not keeping your promise.)
(The so-called Toto seems to have a mental cleanliness.)
(She instituted this scarlet letter rule, ostensibly to curse the dean, but in fact it restricts your actions.)
(If you keep doing evil, break your promise, and refuse to save yourself, the difficulty of the dungeon will increase significantly, and even directly trigger the death flag.)
(You frown in thought.)
(You think you may not be in violation of "what comes around.")
(Because, this rule has subtly affected your clearance difficulty, and it will definitely not let you trigger death immediately.)
(You think the real reason for your sudden death is that you did not abide by the pig man's rules, and your behavior did not meet the standards of a businessman.)
(The pig head mask represents the merchant in the instance world.)
(The manager of a small store is your best example.)
Chapter 42 The deal with the mother (2)
(The manager of a small store is your best example.)
(He will discuss the rules with you in advance, and both parties will never go back on their word after agreeing to the rules. Within the scope of the rules, he can cheat, cheat, and cheat, but he will never violate the rules.)
(Even if he is caught after cheating, he will not regret it or become angry. He will still keep his promise and give you what he promised to you before.)
(When you traded with a woman, you clearly promised to get the doll first, and then give her the body.)
(But in the end, you back out.)
(Hence, you are punished by the rules.)
(Once again you're in a dilemma.)
(Giving a dead body to a woman will drive her into madness and eventually kill herself.)
(If you don't give the woman's body, you can't get the key props.)
(If you cheat on a woman, you will die suddenly because you violate the rules.)
(You grab your hair, frowning in thought.)
(You change your mind a bit.)
(Is there a way to complete the transaction without killing you?)
(Fakes for women?)
(Impossible, it is impossible for a woman not to recognize her own corpse, and you have no way to make a fake corpse on the spot.)
(Poisoning a dead body?)
(Your eyes light up.)
(When a woman got her own corpse, her first reaction was to swallow the corpse. If she could poison the corpse, she would be [-]% hit.)
(If you can poison a woman to death, then you don't have to worry about being killed by a woman.)
(Your deal is only for the woman to get her own corpse, but if the woman insists on eating her own corpse and ends up being poisoned to death, that's none of your business.)
(But what kind of poison can kill a woman?)
(She is already a ghost, are ghosts afraid of poison?)
(You're making a bold assumption.)
(After a woman eats a corpse, she will turn into a monster similar to Petez, so if you give her the patient's medicine, can this transformation process be delayed?)
(You suddenly realize.)
(You put on a beak mask and steal a box of pills from the hospital pharmacy.)
(That's what you eat and throw up three times a day.)
(You stuff all the pills into the corpse's mouth, you shake the corpse's neck so the pills all fall into the corpse's belly.)
(You put on Toto's mask and go back to the secret room on the third basement.)
(The woman immediately looks up when she sees you.)
(Woman: Who are you? Why do you have my daughter's mask? What are you trying to do?)
(You: I'm here to negotiate terms with you.)
(Woman: What?)
(You: I found your body, I want to make a deal with you, exchange your body for the doll in your hand.)
(You talk to the woman, who eventually agrees to trade with you.)
(You put the body on the ground.)
(The woman hands the body into your hands.)
(The woman swallows the body before you can put the doll away.)
(The woman groans in pain, and she immediately transforms into a black troll.)
(You subconsciously pulled out the red pill and the elephant mask.)
(The woman's body suddenly collapses, and she turns back into a human form, struggling on the ground.)
(Woman: You liar, you actually poisoned me?)
(You: How did I know you were going to eat it, I thought you were using it as firewood.)
(The woman rolls her eyes and foams at the mouth.)
(You are worried that the woman will cheat again.)
(You take the hammer out of the toolbox and smash the woman's head.)
(You exit the Chamber of Secrets.)
(You wipe off the blood and take the doll out of your kangaroo pants.)
(You unzip the back of the doll and pull out a red access card.)
(The front of the access card is painted with a half-red and half-black clown head, which is the logo of the Weird World Live Channel.)
(You swallow hard, and turn to the back of the access card, which has red blood on it.)
("With it, you can go anywhere.")
("Including three basement floors.")
(You are shocked.)
(You thought it was an exaggeration to have two basement floors, but you didn't expect this hospital to have a third basement floor.)
(The spiritual pollution on the second basement level is already very strong, what will happen to the third basement level, which is deeper?)
(You think for a moment, then pick up the red access card and go to the elevator.)
(The operation panel of the elevator only reaches the second floor at most, and there is no button for the third floor at all.)
(You put the red access control card on the sensing area.)
(The entire elevator turns bright red.)
(There is only one floor left on the operator panel—minus three.)
(You press the button.)
(The elevator opens.)
(It's dark outside.)
(You take off your mask.)
(The blackness outside the elevator dissipates, and in front of you is a clean and narrow corridor with a red woolen carpet on the floor.)
(You walk on the rug.)
(The corridor gets narrower and narrower until you end up having to turn sideways to get through.)
(You finally walk out of the corridor.)
(In front of you is a huge movie theater.)
(There are ten rows of auditoriums, but no one is sitting in them.)
(You turn your head to look at the projection room, the projector is flickering non-stop, and you vaguely notice a figure standing beside the projector.)
(You come to the screening room.)
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